Final music video synopsis
- 1. Hey heart,on theroadagain Movingon forward Stickandstones won'tbreakourbones We're in the caronthehighway It's a magical feeling thatno one's gota home You're out calling, still young,happinessinall NONONO- Pumpin bloodThe intro of the song: Time-lapse of a birds-eye view shot of businessmen and women, rushing to work (this shot reverses to the beat). Shots are taken in different places e.g. Canary Wharf, Liverpool street, and Heathrow. The next shot is an establishing shot of the airport. Then the long shot, tracking a businessman/woman with a suitcase going one way, then the camera tracks the band going the opposite way where the song initially starts. This would be filmed in the airportThe camera tracks the band from behind tilting up, from their feet, to the arrival sign above their heads. Introinstrumental The first line of the first verse, would be the starting of the journey. One camera is on the train filming the band, getting on the train, form a long, to mid shot. The camera that was initially tracking them, would show the train doors closing and departing. Mid shot from behind, showing the band getting off the train, at a different location (the beach). Establishing shot of the beach and band. (Train moving) (Friends talking-as well as the singer lip singing )
- 2. This is your heart, IT'S ALIVE It's pumping blood! And it's your heart, IT'S ALIVE It's pumping blood! And the whole wide world is whistling, and it's whistling Continues on the beach scene with a mid shot of the singer putting her fists up in the air. This relates to the next scene with the main singer in a studio setting with the projector on their faces and doing the same action as she did in the beach (fist pump) Long shot, band entering the theme park The projector projecting videos and images that symbolise an adrenaline rush e.g. fireworks, explosions
- 3. Hey heart, on the run again Drive is strong ANYWHERE Stick & stones won't take us cold Sky's the ball and it fits it - It's the best world's feeling Like nothing can go wrong You're the saddle of the world, you don't need to know Hand held camera shot of the friends running to the arcade/theme park in the afternoon. POV shot of the group of friends on rides e.g. bumper cars, sky drop, turtle swing. Main singer is walking through the theme park/in front of rollercoaster night. Close up shot/ mid shot POV and a panning long shot of the friends skateboarding/cycling to the pier.
- 4. Cause it's your heart, IT'S ALIVE It's pumping blood And it's your heart, IT'S ALIVE It's pumping blood! AND THE WHOLE WIDE IT'S WHISTLING! Continues on the beach scene with a mid shot of the singer putting her fists up in the air. This relates to the next scene with the main singer in a studio setting with the projector on their faces and doing the same action as she did in the beach (fist pump) Long shot, band entering the theme park
- 5. Hey heart, on the road again On a highway, on a highway Hey, heart, on the road again On a highway, on a highway Slow motion and reverse editing of, the group of friends, on bikes/skateboards, holding sparklers/coloured smoke bombs instrumental Montage scene of the previous places that the band/friends went to Long shot of the band/friends running on the beach (slow motion) with sparklers/colour smoke bombs.
- 6. Cause it's your heart, IT'S ALIVE It's pumping blood And it's your heart, IT'S ALIVE It's pumping blood And the whole wide world is whistling, and it's whistling! Studio performance, mid shot Editing is used to cut from main singer to band members, back and forth. Wide shot, projecting videos onto the band, while switching back to the actual video using the same movements e.g. fist pumps. Montage of the scenes at a fast pace and then a mid shot of the band/friends walking along the shore and whistling. End with them doing a fist pump.