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Balmain Documentary
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- 2. Shot 1 TIME: 00.01 • Mise-en-scene– establishing shot of the Eiffel Tower, in Paris, where Balmain originates and is one of the largest fashion capitals in the world. • Dialogue/Voice over- no dialogue • Shot size- extreme wide shot • Camera movement/angle- still low angle • Lighting- Low key lighting • Sound Effects- fast pace orchestral music (non diegetic)
- 3. Shot 2 TIME: 00.05 • Mise-en-scene–Olivier Rousteing and Rihanna getting papped at a Balmain fashion show • Dialogue/Voiceover- no dialogue or voiceover • Shot size –medium shot • Camera movement/angle- still low angle, making them look dominant and important • Lighting- soft high key lighting, with flashes from the cameras • Sound Effects- fast paced orchestral music in the background which sets the pace of the documentary and the situation they are trying to portray of them being busy before the fashion show. (non diegetic)
- 4. Shot 3 TIME: 00.20 • Mise-en-scene- Everyone rushing around before the show • Dialogue/Voice over- Voiceover “Before the show it is action stations at the house of Balmain” • Shot size- Medium shot • Camera movement/angle- still, eye level • Lighting- soft high key lighting • Sound Effects- non diegetic, rapid orchestral music throughout the opening. Shows the pace of the scene
- 5. Shot 4 TIME:00.23 • Mise-en-scene –a series of close ups of hands doing work with the clothing making it which matches what the voiceover is saying which shows fluidity within the documentary. • Dialogue/Voice over- Voiceover “Its all hands on deck before the show” • Shot size- medium, extreme close up • Camera movement/angle- a still, birds eye • Lighting- soft high key lighting • Sound Effects – Voiceover with non diegetic, fast pace orchestral music in the background
- 6. Shot 5 TIME:02.06 • Mise-en-scene –thedesigner of Balmain (Olivier) working with his team on garments with a model showing him and his team around also putting their opinions in a sophisticated setting in the Balmain House, adheres to the genre of fashion with a model and designers with rails pf clothing in the background. • Dialogue/Voice over- Voiceover “the working method is very strange, frankly untraditional” • Shot size- wide, long shot • Camera movement/angle- still, wide, eye level • Lighting- soft high key lighting • Sound Effects – voiceover with non diegetic soft techno background music.
- 7. Shot 6 TIME:03.10 • Mise-en-scene –One of Balmain’s fashion shows with close ups of fashion industry icons such as Anna Wintour in the front row. • Dialogue/Voice over- voiceover“ extreme, awesome, almost rigid embroidery” • Shot size- long, wide shot • Camera movement/angle- wide, eye level • Lighting- low key lighting. Darker on the audience with main focus on the model and the outfit. • Sound Effects- background music at the pace the model is walking down the catwalk showing fluidity and a voiceover explaining what is happening
- 8. Shot 7 TIME: 05.35 • Mise-en-scene– showing the Balmain logo on there shop in Paris showing branding with previous shots of landscapes of Paris. • Dialogue/Voice over- voiceover talking about Paris and Balmain • Shot size- medium close up • Camera movement/angle – low angle, close up • Lighting- high key, soft • Sound Effects- non diegetic, piano background music
- 9. • Mise-en-scene –showing the Balmain logo on there shop in Paris showing branding with previous shots of landscapes of Paris. • Dialogue/Voice over- voiceover talking about what is on the wall, with subtitles of translations of what someone is saying in french. • Shot size- extreme, close up • Camera movement/angle – panning, downwards of the wall of fabrics • Lighting- high key, soft • Sound Effects- non diegetic, piano background music Shot 8 TIME: 06.08
- 10. Shot 9 TIME: 08.13 • Mise-en-scene– showing Rosie Huntington-Whitely • Dialogue/Voice over- voiceover talking about what is on the wall, with subtitles of translations of what someone is saying in french. • Shot size- extreme, close up • Camera movement/angle – panning, downwards of the wall of fabrics • Lighting- high key, soft • Sound Effects- non diegetic, piano background music
- 11. Shot 10 TIME: 44.42 • Mise-en-scene– models getting papped before the show in a grand building representing their high profile glamorous lifestyles. • Dialogue/Voice over- voiceover talking about them getting papped and ready for the show. • Shot size- midshot • Camera movement/angle – low angle making the models look dominant and important. • Lighting- low key, soft • Sound Effects- no music
- 12. Shot 11 TIME: 45.19 • Mise-en-scene–fashion show at the end of the documentary which the rest of the documentary had shown the build up to which indicates a narrative to the documentary. • Dialogue/Voice over- no voiceover or dialogue. • Shot size- wide shot, closeup • Camera movement/angle – panning, up the outfit as the model walks down the catwalk so that it focuses the audience on the garment and the details of it. • Lighting- high key, soft • Sound Effects- diegetic music from the catwalk show.