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Antoni gaudi ppt
- 1. ANTONI GAUDI ARCHITECTURAL DESIGN-IV PRESENTED BY : TAYYABA SEEMAAB 18(F)AR005
- 2. 01 INTRODUCTION 02 HISTORY 03DESIGN PHILOSOPHY 04 DESIGN STYLE CONTENTS 05 CASE STUDIES 04 COMPARATIVE ANALYSIS
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- 4. 1 ANTONI GAUDI-LIFE& CAREER He was an Spanish architect born in Reus (Baix Camp, Catalonia) After leaving the school, he went to Barcelona. He graduated as architect in 1878. Almost his entire professional activity took place in Barcelona.
- 5. 1 ANTONI GAUDI-LIFE& CAREER Full name Antoni Placid Guillem Comet. Spanish architect whose idiosyncratic work, characterized by undulating curves and richly colored scrambled textures, won wide international recognition only after the mid-20th century. Develop his unique style—blending element`s of gothic art, art nouveau, known as modernismo in catalonia, and functional structure. Hisfavorite forms were inclined columns to add stress to ceilings, paraboloid arches, thin edge-butted tile vaults, and the richest, most colorful textures possible, often mosaics made of broken tile scraps. He didn't draw his buildings, but made 3dmodels/sculptures. Hisnickname was 'god's architect' due to the religious images in his work.
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- 7. 2 ANTONI GAUDI-HISTORY Upongraduation, Gaudi initially worked in the artistic vein of his Victorian predecessors, Soon developed his own style, composing his works with juxtapositions of geometric masses and animating the surfaces with patterned brick or stone, bright ceramic tiles and floral or reptilian metalwork During his early period, at the Paris world's fair of 1878, Gaudi displayed a showcase he had produced, which impressed one patron enough to lead to Gaudi's working on the güell estate and güell palace, among others. In 1883, Gaudi was charged with the construction of a Barcelona Cathedral called basilica I temple expiatori de la sagrada familia The plans had been drawn up earlier, and construction had already begun, but Gaudi completely changed the design, stamping it with his own distinctive style. Experimented with various permutations of historic styles- the episcopal palace and the casa de los botines both gothic, and the casa calvet which was done in the baroque style. Some of these commissions were the result of the 1888 world's fair, at which Gaudi once again staged an impressive showcase.
- 8. 2 ANTONI GAUDI-HISTORY Hecreated a type of structure known as EQUILIBRATED i.e., it could stand on its own without internal bracing, external buttressing, etc. The primary functional elements of this system were columns that tilted to employ diagonal trusts and lightweight tile vaults. Notably, Gaudi used his equilibrated system to construct two Barcelona apartment buildings: the casa ballot (1904–06) and the casa milà (1905– 10), whose floors were structured like clusters of tile lily pads. Both projects are considered to be characteristic of Gaudi's style.
- 9. 2 ANTONI GAUDI-INSPIRATION -MedievalBooks -Gothic Art -Oriental Structures -Art Nouveau(architectural art style usually morals, mosaics, jewellery and furniture -The Glory of Nature -The desire to go beyond anything that has never been done before
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- 11. 3 DESIGN PHILOSOPHY Gaudí’swork employing organic or natural forms, curved or undulating lines, reclaimed materials, ceramic bricks, trencadís mosaics, etc. He projects in such a way that the form does not become a mere stylistic caprice, but rather finds its reason for being in the function for which it was conceived. For examples: the schools at the Sagrada Família and hyperbolic vaults. He used steel inside of the building to reinforce his structure.
- 12. 3 DESIGN PHILOSOPHY Reaction againstthe styles that were developed by machine-production. Objects were simple in form, withoutdecoration. Emphasize the qualities of the materialsused ("truth to material"). Used patterns inspired by British flora andfauna. Influenced by the gothic revival (1830–1880) & interested in medieval styles, using bold forms and strong colors based on medieval designs. Believe in the moral purpose of art. To express the beauty of craft, some products were deliberately left slightly unfinished, resulting in a certain rustic and robust effect.
- 13. 04 PART FOUR DESIGN STYLE METHODS& MATERIALS
- 14. 4 DESIGN STYLE Apurely non-objective approach in the making ofartwork, without reference to the real world Essentially geometric, precise and almost mathematical; in fact a number of rodchenko drawings were executed with compass and ruler Used squares, rectangles, circles and triangles as the predominant shapes in carefully composed artworks, whether drawing, painting, design or sculpture Emphasized the dominance of the world of machines and structures over nature
- 15. 4 DESIGN STYLE-METHODS& MATERIALS Dealt with such a wide range of materials that anything was possible; wood, celluloid, nylon, Plexiglas, tin, cardboard and early forms of plastic were used through a variety of constructing methods from glue through to welding. Lacked the more engineered approach developed byinternational constructivism Employed new materials, construction, and joining methods, including aluminum, electronic components and chrome-plating Industrial materials such as glass, steel, and plastic inclearly defined arrangements. Because of their admiration for machines and technology, functionalism, and modern mediums
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- 17. 5 CASE STUDY-DELA SAGARDA FAMILIA The Sagrada Familia soars nearly 560 feet into the Barcelona skyline, ensconced by scaffolding, towered over by cranes. For Antoni Gaudi, the Sagrada Familia, the massive structure was meant as a tribute to both god and the Roman Catholic Church. Location – barcelona Work started- 19th march, 1882 Antoni Gaudi appointed architect in 1883 and worked on this projectuntil his death in 1926. Project completion- is expected to complete BY2026 3 facades • Nativity • Passion • Glory
- 18. 5 CASE STUDY-DELA SAGARDA FAMILIA Church has five naves and a crossing with three, forming a Latin cross. The interior measurements are: nave and apse, 90 m; crossing,60m Follows the basic plan of a gothic cathedral. PLAN OF THE CHURCH Plan of Cologne Cathedral Gothic architecture
- 19. 5 CASE STUDY-DELA SAGARDA FAMILIA La Sagrada Familia in Barcelona is one of Antoni Gaudí's most impressive works. This enormous church, as yet unfinished, is a summary of everything that Gaudí designed before. The structural difficulties he faced and errors he committed in other projects are revisited and resolved in Sagrada Familia. A notable example of this is Gaudí's innovative "leaning columns" (that is, columns which are not at right angles to the floor and ceiling). When designing the temple, Gaudí invented an extraordinary method for determining the correct angle for each of the leaning columns. He made a small hanging model of the church, using string to represent the columns. Then he turned the model upside down and gravity did the math.
- 20. 5 CASE STUDY-DELA SAGARDA FAMILIA The church will have a total of 18 towers, each dedicated to a different religious figure, and each one hollow, allowing the placement of various types of bells which will sound with the choir. The architectural style of sagrada familia has been called "warped gothic” and it's easy to see why. The rippling contours of the stone façade make it look as though sagrada familia is melting in the sun, while the towers are topped with brightly- colored mosaics which look like bowls of fruit. Gaudí believed that color is life, and, knowing that he would not live to see completion of his masterpiece, left colored drawings of his vision for future architects to follow.
- 21. 5 CASE STUDY-DELA SAGARDA FAMILIA TREE COLUMNS
- 22. 5 CASE STUDY-DELA SAGARDA FAMILIA
- 23. 5 CASE STUDY-CASABATLLO Location: Barcelona, Spain Owner: Josep Batllo i Casanovas (textile manufacturer) Masterpiece of Art Nouveau Architecture. Declared a UNESCO World Heritage Site in 2005. • A remodel of a previously built house, it was redesigned in 1904 by Gaudí and has been refurbished several times after that. Gaudí's assistants also contributed to the renovation project. • The local name for the building is Casa dels ossos (House of Bones), as it has a visceral, skeletal organic quality.
- 24. 5 CASE STUDY-CASABATLLO Designed by Emili Sala in 1877 Renovated by Antoni Gaudi in 1905
- 25. 5 CASE STUDY-CASABATILLO
- 26. 5 CASE STUDY-CASABATLLO • Most emblematic project of Gaudi’scareer. Both aesthetic and functional. • Each and every part of the building is inspired from the nature. • Common theory about Casa Batllo is that is pays tribute to the legend of the Catalonian patron Saint, Saint George, and his battle with the dragon. Façade: • Decorated with a collage of stone, glass, ceramics tiles, flowing stonework and large irregular windows . • Called ‘house o yawn’ because of the large windows. • Windows is useful functionality wise. • Outside of this building represents the legend of Sant Jordi (Saint George). • Introduced stone columns shaped bones, masks shaped balconies.
- 27. 5 CASE STUDY-CASABATLLO
- 28. 5 CASE STUDY-CASABATLLO Roof: • Roof is arched and scaly which resembles to the back of a dragon. • Sculptures in the roof is chimneys connected to kitchen and fire place. • The spire like feature on the roof represent the sword of St. George, which has been plunged into the back of the dragon.
- 30. 5 CASE STUDY-CASABATLLO Noble Floor: • Floor for Batllo family. This floor is dominated by the forms of nature. With more than 700 meters from surface, is the main building housing.
- 31. 5 CASE STUDY-CASABATLLO Attic: • Building facilities such as laundry and store room. • Functionality wise this floor serves as thermal regulator, protecting lower floors from changing temperature of outside elements. • In terms of design, white color creates a sense of cleanliness and the parabolic arches represents the ribs of the dragon.
- 32. 5 ART NOUVEAOINSPIRED BATHROOMS
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- 34. 6 COMPARATIVE ANALYSIS • Throughhis work he shows how an interest in the extra-technical expression can be intimately married with the primarily structural without sacrificing one or another and to the enrichment of the total expression. • He defined an architect as, ―a man with synthetic clear vision, who sees forms precisely and in their totality before they materialize. That places the different elements in their right plastic relationship and at the corner distance. • It is all this that makes Gaudi a great pioneer of modern architecture: his courage, his persistent research, his opposition to the academic revivalism, his attitude towards new building methods- Gaudi, the man, from whose spirit we can learn.
- 35. 6 COMPARATIVE ANALYSIS • Humancentered design • Engage with narrative • Combine multi disciplines • Gaudi's work is best described as free-flowing, full of curving organic forms that are colorful and exuberant. His works contain shapes that come from nature but move into the realm of the imaginary.
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- 37. 6 COMPARATIVE ANALYSIS DESIGN CANBE MORE THAN JUST STRAIGHT LINES.
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- 39. There are nostraight lines or sharp corners in nature, therefore buildings must have no straight lines or straight corners. ANTONI GAUDI