Factual develpment and planning pro forma

Factual develpment and planning pro forma

• 1.
  Factual: Idea Development andPlanning Stephen Royle
• 2.
  Mood board
• 3.
  Mood board analysis Mymood board conveys modern types of policing through all of the images. For example I have images of ANPR cameras, Body cameras, thermal imaging cameras and Tasers. All of these images are modern types of technology that have had a big impact on policing over the years. All of these modern techniques have helped to solve and prevent crime over the years. Overall gathering images for a mood board has helped me to gather my ideas into one place, visually, and give my subject a prime focus.
• 4.
  Content: My product isa factual documentary about modern policing and the changes in policing over the years due to it. I will go into details about how different technology has benefited the job and made the police safer, solved more crimes and prevented crimes. The different types of technology that will be referenced are, Body cameras, Thermal imaging cameras and ANPR systems. The purpose of my project is to show the impacts of modern policing and how it has changed. I want to educate the audience on this subject and give them a further insight into the changes and impacts of modern policing. To appeal to my audience I will be using different documentary techniques such as interviews, actuality footage and cutaways. I am going to use an interview to carry the whole product. I want the whole documentary to be the interviewee speaking and I will use cutaways such as different images of medals, certificates and old photos to break up the interview. I will also use actuality footage to keep the subject relevant and to give the audience something visual to see whilst the interviewee talks about it. I am also using different cutaways of medals, certificates and old photos because it makes the audience feel more connected to the interviewee as they are seeing his achievements and his past photos. This will make the audience trust the information more and educate them as they feel like they are listening to an actual police officer and not just an actor.
• 5.
  Interview questions 1. Tellme about your career over the years? 2. What types of technology did you have access to when you first joined the force? 3. Where there any times that modern technology helped you whilst solving a case or in an encounter with a criminal? 4. Reflecting back on the first technology you used and the technology now how has it changed in a positive or negative way? 5. Do you have any final comments?
• 6.
  Shot list
• 7.
  Production schedule Day Typeof production Equipment needed Day 1 Shooting Interview Camera and audio equipment Day 2 Shooting cut-away shots Camera and audio equipment Day 3 Checking Footage and shooting any pick up shots that are needed Camera and audio equipment Day 4 Begin editing. Match sound to interview Laptop Day 5 Continue editing Laptop Day 6 Finish editing Laptop Day 7 Check final product and edit anything that has been missed Laptop
• 8.
  Location Reece Location Imageof location Access Lighting Sound Health & Safety Mise-En - Scene Activity at location Back living room of house. Free, safe and legal access. Lots of natural light from windows. Curtains to block natural light if artificial light is needed. Indoors so no outside sound. Not near any busy roads. Safe private land. No hazards. Only wires, tripods etc to be cautious about. Background of a wall with pictures, certificates and medals on. Sit down interview.
• 9.
  Equipment Equipment Quantity Notes CanonEOS M50 1 DSLR Camera 1 Book from College DJI Mavic Mini 1 Aerial footage Tripod 2 Shotgun Microphone 1 Attach to top of Camera Tascam Audio recorder 1 Next to Interviewee Lighting 3 Ronin SC Gimbal 1 For cutaway shots Camera batteries 5 Camera monitor 1 Memory cards 2
• 10.
  Cast and Crew Castand Crew Role Scenes they are needed for Steve Royle Interviewed as a a retired policeman. Interview Cutaway street scene Stephen Royle Director Camera Operator Sound All scenes.
• 11.
  Call Sheets
• 12.
  Health and SafetyDocument Potential risk How to prevent it Tripping hazards Tape wires and cables to the floor. Put hazard stickers on tripods, lights etc. Lifting hazards Don’t lift too much on your own. Get other people to help lift boxes and cases if needed. Camera risks Have someone watch the camera operators back if they are moving with the camera. Make sure they are comfortable with the camera. General public interference. Have someone in a hi vis telling people there is filming going on. Tape off the area and sign post it. Long hours Plan effectively so that you shouldn’t go over time. Headaches/ fatigue Take regular breaks.
• 13.
  Contingency plan Filming Problemsthat may occur Severity Contingency plan Equipment Issues I would not be able to film anything. High Bring spare parts and spare bits of kit, batteries etc or reschedule filming. Illness I will have a cast or crew member unable to film. High Have a backup cast/ crew member or reschedule filming. Tripping over hazards Could have a cast/ crew member injured. High Tape wires to the floor have warning signs on lights, tripods etc.