How To Design Earrings, Rings, Brooches, And Bracelets_ A Step-By-Step Guide.pptx

How To Design Earrings, Rings, Brooches, And Bracelets_ A Step-By-Step Guide.pptx

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  How To DesignEarrings, Rings, Brooches, And Bracelets: A Step-By-Step Guide Get entire article, please visit: https://sobling.jewelry/how-to-design-earrings-rings-brooches-and-bracelets-a-step-by-step- guide/
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  1. Earring DesignPracticing Ring Design Practicing Brooch Design Practicing 2. 3. Bracelet Design Practicing 4. CONTENTS
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  01 Earring Design Practicing
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  Earring Design Practicing MaterialCutting and Matching This earring design, featuring amethyst, diamonds, and 18K gold, offers a romantic, beautiful, and noble look with moderate pricing, making it suitable for students and office workers. Size Specifications
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  Earring Design Practicing DrawingSteps Steps Details 1 Begin with partial sections. Use a pencil to outline the earring’s metal parts based on perspective principles, ensuring clear structural definition and characteristic form. 2 Sketch the contour of the earring pendant with loose, natural-flowing lines. 3 Add another earring at a different angle beside the first one to showcase design features from multiple perspectives, enhancing the composition. 4 Add details, refine line art, polish local shapes, and erase redundant lines to maintain cleanliness. 5 Lighten the pencil sketch with a soft eraser to prevent smudging during coloring. Mix yellow ochre and flesh tone to apply a base layer to the metal parts, suggesting basic light-dark relationships. 6 Blend burnt umber and burnt sienna. Use a small watercolor brush to paint metallic shadows, intensifying contrast and three-dimensionality. 7 Wet the gemstone area. Mix rose madder and violet to apply the amethyst’s base layer. Once slightly dry, add sapphire blue to define shadows and enhance chromatic complexity, emphasizing faceted effects. 8 Paint the earring’s cast shadow. Highlight reflections and sparkle with white pigment. Adjust and finalize the artwork to complete.
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  Earring Design Practicing KeyPoints for Drawing In drawing key points, gem colors should blend smoothly, metallic texture is shown through gradients and highlights, and earring composition should consider display characteristics from various angles. Summary of Techniques  Gemstone volume is expressed through color depth, highlights, and faceting depiction.  Watercolor blending and diffusion occur naturally on paper, requiring practice and familiarity with tools and moisture control.  Keep paintings clean by placing tissues under your hand or washing hands to prevent sweat from dirtying the paper.
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  02 Ring Design Practicing
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  Ring Design Practicing MaterialCutting and Matching This ring design, featuring garnet and ruby with rose gold, has a passionate and vibrant look, symbolizing loyalty, love, and blessings, making it suitable as a talisman or gift. Size Specifications
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  Ring Design Practicing DrawingSteps Steps Details 1 Begin with partial sections. Lightly outline the main gemstone’s general contour of the ring with loose, casual lines. 2 Sketch the ring band’s contour with a pencil based on perspective principles, maintaining natural line flow. 3 Lightly outline internal structures like the gemstone’s light-dark boundary line with a pencil. 4 Add details, refine line art, polish local shapes. Erase redundant lines and soften pencil guidelines with a soft eraser to prevent coloring smudges. 5 Wet the garnet area on the ring’s main section. Mix vermilion with violet to paint the gemstone’s base color, reserving highlight areas. 6 Blend rose madder, cerulean blue, and violet to deepen the gemstone’s shadows, ensuring natural color transitions. 7 Dilute rose madder with water to apply the ruby’s base layer on the ring band. Use lemon yellow for a faint base layer on metal parts, leaving intentional gaps for breathability. 8 Mix burnt umber and vermilion. Use a small watercolor brush to define the ring band’s shadows and refine metal details. 9 Blend rose madder and violet to refine the ruby’s shadows. 10 Deepen metal shadows with raw umber. Paint the ring’s cast shadow with Payne’s grey. Adjust and complete the artwork.
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  Ring Design Practicing KeyPoints for Drawing  Pay attention to the representation of the gem's transparency.  Small gems on the ring should be distinguished. Summary of Techniques  Gemstone volume is expressed through variations in color depth and the depiction of highlights and reflections.  Unify the picture's color tone by limiting the palette to avoid chaos and maintaining a consistent main tonal feeling.  Accurately grasp jewelry's external characteristics by observing perspective relationships, determining design style and features, and refining from the outer contour to the internal structure.
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  03 Brooch Design Practicing
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  Brooch Design Practicing MaterialCutting and Matching This butterfly brooch, made of purple crystals, diamonds, and alloys, features a lightweight design with gemstones on its wings, eyes, and abdomen. It uses a durable alloy and handmade inlay technique, exuding luxury, elegance, and romance, perfect for highlighting women's beauty and composure. Size Specifications
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  Brooch Design Practicing DrawingSteps Steps Details 1 Begin with partial sections. Lightly sketch the butterfly brooch’s head and abdomen contours with loose, casual lines as reference. 2 Based on overall proportions, outline the brooch’s antennae and tail with natural, flowing pencil lines. 3 Draw the wings’ outer contour with relaxed curved lines. 4 Define the wings’ internal structures with a pencil. 5 Mark gemstone positions and shapes using simplified circles. Adjust local shapes and erase redundant lines for cleanliness. 6 Coat the metal parts with water. Use a medium watercolor brush to apply the first wash with yellow ochre diluted in ample water. 7 Paint metallic shadows with burnt umber, keeping coverage minimal. 8 Blend rose madder and violet for the colored diamonds’ first layer, keeping colors light. 9 Reinforce colored diamonds with saturated rose madder and violet mixtures for deeper tones. 10 Apply emerald green to antennae gemstones. Deepen metal shadows with burnt umber, enhancing color depth. 11 Refine antennae gemstones with emerald green and Payne’s grey. Detail wing gemstones with violet and sapphire blue. Highlight with white. 12 Paint the brooch’s cast shadow with Payne’s grey. Adjust and finalize the artwork to complete.
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  Brooch Design Practicing KeyPoints for Drawing  Dark areas are generally depicted using deeper shades of the same color system.  The dark side, bright side, and highlight parts of the gemstone should be distinguished to emphasize the sense of volume.  Due to the light source factors, the butterfly brooch will have variations in color brightness. Summary of Techniques  The volume of metal parts is expressed through dark color layering and reflective area embellishment, leveraging the smooth and reflective surface of the metal.  Handle picture details by orderly arranging gemstones on the butterfly brooch and using light and dark contrast to highlight the luster and texture of crystals and diamonds.
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  04 Bracelet Design Practicing
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  Bracelet Design Practicing MaterialCutting and Matching This bracelet design, featuring pink quartz and metal, is elegant and radiant, promoting harmony and attraction while easing tension. It requires careful crafting due to low yield of perfect beads and should be worn on the left hand for optimal spiritual effect. Size Specifications The diameter of a single pink crystal bead is 12 mm. This bracelet uses 32 pink crystals, 75 round silver beads, and 13 oval silver beads, with a circumference of approximately 720 mm.
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  Bracelet Design Practicing DrawingSteps Steps Details 1 Sketch the bracelet’s general contour with light, casual pencil lines, avoiding heavy pressure. 2 Outline the large beads to define the bracelet’s basic shape. 3 Draw remaining structures (small beads, gemstones) with smooth lines. 4 Precisely outline the bracelet’s contours with a 0.2mm technical pen over the pencil draft. 5 Add pendant textures and details. Erase pencil marks thoroughly with a soft eraser. 6 Apply a base layer to large round gemstones using vermilion, lemon yellow, and magenta, reserving whites for highlights. 7 Paint the metal parts with Payne’s grey and ivory black, leaving gaps for breathability. 8 Deepen metallic shadows with Payne’s grey mixtures. 9 Blend lemon yellow and rose madder to intensify shadows on pink gemstones, enhancing contrast and volume. 10 Darken shadows on metal beads with Payne’s grey and ivory black. 11 Deepen colors using burnt umber, burnt sienna, lemon yellow, and rose madder. Accent highlights on pink gemstones and metal beads with white. 12 Refine gemstones with yellow ochre, rose madder, and orange to amplify three-dimensionality. Adjust and finalize the artwork to complete.
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  Bracelet Design Practicing KeyPoints for Drawing Capture the layering in circular stacked bracelets, express ambient color and strong reflections in metal beads to enhance spatial sense, and unify the light source direction while carefully distributing highlights. Summary of Techniques  The volume of pink crystal beads is expressed through variations in color depth, highlights, and reflections.  Match metal colors by adding reflective colors to refine and express the reflective characteristics of the metal.  Unify the picture’s color tone by determining the main tone through color block size and limiting the number of colors to avoid chaos.
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