Andrew Goodwin Music Video Theory

Andrew Goodwin Music Video Theory

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  Andrew Goodwin MusicVideo Theory.
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  5 Aspects ofMusic Videos: There are 5 key aspects audiences should look out for in music videos: - Thought Beats – Seeing the Sound - Narrative and Performance - The Star Image - Relation to Visuals to Song - Technical Aspects of Music Videos
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  Thought Beats: Seeing the Sound in your head… - Firstly, the music is to be looked at. We must take into account the structure of the song for the chorus/verse. - Secondly, the voice of the song. The artists voice is extremely unique and can form identification or trademarks that work well with the star image. Roland Barthes theory of the Grain of voice can be related to this. He sees the singing as an expressive instrument and therefore is able to make associations of its own. - Thirdly, Goodwin also points out the artists mode of address. Songs can be seen as stories and the artist – the storyteller, making the music video a two communication device, instead of telling the audience a story and them listening.
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  Narrative & Performance Songsfail to give us the complete narrative. We only tend to get a essence of the meaning of the song and then tend to make up our own idea of what is being told. Goodwin explains that music videos should ignore common narrative. It is important in their role of advertising. Music videos should coherent repeatability. Narrative and performance work hand in hand it makes it easier for the audience to watch continuously without losing interest. The artist acting as both narrator and participant helps increase the authenticity however the lip sync and other mimed actions remain the heart of the music videos. The audience need to believe this is real.
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  Star Image The starimage is another vital aspect of music videos. Meta narrative which is a big story that portrays the development of the star overtime; it has an important part to play in the music video process.
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  Relation of Visualsto Song Illustrate: Music videos can use a set of images to illustrate the meaning of lyrics and genre, this is the most common visualisation. Amplify: This is similar to repeatability. Meanings and effect are manipulated and constantly shown through the video and drummed into our vision. Disjuncture: This is where the meaning of the song is completely ignored. There are three ways in which music videos work to promote a song.
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  Technical Aspects Technical aspectshold the music video together through the use of camera work, movement, angle, mise-en-scene editing, sound and special effects. Speed camera movement, editing, cutting and post production are all forms of use of camera. Lighting and colour help set moods and emphasise key moments of the song for dramatic effect. Mise-en-scene, the setting of music videos is vital, it needs to look authentic to attain professionalism. Beats, music videos use cuts to go with the beat or rhythm making the video more entertaining.