EVALUATION – QUESTION ONE

1. In what ways does your media product use, develop or
challenge forms and conventions of real media products?
My             Typical Thriller/Horror               My Production –         Comparison to
Product        Conventions                           use, develop or         Existing Products
                                                     challenge?
Titling –      Horror titles tend to be in block     Use – titles have not
colour, font   capital letters, in a minimalist      yet been completed.
and style      design, which makes a stark
               contrast to the red it’s usually in
               – signifying the blood that’s to
               come in the slasher film. Old
               style titles are often in gothic
               fonts, with thick scarlet letters
               that drip on the screen and
               resemble severed limbs.

               However more contemporary
               titles, although they mostly stick
               to the red and black theme, are
               used more creatively e.g. many
               blur out the title of the film or
               have it shaking, like blinking
               through blood and having your
               vision fade (see Researched
               Film Openings: Scream).



Camera         Tracking shots are popular for        Use
Movement-      use when victims, particularly in
pan, track,    groups, are running from
crab, crane    danger.
Framing a   Extreme long shots are used,
shot        especially when a victim is
ECU, CU,    running from the killer, to
MS, LS,     emphasise their isolation and
ELS         helplessness (see Nancy, A
            Nightmare On Elm Street).

            Extreme close up shots, which
            aren’t normally used in other
            genre films, are used in slashers
            to get detailed visuals on the
            gore and actors’ terrified facial
            expressions to make the
            audience even more
            uncomfortable (Psycho, the
            ECU of Marion Crane’s dead
            eye while she lies on the floor
            after being stabbed in the
            shower).
Camera      The perpetrator of the killings is
Angle       usually shown from a low angle
High, Low   to emphasise their power and
            superiority over others, whereas
            victims are seen from a high
            angle – making them look small,
            weak, vulnerable.




Mise-en-    The set is or appears to be in a     We used this in The
Scene       remote location, to show that        Steps as the girls on
            the victim/s will not be able to     a camping trip are far
            receive outside help and are         out in the woods,
            alone in fending off the killer.     away from any adult
                                                 help. The use of the
            Sometimes the identity of the        second camera in the
            killer is not revealed               shaky handheld view
            straightaway, concealed identity     with all the foliage
            a common theme – Freddy’s            gave a very
            glove and crazed laugh is the        voyeuristic feel, and
            first we see of him but not his      as it is a POV shot
            face in A Nightmare On Elm           we cannot see who
Street. Ghostface in Scream        the killer is but only
              wears a mask and we do not         see what he sees –
              find out who he is until the end   which makes us feel
              of the film.                       what he feels, quite
                                                 disturbed.


Editing –     When a kill or something else      Used – after Kelly’s
jump cuts,    bad is about to happen, the        scream when the girls
match cuts,   cutting rhythm becomes faster      run into the clearing
reverse       with erratic jump cuts – then      to find her, instead of
shots,        slow downs dramatically when it    immediately focusing
cutting       is revealed to be a fake scare.    on the action we
rhythmn                                          make a motivated cut
              A motivated cut is often used,     and switch
              where the scene is cut just        perspectives to the
              before you see what is about to    POV of the killer.
              happen and focuses on the
              actor’s reaction, heightening
              anticipation and the build up of
              tension for when the audience is
              finally allowed to see what has
              them so scared.
Sound




Narrative
Theory

Evaluation q1 table hanan

  • 1.
    EVALUATION – QUESTIONONE 1. In what ways does your media product use, develop or challenge forms and conventions of real media products? My Typical Thriller/Horror My Production – Comparison to Product Conventions use, develop or Existing Products challenge? Titling – Horror titles tend to be in block Use – titles have not colour, font capital letters, in a minimalist yet been completed. and style design, which makes a stark contrast to the red it’s usually in – signifying the blood that’s to come in the slasher film. Old style titles are often in gothic fonts, with thick scarlet letters that drip on the screen and resemble severed limbs. However more contemporary titles, although they mostly stick to the red and black theme, are used more creatively e.g. many blur out the title of the film or have it shaking, like blinking through blood and having your vision fade (see Researched Film Openings: Scream). Camera Tracking shots are popular for Use Movement- use when victims, particularly in pan, track, groups, are running from crab, crane danger.
  • 2.
    Framing a Extreme long shots are used, shot especially when a victim is ECU, CU, running from the killer, to MS, LS, emphasise their isolation and ELS helplessness (see Nancy, A Nightmare On Elm Street). Extreme close up shots, which aren’t normally used in other genre films, are used in slashers to get detailed visuals on the gore and actors’ terrified facial expressions to make the audience even more uncomfortable (Psycho, the ECU of Marion Crane’s dead eye while she lies on the floor after being stabbed in the shower). Camera The perpetrator of the killings is Angle usually shown from a low angle High, Low to emphasise their power and superiority over others, whereas victims are seen from a high angle – making them look small, weak, vulnerable. Mise-en- The set is or appears to be in a We used this in The Scene remote location, to show that Steps as the girls on the victim/s will not be able to a camping trip are far receive outside help and are out in the woods, alone in fending off the killer. away from any adult help. The use of the Sometimes the identity of the second camera in the killer is not revealed shaky handheld view straightaway, concealed identity with all the foliage a common theme – Freddy’s gave a very glove and crazed laugh is the voyeuristic feel, and first we see of him but not his as it is a POV shot face in A Nightmare On Elm we cannot see who
  • 3.
    Street. Ghostface inScream the killer is but only wears a mask and we do not see what he sees – find out who he is until the end which makes us feel of the film. what he feels, quite disturbed. Editing – When a kill or something else Used – after Kelly’s jump cuts, bad is about to happen, the scream when the girls match cuts, cutting rhythm becomes faster run into the clearing reverse with erratic jump cuts – then to find her, instead of shots, slow downs dramatically when it immediately focusing cutting is revealed to be a fake scare. on the action we rhythmn make a motivated cut A motivated cut is often used, and switch where the scene is cut just perspectives to the before you see what is about to POV of the killer. happen and focuses on the actor’s reaction, heightening anticipation and the build up of tension for when the audience is finally allowed to see what has them so scared. Sound Narrative Theory