CULTURE OF PEACEARTCHILDRENCOMMUNITY
ObjectivesGeneral objective.To create capacities in vulnerable individuals or groups of individuals promoting a culture of peace through the use of creative processesSpecific objective 1Encourage concepts of culture of peace in Central America by educating children and womenSpecific objective 2Encourage the use of necessary tools promoting community developmentSpecific objective 3Stimulate capacities of individuals by the use of artistic processes
ANTECEDENCERESULTSUse of art therapy toWork with children victims of abuse orin social riskprojectsmissionReferential framevisionCommunity development thatPromotes a Peace culture StrategicprofilesTrainings and workshops of young leaders,Tutors and volunteers programs
missionASART mission is to create capacities in vulnerable indivuals or groups of individuals in Central America with the objective of enhancing a pacific living through the use of creative proceses.By pacific living we understand a quality of life that does not demeans society, the harmonious coexistance of all groups that compose it, the values attitudes and behaviors that reject violence and prevent conflict through dialogue, negotiation and respect. ASART tries to reinforce peace culture concepts through the education of children and women. Our goal is to develop a sense of leadership, discipline, respect , empathy and team work which are the basic tools for an integrated community development
Vision We seek for a peaceful living in Central America, where children can improve their capabilities and skills in accordance to a healthy and sustainable economic growth. We want more children in school (less school dropouts), less teenage pregnancies, extra incomes for families in extreme poverty, less polution and more enviromental consciouness (creative and artistic ways to recycle), less domestic violence and less chains of power hierarchies.
Strategic AlignmentsEnvironment Peace CultureEnvironmental ProgramFamily inconme ProgramBuilding capacities forwomenPeace ProgramBuilding capacities for children       Tranversal AlignmentsEquity and GenderArt and CulturePublic SafetyLineamientos
THE PROBLEM TREE
SELF-ESTEEMA personal judgment of our own selves  based on social, cultural, religious, economical, political and historical patterns.CAUSES OF LOW SELF-ESTEEMDepression.
Anger towards ourselves and others
Low self esteem.ABUSE
Definition of Culture of Peace
CHAINS OF VIOLENCE
Anotherchain of violenceProceso de la Economía de la MateriaPollutionDestrutionConsumismAnnie Leonard,  Story of Stuff. www.storyofstuff.com
Definitionor Concept
Values
MURALISM : ACTIVITIESChoose a subject, give a speech to the participants in order to make them thinkingLet the participants paint about the narrated subject or historyChoose a wall and prepare it Cuadricular pared y pasar el dibujoFamilies, teachers, children and corporate volunteers help to paint the muralDuration: 2-4 afternoons according to extent
GENERAL OBJECTIVE	The general objective is to create capacities (as leadership, self-love, pride, discipline and teamwork) in vulnerable individuals or groups of people from communities in social risk by the use of creative processes and thus to sustain peace in Centroamerica.
SPECIFIC OBJECTIVESWhen we paint a mural in an extremly poor community we help to beautify the environment but at the same time we give messages, we communicate ideas and ideals. we instill a sense of pride and satisfaction in people that participates through the exposure of their work. Through this activity we reintegrate into the community all the people that participates in an environment full of creativity and camaraderie where we integrate the private sector, public institutions and civil society. It is a celebration of differences and an ideal space full of expressions and understanding.
MURALS
FIRST STEPNiños y niñas dibujan sobre un tema previamente escogido: en este caso particular, MI VIDA EN LA ESCUELA.Extracto de mural Virgen de Fátima 2007
SECOND STEPSe elabora un boceto con elementos de todos los dibujos de los niños y niñas participantes.Extracto de mural Pan y  Amor, Nicaragua  2007
THIRD STEPPreparar la pared
Se cuadricula la paredSe pasa el dibujo a la pared FOURTH STEP	MURAL BRITT ABRIL 2011
THEATER OF THE OPPRESSEDThe Theater of the Opressed (TOD) is a method developped the brasilian advisor, actor, director and pedagogue Augusto Boal in the 1960s. The Theater of the Oppressed is about the theater of oppressed social classes and about all oppressed people inside these social classes. The methods of the Theater of the Opressed are influenced by Bertolt Brechts epic theater and by The Pedagogy of the Oppressed by Paulo Freire. They contain some initial games for actors and non-actors: the journalistic theater, the rainbow of desire, the legislative theater, the invisible theater, the image theater and the forum theater – the most famous among them.They are aimed at transforming the observers into protagonists of the dramatic action and “through this transformation helping the observers to prepare real actions which lead them to their own liberation”. The Aesthetic Eduaction has been the last method developped by Augosto Boal.http://es.wikipedia.org/wiki/Teatro_del_oprimido
PEACE CULTURE TRAININGS  WITH YOUNG LEADERS SPONSORED BY SAVE THE CHILDREN Nicaragua, 2008First workshops of the Theater of the Oppressed on national scale. On this occasion we were instructing young leaders Ocotal, Totogalpa, Yalaguina, Somoto, Matagalpa, La Dalia, Ciudad Darío, Managua, León and Granada.Project of Save the Children about peace culture on the national scale, Nicaragua, 2008-2009
FIRST STAGE FORUM THEATER / COSUDEACAHUALINCA, MANAGUA NICARAGUA 2010-2011SUBJECT VIOLENCE AND ENVIRONMENTAL EDUCATION
LA DALIA , MATAGALPA, NICARAGUA, 2009OTHER WORKSHOPS: IMAGE THEATER
PUPPET WORKSHOP FACILITATED BY THE FOUNDATION AMANECERES DE PANAMA AND ASART IN PAN Y AMOR SCHOOL OF ORIENTAL MARKET, MANAGUA NICARAGUA 2009
First play of ASART: Barrio Limpio, Barrio Sano
RECYLCED ART
WORKSHOP FOR MOTHERS IN  VIRGEN DE FATIMA SCHOOL IN CARTAGO, COSTA RICA  2010
RECYCLED DRUM, BATUCALATA PROJECT, JANUARY 2011
BENCH MADE WITH ECOLOGICAL BRICKS, COSTA RICA 2010
CONSTRUCTION OF A SUPPLY CENTER WITH ECOLOGICAL BRICKS IN THE ELEMANTARY SCHOOL OF ACAHUALINCA, 2010-2011, MANAGUA NICARAGUA, FINANCED BY DANIDA
LOMAS DEL RIO 2, PLAYGROUND, ASART-U VERITAS 2010
ART THERAPY WORKSHOP FOR ABUSED CHILDREN / SELF-PORTRAIT / 6-YEAR-OLD BOY, SEHLTER OF ESCAZU 2008What cannot be seen at first sight…… can be seen with light effects in photoshopSince 2003 approximately 250 art workshop have come into being in shelters for minor abuse victims. Due to legal matters we cannot reveal their identity but we will be able to keep some of the results.
Shelter Escazu, 2006 Self-portraits of 6 and 7 year old childrenIn these self-portraits we can detect characteristics that appear very often in drawings of abused children. Deformed or nonexistent extremities for exemple, as well as enourmous heads, empty eyes and the utilization of black.
We denounce aggresors when we have to face cases of abuse in school children like the following case in Los Lagos School, Liberia, 2006.
Alle these drawings are from the same child.
Workshop: Fortification of the self-esteem by the use of art and cookingAlbergue Pavas, 2005Accredited photography, hidden identities
SHELTER SAN GABRIEL DE DESAMPARADOS, 2005Fotos autorizadas, identidades borradas
Daily newspaper, Costa Rica, Monday 15th of december, 2003http://www.aldia.cr/ad_ee/2003/diciembre/16/sociedad1.html
La Prensa, Nicaragua, 1st of april 2008
RECOMMENDATIONSDevelop a warm and friendly relationship with the child inwhich good rapport is established as soon as possible. Accept the child as it is. Establish a relationship in which the child feels free to express his feelings completely .Do not correct absolutely NOTHING .Praise in moderation. DO NOT criticize, make no comments or recommendations. Provide a proper enthusiasm and self confidence. Do not create dependencies No preference. Maintain a great respect for the child's abilities to solve theirproblems when you have the opportunity.Let the child lead. You follow. Set some limits are necessary to help the child to feel free andsafe at the same time. For example, do not let children sit onthe laps.

CROATIA

  • 1.
  • 2.
    ObjectivesGeneral objective.To createcapacities in vulnerable individuals or groups of individuals promoting a culture of peace through the use of creative processesSpecific objective 1Encourage concepts of culture of peace in Central America by educating children and womenSpecific objective 2Encourage the use of necessary tools promoting community developmentSpecific objective 3Stimulate capacities of individuals by the use of artistic processes
  • 3.
    ANTECEDENCERESULTSUse of arttherapy toWork with children victims of abuse orin social riskprojectsmissionReferential framevisionCommunity development thatPromotes a Peace culture StrategicprofilesTrainings and workshops of young leaders,Tutors and volunteers programs
  • 4.
    missionASART mission isto create capacities in vulnerable indivuals or groups of individuals in Central America with the objective of enhancing a pacific living through the use of creative proceses.By pacific living we understand a quality of life that does not demeans society, the harmonious coexistance of all groups that compose it, the values attitudes and behaviors that reject violence and prevent conflict through dialogue, negotiation and respect. ASART tries to reinforce peace culture concepts through the education of children and women. Our goal is to develop a sense of leadership, discipline, respect , empathy and team work which are the basic tools for an integrated community development
  • 5.
    Vision We seekfor a peaceful living in Central America, where children can improve their capabilities and skills in accordance to a healthy and sustainable economic growth. We want more children in school (less school dropouts), less teenage pregnancies, extra incomes for families in extreme poverty, less polution and more enviromental consciouness (creative and artistic ways to recycle), less domestic violence and less chains of power hierarchies.
  • 6.
    Strategic AlignmentsEnvironment PeaceCultureEnvironmental ProgramFamily inconme ProgramBuilding capacities forwomenPeace ProgramBuilding capacities for children Tranversal AlignmentsEquity and GenderArt and CulturePublic SafetyLineamientos
  • 7.
  • 8.
    SELF-ESTEEMA personal judgmentof our own selves based on social, cultural, religious, economical, political and historical patterns.CAUSES OF LOW SELF-ESTEEMDepression.
  • 9.
  • 10.
  • 14.
  • 15.
  • 16.
    Anotherchain of violenceProcesode la Economía de la MateriaPollutionDestrutionConsumismAnnie Leonard, Story of Stuff. www.storyofstuff.com
  • 17.
  • 18.
  • 20.
    MURALISM : ACTIVITIESChoosea subject, give a speech to the participants in order to make them thinkingLet the participants paint about the narrated subject or historyChoose a wall and prepare it Cuadricular pared y pasar el dibujoFamilies, teachers, children and corporate volunteers help to paint the muralDuration: 2-4 afternoons according to extent
  • 21.
    GENERAL OBJECTIVE The generalobjective is to create capacities (as leadership, self-love, pride, discipline and teamwork) in vulnerable individuals or groups of people from communities in social risk by the use of creative processes and thus to sustain peace in Centroamerica.
  • 22.
    SPECIFIC OBJECTIVESWhen wepaint a mural in an extremly poor community we help to beautify the environment but at the same time we give messages, we communicate ideas and ideals. we instill a sense of pride and satisfaction in people that participates through the exposure of their work. Through this activity we reintegrate into the community all the people that participates in an environment full of creativity and camaraderie where we integrate the private sector, public institutions and civil society. It is a celebration of differences and an ideal space full of expressions and understanding.
  • 23.
  • 24.
    FIRST STEPNiños yniñas dibujan sobre un tema previamente escogido: en este caso particular, MI VIDA EN LA ESCUELA.Extracto de mural Virgen de Fátima 2007
  • 25.
    SECOND STEPSe elaboraun boceto con elementos de todos los dibujos de los niños y niñas participantes.Extracto de mural Pan y Amor, Nicaragua 2007
  • 26.
  • 27.
    Se cuadricula laparedSe pasa el dibujo a la pared FOURTH STEP MURAL BRITT ABRIL 2011
  • 29.
    THEATER OF THEOPPRESSEDThe Theater of the Opressed (TOD) is a method developped the brasilian advisor, actor, director and pedagogue Augusto Boal in the 1960s. The Theater of the Oppressed is about the theater of oppressed social classes and about all oppressed people inside these social classes. The methods of the Theater of the Opressed are influenced by Bertolt Brechts epic theater and by The Pedagogy of the Oppressed by Paulo Freire. They contain some initial games for actors and non-actors: the journalistic theater, the rainbow of desire, the legislative theater, the invisible theater, the image theater and the forum theater – the most famous among them.They are aimed at transforming the observers into protagonists of the dramatic action and “through this transformation helping the observers to prepare real actions which lead them to their own liberation”. The Aesthetic Eduaction has been the last method developped by Augosto Boal.http://es.wikipedia.org/wiki/Teatro_del_oprimido
  • 30.
    PEACE CULTURE TRAININGS WITH YOUNG LEADERS SPONSORED BY SAVE THE CHILDREN Nicaragua, 2008First workshops of the Theater of the Oppressed on national scale. On this occasion we were instructing young leaders Ocotal, Totogalpa, Yalaguina, Somoto, Matagalpa, La Dalia, Ciudad Darío, Managua, León and Granada.Project of Save the Children about peace culture on the national scale, Nicaragua, 2008-2009
  • 31.
    FIRST STAGE FORUMTHEATER / COSUDEACAHUALINCA, MANAGUA NICARAGUA 2010-2011SUBJECT VIOLENCE AND ENVIRONMENTAL EDUCATION
  • 32.
    LA DALIA ,MATAGALPA, NICARAGUA, 2009OTHER WORKSHOPS: IMAGE THEATER
  • 33.
    PUPPET WORKSHOP FACILITATEDBY THE FOUNDATION AMANECERES DE PANAMA AND ASART IN PAN Y AMOR SCHOOL OF ORIENTAL MARKET, MANAGUA NICARAGUA 2009
  • 34.
    First play ofASART: Barrio Limpio, Barrio Sano
  • 35.
  • 36.
    WORKSHOP FOR MOTHERSIN VIRGEN DE FATIMA SCHOOL IN CARTAGO, COSTA RICA 2010
  • 38.
    RECYCLED DRUM, BATUCALATAPROJECT, JANUARY 2011
  • 39.
    BENCH MADE WITHECOLOGICAL BRICKS, COSTA RICA 2010
  • 40.
    CONSTRUCTION OF ASUPPLY CENTER WITH ECOLOGICAL BRICKS IN THE ELEMANTARY SCHOOL OF ACAHUALINCA, 2010-2011, MANAGUA NICARAGUA, FINANCED BY DANIDA
  • 43.
    LOMAS DEL RIO2, PLAYGROUND, ASART-U VERITAS 2010
  • 46.
    ART THERAPY WORKSHOPFOR ABUSED CHILDREN / SELF-PORTRAIT / 6-YEAR-OLD BOY, SEHLTER OF ESCAZU 2008What cannot be seen at first sight…… can be seen with light effects in photoshopSince 2003 approximately 250 art workshop have come into being in shelters for minor abuse victims. Due to legal matters we cannot reveal their identity but we will be able to keep some of the results.
  • 47.
    Shelter Escazu, 2006Self-portraits of 6 and 7 year old childrenIn these self-portraits we can detect characteristics that appear very often in drawings of abused children. Deformed or nonexistent extremities for exemple, as well as enourmous heads, empty eyes and the utilization of black.
  • 48.
    We denounce aggresorswhen we have to face cases of abuse in school children like the following case in Los Lagos School, Liberia, 2006.
  • 49.
    Alle these drawingsare from the same child.
  • 50.
    Workshop: Fortification ofthe self-esteem by the use of art and cookingAlbergue Pavas, 2005Accredited photography, hidden identities
  • 51.
    SHELTER SAN GABRIELDE DESAMPARADOS, 2005Fotos autorizadas, identidades borradas
  • 52.
    Daily newspaper, CostaRica, Monday 15th of december, 2003http://www.aldia.cr/ad_ee/2003/diciembre/16/sociedad1.html
  • 53.
    La Prensa, Nicaragua,1st of april 2008
  • 54.
    RECOMMENDATIONSDevelop a warm and friendly relationship with the child inwhich goodrapport is established as soon as possible. Accept the child as it is. Establish a relationship in which the child feels free to express his feelings completely .Do not correct absolutely NOTHING .Praise in moderation. DO NOT criticize, make no comments or recommendations. Provide a proper enthusiasm and self confidence. Do not create dependencies No preference. Maintain a great respect for the child's abilities to solve theirproblems when you have the opportunity.Let the child lead. You follow. Set some limits are necessary to help the child to feel free andsafe at the same time. For example, do not let children sit onthe laps.
  • 55.
    Bibliografíahttp://www.youtube.com/watch?v=2MvVNLHoAqQNieves Batista Lorenzo,Directora del Programa Barrio Activo y Facilitadora del Programa Hacienda Cultural Paz de la ONG Casa Amarilla en Barcelona, EspañaEDUCA, Manual para la Formación: Lucha contra el castigo físico, PANIAMOR, Save the Children, UNICEF, CEAPA, CONCAPA.Margot Sippel professor at Fanshawe College, London , OntarioKaren Gingrich Dr. Expert in aggresorsBreaking the Silence, Cathy Malchiodi, 1997Story of Stuff