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104875110 vernacular-architecture-of-hills-india-130926123709-phpapp02
The document discusses vernacular architecture, which refers to traditional construction methods used by local builders without professional architects. It focuses on vernacular architecture in hill regions of India, describing characteristics like use of local materials, load-bearing structures, small openings, and sloping roofs. Specific examples from Himachal Pradesh, Kashmir, and Ladakh are provided, including construction techniques like dhajji walls and materials used like wood, stone, and mud. The importance of studying vernacular architecture for disaster recovery and sustainable design is also noted.
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104875110 vernacular-architecture-of-hills-india-130926123709-phpapp02
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- 3. • The termvernacular is derived from the Latin vernaculus, meaning "domestic, native, indigenous"; from verna, meaning "native slave" or "home-born slave". Hence it means ‘native science of building’.
- 4. • The term"vernacular architecture" in general refers to the informal building of structures through traditional building methods by local builders without using the services of a professional architect. It is the most widespread form of building.
- 5. Vernacular architecture stemsfrom the belief that architecture is a balanced combination of • logical knowledge, • divine inspiration and • common sense.
- 6. •Vernacular architecture, asthe term, refers to the construction methodology that natives employ to build shelters using locally prevalent resources and conditions.
- 7. The term "vernaculararchitecture" in general refers to the informal building of structures through traditional building methods by local builders without using the services of a professional architect. It is the most widespread form of building.
- 8. SYNONYMOUS TERMS •ancestral ortraditional architecture •primitive or aboriginal architecture •indigenous architecture •folk, popular, or rural architecture •ethnic architecture or ethno-architecture • informal architecture •the so-called "anonymous architecture" or "architecture without architects;" •“non-pedigree” architecture •eco-friendly architecture
- 9. SOME FAMOUS WORDSON VERNACULAR ARCHITECTURE BY SOME FAMOUS PEOPLE “It is the architecture of the people, and by the people, but not for the people.” PAUL OLIVER defines in his book „Dwellings,‟
- 10. “It is abuilding designed by an amateur without any training in design………… The function of the building would be the dominant factor, aesthetic considerations, though present to some small degree, being quite minimal…………… Local materials would be used as a matter of course, other materials being chosen and imported quite exceptionally” RONALD BRUNSKILL
- 11. "Folk building growingin response to actual needs, fitted into environment by people who knew no better than to fit them with native feeling" FRANK LLOYD WRIGHT
- 12. INFLUENCES ON VERNACULARARCHITECTURE •CLIMATE- most significant influences on vernacular architecture is the macro climate of the area in which the building is constructed •Temperature •Precipitation •Wind speed •CULTURE •ENVIRONMENT AND MATERIALS
- 13. CHARACTERISTICS OF VERNACULAR ARCHITECTURE •Dwellings and structures that are built as a product of traditional customs and practices, •Often built by the users themselves, • Representing a far less degree of specialization •The structures made by empirical builders without the intervention of professional architects. •They have emerged out of hard necessities, hard work and hard lives. •Construction methodology that natives employ to build shelters using locally prevalent resources and conditions.
- 14. TYPES OF VERNACULARARCHITECTURE •Rural •Urban •Commercial •Hill •Indian vernacular architecture •Kachcha •Pukka •Semi-pukka
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- 17. Jammu and Kashmir– Amarnath, Leh, Ladakh, Shrinagar, Gulmarg, Pahelgam, Rajori, Patnitop , Dah And Hanu, Aru, Kishtwar, Sonmarg, Kishtwar Himachal Pradesh - Kullu Valley, Manali, Rohtang Pass, Chamba, Kangra, Khajjiar, Kinnaur, Mandi, Chail, Dalhousie, Dharamsala , Kasauli, Shimla. UNA, LAHAUL VALLEY, HAMIRPUR, BILASPUR, Solan, KINNAUR, SIRMAUR Uttrakhand - Abbott Mount Almora Auli Bhimtal Bhowali Binsar Chakrata Chamba Champawat Chaukori Chopta Dhanaulti Dharchula Didihat Dwarahat Gwaldam Harsil Jeolikot Kanatal Kausani Khirsu Lansdowne Lohaghat Mukteshwar Munsiyari Mussoorie Nainital Naukuchiatal Pangot Pauri Garhwal Pithoragarh Ramgarh Ranikhet Sattal Srinagar Tehri Garhwal Ukhimath Uttarkashi Sikkim - Gangtok, RAVANGLA At the base of Maenam Hill, Pelling, Rinchenpong, Tendong Hill, Nagaland – Kohima Manipur – Imphal Rajasthan- Mount Abu Gujarat – Saputara Maharashtra – Mahabaleshwar, Panchgani, Khandala Andhra Praadesh – Horsey Hills TamilNadu – Ooty, Kodaikanal Kerela – Ponmudi, Peermadam Munnar, Dailkumam, Wayanad
- 19. SETTLEMENT • Along River sideand agriculture land • In cluster of 2025 • Along the contours • South facing
- 20. Construction is complicated dueto : • Difficulty of getting suitable orientation on the hill slopes. • Problems of soil erosion and land slides. • Restrictions by the forest department.( ban on cutting of the trees). • Existence of tall shady trees and dense forest area, which obstruct the winter sun required for the buildings. • Limitations on the height of the building due to earthquake risk. • High cost involved in the site development due to the cutting and the filling process. • Non-availability and transportation problems of construction
- 21. Style Variation • theregions, comprising the Kullu valley, Satluj valley and the Ravi valley, a great commonality ofstyles exists. • In the Satluj valley region, the typical house consists of stone and timber walls, constructed in what is known as Kath-Kona style, an indigenous style of construction, in which the walls are made with alternate courses of dry stone masonry and timber without any cementing mortar.
- 22. Style Variation • Ravivalley, the walls of the traditional houses are built mostly with the dried masonry, without using any alternate layers of timber. These walls are plastered with mud both from inside and the outside • In some parts of Himachal Pradesh, there is a popular use of the Dhajji wall construction. In this construction system, the walls are made of timber frames with in-fills of light thin panels made by close packaging of mud mortar, stone and ballast. The traditional Dhajji wall (framed wall)
- 23. Planning • Consists oftwo rooms. • One on top of another and is built with mud, stone and timber. • Usually the ground floor is used for keeping cattle and storing grain and fodder. • The upper floor is the main living area
- 24. STRUCTURE • Load Bearing •Bhattar Wall ( Bhattar Means Filling of Stone or Brick) • Kath Kundi or Kona (Kath means wood and Kona means corner) • Taq Construction • Without cement mortar A typical Taq Wooden Frame
- 25. FOUNDATION • Stone Foundation •In past Reinforcement of timber Beam and It was dry. • Now Reinforcement of R.C.C. Beam it is With cement mortar
- 26. WALLS • Beams (bhatar)in the walls act as ‘seismic bands’.(Himachal comes under Earthquake Zone – 4 & 5) • All walls are connected to each other through stone masonry and timber beams.
- 27. ROOF Sloping - Wooden •Protects Dead load by falling down snow. • Projects less load to the base structure of bhattar • Roof frame binds all walls together
- 28. OPENINGS • Small (Max 3’0” wide) • Height ( Max 6’0”) • a bigger window, the beams go through the window.
- 29. FLOORING AND FLOOR •Wooden Structure for I floor.
- 30. Materials and it’ssignificance • Mud - easy availability, good insulation and the good binding properties • Wood - the forests of the deodar wood and other mixed forests were easily available. Wood is used to impart stability to tall structures. • Stone – remains in use but its usage is restricted to the plinth to give strength.
- 31. Himachal has arich heritage of handicrafts. These include woolen and pashmina shawls, carpets, silver and metal ware
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- 33. Settlement Permanent Dhajji House Semi permanent Donga(House Boat) Temporary Kacchi Huts
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- 35. Dhajji Walls Load BearingStructure
- 36. ‘Dhajj’ means ‘patchworkquilt’
- 37. A Dhajji houseis a patchwork of timber and stone
- 38. Why is aDhajji wall strong? • In a usual house, an earthquake first makes: • ONE BIG crack, • then TWO BIG cracks, • then the walls fall out In big panels, the energy is concentrated
- 39. Small panels distributethe energy evenly • • • • In a Dhajji house, there are: many SMALL cracks, and only small parts fall out. BUT THE WALLS REMAIN!
- 40. Friction breaks downthe energy
- 41. Friction breaks downthe energy •When a frame is deformed, the stones of the infill have to move away. •When the stones and the boards have to move, they rasp against each other. • This friction dissipates energy
- 42. Only a solidframe can contain the energy • An earthquake will put the frame under great stress. • Take care to make: • Good joints • Good protection from water
- 43. A Dhajji wallis strong because: • The small panels distribute the earthquake energy evenly. • The friction between all the small elements and their in-fills breaks down the energy. • There may be a lot of small cracks which are not dangerous. • But large destructive cracks become very rare.
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- 45. Dasa (plinth beam) •Anchoringthe Dasa to the foundation • Protecting the Dasa against water and insects
- 46. Wall Finish Mud Plaster- Cow dung Plaster - Whitewash • No cement Mortar • Keeps Atmosphere Warm • Does not get much affected from earth quake
- 47. Sloping Roof Roof Tile– CGI Sheets • Roof is slopping to fall down snow. • Structures are wooden with excellent joinery to bear excessive snowfall and load.
- 48. OPENINGS • Less openings •Maximum 3’0” opening span • Mainly in south and Southwest Directions
- 49. FLOORING Mud – Wooden- Carpet • Keeps atmosphere warm • Locally available • Cheap in the Locality
- 50. Curtains and upholstery •Thick • Dark coloured • Silk and Woolen
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- 52. HOUSE BOAT Donga • Wellplanned • Fully Wooden • Delicate Kashmiri Wooden carving • Modern Resources • Streamlined body
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- 56. WALLS • Sun driedmud bricks • Rammed earth Panel • Not perpendicular from ground •Retain temperature •Less affected by earthquake
- 57. WALL FINISH Mud Plastered-Lime washed • Creates Germ free atmosphere • Retain temperature
- 58. ROOF Flat Wooden -Mud Finish • Flat due to less precipitation • Insulation from cold • To dry vegetables and Fruits for cold season
- 59. OPENINGS • • • • Highly Decorated Small inSize Painted in Bright Colors Mostly in South and South- East Directions
- 60. FURNITUTRE • Wooden • Minimal •Highly Decorated Kitchen
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- 62. MATERIALS • Black hairof matured yaks • Wooden Poles
- 63. Planning Bamboo Support Religious Flag G.L. • • • • L xW - As per Family Size Height 6’0” or above Having Ventilation for chullah Having stone toilet out of Rebo called lekha.
- 64. QUALITY • Adverse climatic condition– No wear and tear • May last for 20-25 years • Effectively withstand heavy snowfall, rainfall and wind without allowing any leakage or seepage. • Does not allow temperature change
- 65. IMPORTANCE OF STUDYINGVERNACULAR ARCHITECTURE •This type of architecture is the most widespread way to build, •At least 90 percent of the world‟s architecture is vernacular indeed. •Vernacular architecture proves immensely helpful at times of disaster. When the displaced people are given back homes akin to their vernacular traditions, they recover better from the traumatic experiences. •Numerous modern architects have intensively studied vernacular architecture and claim to have drawn a good deal of inspiration from it. They have found innovative ways of incorporating them into human dwellings that are "environmentally clean" and "spiritually healthy.”
- 66. • With growinginterest in earth-friendly building construction techniques, architects are relearning various practical aspects of infusing modern technologies with bygone traditions and cultures. They are actively building upon the knowledge of our grandparents to build homes that would secure our children’s futures. This is the so called “SUSTAINABLE ARCHITECTURE” or “GREEN ARCHITECTURE”. .