Chapter 3 Visual Elements
Line a path of action Characteristics of line –  Active Static Aggressive/passive Sensual/mechanical Directional Defines boundaries Implies volume or mass Suggests motion or emotion Forms patterns and textures
Line Implied line – suggests a visual connection Contour line – outline of something
Curvilinear line
Lines in Motion
Geometric Shapes 2D shapes on the left 3D shapes on the right Square Triangle Circle Box Pyramid Sphere
Organic Shapes irregular, curving, rounded, relaxed, informal, lines in nature
Positive/Negative Shapes Positive shapes – subject or dominant shapes on the picture plane Negative shapes – background areas
Figure-ground Reversal M.C. Escher's work
Mass/ Form 3D – physical bulk Closed form  open form
Space continuous, infinite, ever present 3D space – our relationship to objects in space 2D space – defined by height and width, implied a. Overlapping –  b. Overlapping and size –  c. Vertical placement -  d. Implied space - Overlapping Diminishing size Vertical placement
Linear perspective the way objects appear in space to the eye Vanishing point Horizon line Eye level Vantage point One point perspective Two point perspective
 
One Point Perspective
Atmospheric perspective
Implied motion To create a sense of movement
Light Light dramatically changes the way we perceive things
Light Chiaroscuro uses the graduations of light and shade revealing forms by subtle shifting from light to dark areas, there are no sharp outlines
Color A component of light that affects our thoughts, moods, actions, and health Hue means color
Achromatic - Without the property of hue/color Black, white and gray Value -   Lightness or darkness of a hue White makes the color lighter creating a tint Black makes the color darker creating a shade Achromatic painting using black, white and gray
Neutral Colors Brown, white, black, gray
Primary Colors Red, blue, yellow Cannot be produced by intermixing other colors All other colors are mixed from these 3 colors
Secondary Colors Orange, green, violet Colors mixed from a combination  of 2 primary colors Red + Blue = Violet Blue + Yellow = Green Red + Yellow = Orange
Tertiary Color Red-orange Yellow-orange Yellow-green Blue-green Blue-violet Red-violet
Warm Colors Red Yellow Orange
Cool Colors Blue Green Violet
Color Schemes Color groupings that create distinct color harmony Monochromatic One color plus white and black Analogous 3 – 5 colors next to each other on the color wheel Complementary  2 colors directly opposite each other on the color wheel
Color wheel
Monochromatic one color plus black and white Violet, black and white were used in this painting
Analogous  at least 3 – 5 colors next to each other on the color wheel
Complementary Colors 2 colors directly opposite each other on the color wheel Red – green Blue – orange Yellow – violet These colors when mixed create hues of brown
Texture Tactile qualities of touch and feel Actual textures – feel by touching Meret Oppenheim – Object 1936  Tree root
Implied texture – created to look like something on a flat surface Van Gogh close up

KCC Art 211 Ch 3 Visual Elements

  • 1.
  • 2.
    Line a pathof action Characteristics of line – Active Static Aggressive/passive Sensual/mechanical Directional Defines boundaries Implies volume or mass Suggests motion or emotion Forms patterns and textures
  • 3.
    Line Implied line– suggests a visual connection Contour line – outline of something
  • 4.
  • 5.
  • 6.
    Geometric Shapes 2Dshapes on the left 3D shapes on the right Square Triangle Circle Box Pyramid Sphere
  • 7.
    Organic Shapes irregular,curving, rounded, relaxed, informal, lines in nature
  • 8.
    Positive/Negative Shapes Positiveshapes – subject or dominant shapes on the picture plane Negative shapes – background areas
  • 9.
  • 10.
    Mass/ Form 3D– physical bulk Closed form open form
  • 11.
    Space continuous, infinite,ever present 3D space – our relationship to objects in space 2D space – defined by height and width, implied a. Overlapping – b. Overlapping and size – c. Vertical placement - d. Implied space - Overlapping Diminishing size Vertical placement
  • 12.
    Linear perspective theway objects appear in space to the eye Vanishing point Horizon line Eye level Vantage point One point perspective Two point perspective
  • 13.
  • 14.
  • 15.
  • 16.
    Implied motion Tocreate a sense of movement
  • 17.
    Light Light dramaticallychanges the way we perceive things
  • 18.
    Light Chiaroscuro usesthe graduations of light and shade revealing forms by subtle shifting from light to dark areas, there are no sharp outlines
  • 19.
    Color A componentof light that affects our thoughts, moods, actions, and health Hue means color
  • 20.
    Achromatic - Withoutthe property of hue/color Black, white and gray Value - Lightness or darkness of a hue White makes the color lighter creating a tint Black makes the color darker creating a shade Achromatic painting using black, white and gray
  • 21.
    Neutral Colors Brown,white, black, gray
  • 22.
    Primary Colors Red,blue, yellow Cannot be produced by intermixing other colors All other colors are mixed from these 3 colors
  • 23.
    Secondary Colors Orange,green, violet Colors mixed from a combination of 2 primary colors Red + Blue = Violet Blue + Yellow = Green Red + Yellow = Orange
  • 24.
    Tertiary Color Red-orangeYellow-orange Yellow-green Blue-green Blue-violet Red-violet
  • 25.
    Warm Colors RedYellow Orange
  • 26.
    Cool Colors BlueGreen Violet
  • 27.
    Color Schemes Colorgroupings that create distinct color harmony Monochromatic One color plus white and black Analogous 3 – 5 colors next to each other on the color wheel Complementary 2 colors directly opposite each other on the color wheel
  • 28.
  • 29.
    Monochromatic one colorplus black and white Violet, black and white were used in this painting
  • 30.
    Analogous atleast 3 – 5 colors next to each other on the color wheel
  • 31.
    Complementary Colors 2colors directly opposite each other on the color wheel Red – green Blue – orange Yellow – violet These colors when mixed create hues of brown
  • 32.
    Texture Tactile qualitiesof touch and feel Actual textures – feel by touching Meret Oppenheim – Object 1936 Tree root
  • 33.
    Implied texture –created to look like something on a flat surface Van Gogh close up