G322 TV Drama and
Institutions and Audience
Last minute tips and advice
TV Drama
ļ‚›Watch the extract carefully!!!
ļ‚›It will screen four times
ļ‚›You CAN start writing during the 2nd
screening
ļ‚›Discuss all four areas of textual
analysis
ļ‚›Link EVERYTHING you say to
REPRESENTATION
Activity 1 Part 1
Without looking over your notes jot down as many technical
terms as you can remember.
For example – the specific names for camera shots,
movement, composition, sound, mise-en-scene and editing.
Camera shot = Close-up
Activity 1 Part 2
Now compare your list with a partner.
Which ones did they get that you didn’t and vice versa.
Between you, pick out which you think are the best ones to
apply to the TV Drama exam clip.
The Four Areas
ļ‚›Camera Shots, Angle,
Movement and Composition
ļ‚› Shots: establishing shot, master shot, close-up,
mid-shot, long shot, wide shot, two-shot, aerial
shot, point of view shot, over the shoulder shot,
etc
ļ‚› Angle: high angle, low angle, canted angle.
ļ‚› Movement: pan, tilt, track, dolly, crane,
steadicam, hand-held, zoom, reverse zoom.
ļ‚› Composition: framing, rule of thirds, depth of
field – deep and shallow focus, focus pulls.
The Four Areas
ļ‚›Mise-en-ScĆØne
ļ‚›Production design: location, studio,
set design, costume and make-up,
properties.
ļ‚›Lighting; colour design
The Four Areas
ļ‚›Editing
ļ‚› Includes transition of image and sound –
continuity and non-continuity systems.
ļ‚› Cutting: shot/reverse shot, eyeline match,
graphic match, action match, jump cut,
crosscutting, parallel editing, cutaway;
insert.
ļ‚› Other transitions, dissolve, fade-in, fade-
out, wipe, superimposition, long take, short
take, slow motion, ellipsis and expansion of
time, post-production, visual effects.
The Four Areas
ļ‚›Sound
ļ‚›Diegetic and non-diegetic sound;
synchronous/asynchronous sound;
sound effects; sound motif, sound
bridge, dialogue, voiceover, mode of
address/direct address, sound
mixing, sound perspective.
ļ‚›Soundtrack: score, incidental music,
themes and stings, ambient sound.
Lets Get Revising
ļ‚› Spelling Test!
ļ‚› Now make flash cards of these words
Vertical Integration Simultaneous Global Release
Horizontal Integration Synthespian
Synergy Proliferation
Produser Fragmentation
Conglomerate Distribution
Viral Marketing Vivendi
Convergence Saturation Release
Limited Release (platform) Exchange
Terminology
Technological
Convergence
Synergy
National / Local
Audiences
Working Title /
Universal
BBC Films
Metrodome
UK Film Council
The Digital Screen
Network
BFI (British Film
Institute) was the
British Film Council
Distribution (digital)
Licensing
Marketing
(campaign)
Logistics
Vertical integration
Theatrical release
DVD/Video rights
TV rights
Blanket marketing
Staggered release
USP
Audience targeting
Multiplatform
Viral marketing
Budget / production
values
Fractured audiences
Viral marketing
Web 2.0 / User
generated content
Niche / mainstream
audience
ā€˜Specialist’ –
ā€˜independent’
Digital / online age
ļ‚› the issues raised by media ownership in contemporary media
practice;
ļ‚› the importance of cross media convergence and synergy in
production, distribution and marketing;
ļ‚› the technologies that have been introduced in recent years at the
levels of production, distribution, marketing and exchange;
ļ‚› the significance of proliferation in hardware and content for
institutions and audiences;
ļ‚› the importance of technological convergence for institutions and
audiences;
ļ‚› the issues raised in the targeting of national and local audiences
(specifically, British) by international or global institutions;
ļ‚› the ways in which the candidates’ own experiences of media
consumption illustrate wider patterns and trends of audience
behaviour.
Audiences and Institutions
ļ‚› Use details from the case studies throughout your
answer (Frozen, Fifth Estate, 12 Years a Slave, The
Hobbit, Shifty).
ļ‚› Production, distribution and marketing, exhibition,
consumption and exchange.
ļ‚› For each aspect, you need to discuss:
ļ‚› the relationships between audiences and
institutions,
ļ‚› the impact of new digital technologies.
Remember…
ļ‚› Audiences and institutions are connected, not
separate entities.
ļ‚› Use detailed examples, facts, figures and statistics
from the case studies to support your points.
ļ‚› Compare at least two of the case studies in your
answer (e.g. big budget blockbuster ā€˜Frozen’ v low
budget ā€˜Shifty’).
ļ‚› You can write about the ways in which your own
experiences of media consumption illustrate wider
patterns and trends of audience behaviour or low
budget production and distribution.
ļ‚› Use terminology!

Final Advice

  • 1.
    G322 TV Dramaand Institutions and Audience Last minute tips and advice
  • 2.
    TV Drama ļ‚›Watch theextract carefully!!! ļ‚›It will screen four times ļ‚›You CAN start writing during the 2nd screening ļ‚›Discuss all four areas of textual analysis ļ‚›Link EVERYTHING you say to REPRESENTATION
  • 3.
    Activity 1 Part1 Without looking over your notes jot down as many technical terms as you can remember. For example – the specific names for camera shots, movement, composition, sound, mise-en-scene and editing. Camera shot = Close-up
  • 4.
    Activity 1 Part2 Now compare your list with a partner. Which ones did they get that you didn’t and vice versa. Between you, pick out which you think are the best ones to apply to the TV Drama exam clip.
  • 5.
    The Four Areas ļ‚›CameraShots, Angle, Movement and Composition ļ‚› Shots: establishing shot, master shot, close-up, mid-shot, long shot, wide shot, two-shot, aerial shot, point of view shot, over the shoulder shot, etc ļ‚› Angle: high angle, low angle, canted angle. ļ‚› Movement: pan, tilt, track, dolly, crane, steadicam, hand-held, zoom, reverse zoom. ļ‚› Composition: framing, rule of thirds, depth of field – deep and shallow focus, focus pulls.
  • 6.
    The Four Areas ļ‚›Mise-en-ScĆØne ļ‚›Productiondesign: location, studio, set design, costume and make-up, properties. ļ‚›Lighting; colour design
  • 7.
    The Four Areas ļ‚›Editing ļ‚›Includes transition of image and sound – continuity and non-continuity systems. ļ‚› Cutting: shot/reverse shot, eyeline match, graphic match, action match, jump cut, crosscutting, parallel editing, cutaway; insert. ļ‚› Other transitions, dissolve, fade-in, fade- out, wipe, superimposition, long take, short take, slow motion, ellipsis and expansion of time, post-production, visual effects.
  • 8.
    The Four Areas ļ‚›Sound ļ‚›Diegeticand non-diegetic sound; synchronous/asynchronous sound; sound effects; sound motif, sound bridge, dialogue, voiceover, mode of address/direct address, sound mixing, sound perspective. ļ‚›Soundtrack: score, incidental music, themes and stings, ambient sound.
  • 9.
    Lets Get Revising ļ‚›Spelling Test! ļ‚› Now make flash cards of these words Vertical Integration Simultaneous Global Release Horizontal Integration Synthespian Synergy Proliferation Produser Fragmentation Conglomerate Distribution Viral Marketing Vivendi Convergence Saturation Release Limited Release (platform) Exchange
  • 10.
    Terminology Technological Convergence Synergy National / Local Audiences WorkingTitle / Universal BBC Films Metrodome UK Film Council The Digital Screen Network BFI (British Film Institute) was the British Film Council Distribution (digital) Licensing Marketing (campaign) Logistics Vertical integration Theatrical release DVD/Video rights TV rights Blanket marketing Staggered release USP Audience targeting Multiplatform Viral marketing Budget / production values Fractured audiences Viral marketing Web 2.0 / User generated content Niche / mainstream audience ā€˜Specialist’ – ā€˜independent’ Digital / online age
  • 11.
    ļ‚› the issuesraised by media ownership in contemporary media practice; ļ‚› the importance of cross media convergence and synergy in production, distribution and marketing; ļ‚› the technologies that have been introduced in recent years at the levels of production, distribution, marketing and exchange; ļ‚› the significance of proliferation in hardware and content for institutions and audiences; ļ‚› the importance of technological convergence for institutions and audiences; ļ‚› the issues raised in the targeting of national and local audiences (specifically, British) by international or global institutions; ļ‚› the ways in which the candidates’ own experiences of media consumption illustrate wider patterns and trends of audience behaviour.
  • 12.
    Audiences and Institutions ļ‚›Use details from the case studies throughout your answer (Frozen, Fifth Estate, 12 Years a Slave, The Hobbit, Shifty). ļ‚› Production, distribution and marketing, exhibition, consumption and exchange. ļ‚› For each aspect, you need to discuss: ļ‚› the relationships between audiences and institutions, ļ‚› the impact of new digital technologies.
  • 13.
    Remember… ļ‚› Audiences andinstitutions are connected, not separate entities. ļ‚› Use detailed examples, facts, figures and statistics from the case studies to support your points. ļ‚› Compare at least two of the case studies in your answer (e.g. big budget blockbuster ā€˜Frozen’ v low budget ā€˜Shifty’). ļ‚› You can write about the ways in which your own experiences of media consumption illustrate wider patterns and trends of audience behaviour or low budget production and distribution. ļ‚› Use terminology!