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Similar to CPAR Report Group 6.pptx lesson 1 grade 11
CPAR Report Group 6.pptx lesson 1 grade 11
- 1. CONTEMPORARY PHILIPPINE THEATER INCALABARZON PRESENTED BY: GROUP 6
- 2. TOPI C TOPIC 1: WHATIS THEATER? TOIC 2: FAMOUS PERFOMERS IN CALABARZON TOPIC 3: ELEMENTS OF THEATER
- 3. • IS ABUILDING OR AREA IN WHICH PLAYS AND OTHER DRAMATIC DRAMATIC PERFORMANCES ARE GIVEN. • A COLLABORATIVE ART FROM WHICH COMBINES WORD, VOICE, MOVEMENT, AND VISUAL ELEMENTS TO EXPRESS. WHAT IS THEATER?
- 4. CALABARZON - ISAN ACRONYM OF ITS FIVE COMPONENT PROVINCES: -CAVITE -LAGUNA -BATANGAS -RIZAL -QUEZON THEATER ARTS IN CALABARZON
- 5. FAMOUS THEATER ARTISTS:S DaisyAvellana Rolando Tinio Wilfrido Ma. Guerrero
- 6. FAMOUS THEATER ARTISTS:S Honorata “Atang”Dela Rama Salvador F. Beral Severino Montano
- 7. She was calledthe FIRST LADY OF THE PHILIPPINE THEATER because of her magnificent performances in classic Filipino and international theater productions and plays. Some of her significant productions are Othello, Macbeth in Black, Walang Sugat and many more. Daisy Avellana
- 8. Popularized the Philippinetheater and dramatic arts by founding the Barangay Theater Guild with her husband, National Artist Lamberto Avellana . They utilize radio and television to make theater and dramatic arts are to known to Filipinos. Daisy Avellana
- 9. He was anoutstanding stage director, poet and play wright known for his numeroud markable productions and notable scripts. He established and became the administrator of Ateneo Experimental Theater. He handled the Teatro Pilipino where he revived the sarswela and other traditional Filipino Drama and, Rolando Tinio
- 10. Introduced contemporary Westerndrama. Also a National Artist for Literature. Some of his works include film scripts for Now and Forever, Gamitin Mo Ako, and Milagros. Sarswela works are Ang Mestiza and Ana Maria. Rolando Tinio
- 11. A teacher andan artist for 35 years. He was introduced and popularized Philippine theater to different parts of the country by establishing the UP Mobile Theater. The UP Mobile Theater has delivered thousand of performances for 19 long years to many campuses in the Philippines. Wilfrido Ma. Guerrero
- 12. His major worksincluded Wanted: A Chaperon, Condemned, Perhaps, In Unity, Three Rats, The Forsaken House, Frustrations and many more. Wilfrido Ma. Guerrero
- 13. At 7, shehas already been a part of different Spanish Zarzuelas. She played many roles in numerous productions where she became popular and hailed as the Queen of Kundiman. Honorata “Atang” Dela Rama
- 14. Performed kundiman andFilipino songs for indigenous communities all over the country. For her, Kundiman and sarswelas mirrors the Filipino people. The sarswelas she became part of are Dalagang Bukid, Mascota, Marina, Pangarap ni Rosa etc. Honorata “Atang” Dela Rama
- 15. The songs shepopularized are Pakiusap, Ay Kalisud, Madaling Araw, and Kung Iibig Ka. The sarswelas she wrote are Puri at Bahay, Anak ni Eba, and Aking ina. Honorata “Atang” Dela Rama
- 16. An exceptional theaterdesigner who designed hundreds of theater production for a span of four decades. He used local materials in producing creative and unique sets and costumes. Professor at the University of the Philippines Diliman and Ateneo De Manila University. Salvador F. Bernal
- 17. Bernal established thePATDAT (Philippine Association of the Theater Designers and Technicians) in 1995 to promote theater design. He introduced the Philippine Theater design trhough the Philippine Center of OISTAT (Organization Internationale, des Scenographers, Technicians et Architectus du Theatre). Salvador F. Bernal
- 18. He is theTitan of the Philippine Theater. He took the lead in promoting “legitimate theater” in the country. Top caliber playswright, theater artist and director who took up degress in and outside the country to master theater arts and to share his knowledge t younger Filipino generation. Severino Montano
- 19. He started hiscareer and education at the University of the Philippines where he studies education and became the head of the UP Dramatic Club. His journey continued ad he entered different universities in the United States like America University, Yale University, and New York University. Severino Montano
- 20. He became thedean of the Philippine Normal College where he founded the Arena Theater in 1953. The Arena Theater served the grassroots and promoted drama to the masses through school community theaters. He aslo developed graduate programs for theater arts in PNC. Severino Montano
- 21.
- 22. PERFORMERS Actors or Performersare people who entertain an audience by acting, singing or dancing. They play characters on stage or screen and work with the direction of the creative team to bring a piece of theatre to life.
- 23. AUDIENCE The audience playskey roles in theatrical performances. In essence, the audience is made up of consumers who drive the theatrical process. From the crafting script to the casting, how the audience responds drives the decision-making process.
- 24. DIRECTOR A theatre directoris responsible for leading the process of creating a show and representing the script accurately by providing guidance to the members. This role oversees many aspects of the performance side and the planning side. A theatre director may also be referred to as a stage director, or simply a director.
- 25. SPACE Finally there istheatre space, the area occupied by the audience and the actors during the course of a performance and which is characterized by the theatrical relationship fostered between the two.
- 26. VISUAL ASPECT VISUAL ASPECTS-includes costumes, lightning, and some form of scenic background. NONVISUAL ASPECTS- includes sound, and background music.
- 27. SCRIPT A script, whichis an adjustment of the story for the purposes of stage performance, contains information about how the actor is to carry himself on stage, speak, dress, etc. Each of these fillers can be an interpretation.
- 28. SCRIPT A script, whichis an adjustment of the story for the purposes of stage performance, contains information about how the actor is to carry himself on stage, speak, dress, etc. Each of these fillers can be an interpretation.