David Reisman in 1950
Mainstream: audiences who “passively
accept commercially provided styles and
meanings”
Subcultures: audiences who “actively sought
a minority style. Thus the audience
manipulates the product to symbolise their
values.
Stuart Hall
• Wrote ‘Resistance through Ritual’
• Young people who feel alienated from society or
cut off from opportunities (because of class, age or
ethnicity) will attempt to ‘resist’ the mainstream
through crime, dress, music, art etc.
Phil Cohen
• Marxist view on the subcultural theory
• Research Pool: Studied young men in 1970s East End
• Said that subcultures form in reaction to social
divisions and loss of community
Dick Hebdige ‘The Meaning of Style’
• Criticism of Hall and Cohen: only looked at white
men.
• Concentrated on subcultures rebel not through
crime, but through STYLE
• Subcultures upset the mainstream because they
confront it with difference.
What did Hebdige find?

Hebdige focused on the origins of punk – and oddly
located the roots in Rastafarian culture!
His theory:
•White working class youth felt threatened by the
‘invasion’ of Asian and Caribbean immigrants (and
their culture)
•White youth feels need for separate identity.
Conclusion

• Disempowered whites forges a new identity using
dress-codes, music, slang, gestures, behaviours.
• Subcultures aren’t that different from their ‘parent’
culture. Mostly they react against or continue some
of the values or styles of the parent culture.
• Hebdige also says that subcultures are eventually
absorbed into the mainstream.
• He said that subcultures emerge to replace an old
subculture.
• Subcultures express their ‘resistance’ through style –
material things – capitalism can manufacture these
‘things’ and make a profit from them.
Conclusion

• Disempowered whites forges a new identity using
dress-codes, music, slang, gestures, behaviours.
• Subcultures aren’t that different from their ‘parent’
culture. Mostly they react against or continue some
of the values or styles of the parent culture.
• Hebdige also says that subcultures are eventually
absorbed into the mainstream.
• He said that subcultures emerge to replace an old
subculture.
• Subcultures express their ‘resistance’ through style –
material things – capitalism can manufacture these
‘things’ and make a profit from them.

Subculture Theorists

  • 1.
    David Reisman in1950 Mainstream: audiences who “passively accept commercially provided styles and meanings” Subcultures: audiences who “actively sought a minority style. Thus the audience manipulates the product to symbolise their values.
  • 2.
    Stuart Hall • Wrote‘Resistance through Ritual’ • Young people who feel alienated from society or cut off from opportunities (because of class, age or ethnicity) will attempt to ‘resist’ the mainstream through crime, dress, music, art etc.
  • 3.
    Phil Cohen • Marxistview on the subcultural theory • Research Pool: Studied young men in 1970s East End • Said that subcultures form in reaction to social divisions and loss of community
  • 4.
    Dick Hebdige ‘TheMeaning of Style’ • Criticism of Hall and Cohen: only looked at white men. • Concentrated on subcultures rebel not through crime, but through STYLE • Subcultures upset the mainstream because they confront it with difference.
  • 5.
    What did Hebdigefind? Hebdige focused on the origins of punk – and oddly located the roots in Rastafarian culture! His theory: •White working class youth felt threatened by the ‘invasion’ of Asian and Caribbean immigrants (and their culture) •White youth feels need for separate identity.
  • 6.
    Conclusion • Disempowered whitesforges a new identity using dress-codes, music, slang, gestures, behaviours. • Subcultures aren’t that different from their ‘parent’ culture. Mostly they react against or continue some of the values or styles of the parent culture. • Hebdige also says that subcultures are eventually absorbed into the mainstream. • He said that subcultures emerge to replace an old subculture. • Subcultures express their ‘resistance’ through style – material things – capitalism can manufacture these ‘things’ and make a profit from them.
  • 7.
    Conclusion • Disempowered whitesforges a new identity using dress-codes, music, slang, gestures, behaviours. • Subcultures aren’t that different from their ‘parent’ culture. Mostly they react against or continue some of the values or styles of the parent culture. • Hebdige also says that subcultures are eventually absorbed into the mainstream. • He said that subcultures emerge to replace an old subculture. • Subcultures express their ‘resistance’ through style – material things – capitalism can manufacture these ‘things’ and make a profit from them.