The document discusses several theorists' views on subcultures: David Reisman distinguished between mainstream audiences that passively accept commercial styles and subcultures that actively seek minority styles; Stuart Hall argued that alienated youth resist the mainstream through activities like crime, dress, and music; Phil Cohen viewed subcultures through a Marxist lens and said they form in reaction to social divisions; Dick Hebdige criticized only examining white men and said subcultures express resistance through style rather than crime. The document also summarizes Hebdige's view that punk emerged from white youth feeling threatened by immigrants and forging a new identity using style and behavior.