The document discusses evaluation functions and objectives of documentaries, including informing audiences, using real settings to add authenticity, and answering all audience questions by the end. It also discusses narrative theories that can apply to documentaries, such as Propp's character roles, Todorov's beginning-middle-end structure, and quest narratives. Forms and conventions for real-life documentaries are examined, along with reasons for following or breaking conventions. The document concludes by discussing how audience feedback will be obtained, including focus groups, questionnaires, and using new technologies like Facebook and YouTube.