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Fabric Design of Southeast Asia
The document discusses various traditional fabric designs from Southeast Asia, highlighting Thai silk and Cambodian weaving techniques including ikat and uneven twill, along with their use of natural dyes. It also covers the Indonesian batik process, emphasizing resist techniques and different design styles unique to the region. Additionally, the document briefly touches on artistic movements such as impressionism and cubism, without detailed elaboration.
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Fabric Design of Southeast Asia
- 1. t Asia FABRIC DESIGN Ms.Karen L. Florencio -Thailand -Cambodia -Laos
- 2. FABRIC Thai Silk Thailand - Producedfrom the cocoons of Thai silkworms - Khorat
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- 6. FABRIC Silk weaving Cambodia - 1stCentury - Trading
- 7. FABRIC Silk weaving Cambodia IKAT TECHNIQUE a.Khmer Term “Chong kiet” - To create patterns
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- 9. FABRIC Silk weaving Cambodia UNEVEN TWILL a.Single or two color fabrics b. Produced by 3 threads
- 10. FABRIC Silk weaving Cambodia UNEVEN TWILL c.One thread dominates one side of the fabric.
- 11. FABRIC Silk weaving Cambodia UNEVEN TWILL d.The two others determine the color on the reverse side.
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- 13. FABRIC Natural Dyes Cambodia Red Dye BlueDye Yellow & Green Dye Black Dye
- 14. FABRIC Natural Dyes Cambodia Red DyesInsect Nest
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- 16. FABRIC Natural Dyes Cambodia Yellow & GreenDye Prohut Bark
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- 21. FABRIC Laos - LaoTradition - Only the weaver can interpret the story.
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- 23. FABRIC Laos SIHN Symbols a.crabs b. snakes c. butterflies d. birds - resourcefullness - fertility - beauty - success
- 26. AsiaFABRIC DESIGN Ms. KarenL. Florencio -Indonesia -Malaysia -Singapore
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- 28. FABRIC Batik -Indonesia -Malaysia -Singapore “Drop” - Refers tothe process of dyeing the fabric by making use of a resist technique.
- 29. FABRIC Batik -Indonesia -Malaysia -Singapore “Resist Technique” - Coveringareas of cloth with a dye-resistant substance.
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- 31. FABRIC Batik designs -Indonesia -Malaysia -Singapore a. GeometricDesigns b. Free Form Designs
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- 35. b. Free FormDesign
- 36. b. Free FormDesign
- 37. b. Free FormDesign
- 38. FABRIC Kelentan & Terengganu -Cradle - Reaching Singapore - Malaysia
- 39. FABRIC Kelentan & Terengganu Typesof Batik a. Hand Painted - Canting - Malaysia
- 40. FABRIC Kelentan & Terengganu Typesof Batik b. block printed - Malaysia
- 41. FABRIC Kelentan & Terengganu Typesof Batik b. block printed - Malaysia
- 43. Art Ms. Karen L.Florencio
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- 55. Graphic Organizer a. Howdid the term ________ originate?
Editor's Notes
- #4 /insert pictures or videos/
- #5 Thai Fabric 3 min
- #6 /insert pictures or videos/
- #8 Find the meaning
- #10 Find the meaning Insert video
- #22 According to Lao tradition, stories of their history were not passed on orally nor was it written, they wove it.
- #23 According to Lao tradition, stories of their history were not passed on orally nor was it written, they wove it. Most diverse of these stories are the ones woven into a sihn — the Lao women’s ankle-long skirt whose form is undeniable but whose patterns are unique to each skirt. Though the skirt looks simple and elegant, it is traditional that every woman in Laos weaves all the sihns she would wear throughout her lifetime. She uses folk icons to express personal views. This is often accomplished by symbolist totems from the inanimate or animate world—crabs for resourcefulness, snakes for fertility, butterflies for beauty, birds for success, and so on.
- #28 The fabric most common to both countries is the Batik. is an Indonesian-Malay word, believed to be related to the Malay word titik, pointdotdrop action refers to the process of dyeing the fabric by making use of a resist technique: covering areas of cloth with a dye-resistant substance (usually hot wax) to prevent them from absorbing colors. This technique is has been taught for over a thousand years. There are two categories of
- #30 Usually hot wax
- #31 Usually hot wax
- #32 Usually hot wax
- #40 a small copper container with one or more different-sized pipes
- #41 Block printed - done by welding together strips of metal to form a metal block. The metal block is then dipped into molten wax and pressed against the fabric in order to make a pattern