David L Page

reflective practice reflexive practice auto-ethnography self cultural production music & sound narrative experiential phenomenology identity approaches to practice subjectivity music and sound dialogical self agency higher education motive digital virtual environment music styles songwriting/composition analogue technologies workflow social network digital technologies technology practice-led research conscious competence model balanced holistic practice adaptive competence embodiment rational & extra-rational technical & extra-technical music and sound production fully-functioning person hybridity embodied practice creative arts practice education research creative sustainable authentic practice diy music practice location one's orientation upward learning spirals downward learning spirals psychophysiological states arts practice as research values soundtracks soundscapes art-based practice as research academic research electroacoustic & sonic art generational differences roots-based high arts-based approaches to production composition phenomenology auto ethnography meaning-making self-making practice-making sound & music heterogenous homogenous convergent workflows hybridised practice deliberate practice holistic model elements connection balanced practice hybridisation celebrations family aravind lal patel motibhai meaning music musicking phases representation sound elements voices authenticity learning theory accidental practice