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![ It has long been a matter of debate why the Renaissance began in Florence, and
not elsewhere in Italy. Scholars have noted several features unique to Florentine
cultural life which may have caused such a cultural movement. Many have
emphasized the role played by the Medici, a banking family and later ducal ruling
house, in patronizing and stimulating the arts. Lorenzo de' Medici (1449–1492)
was the catalyst for an enormous amount of arts patronage, encouraging his
countrymen to commission works from Florence's leading
artists, including Leonardo daVinci, Sandro Botticelli, and Michelangelo
Buonarroti.[5] Works byNeri di Bicci, Sandro Botticelli, Leonardo daVinci
and Filippino Lippi had been commissioned additionally by the convent di San
Donato agli Scopeti of theAugustinians order in Florence.[41]
The Renaissance was certainly underway before Lorenzo came to power;
indeed, before the Medici family itself achieved hegemony in Florentine society.
Some historians have postulated that Florence was the birthplace of the
Renaissance as a result of luck, i.e. because "Great Men" were born there by
chance.[42] DaVinci, Botticelli and Michelangelo were all born inTuscany. Arguing
that such chance seems improbable, other historians have contended that these
"Great Men" were only able to rise to prominence because of the prevailing
cultural conditions at the time.[43]](https://image.slidesharecdn.com/marky1-130702075907-phpapp01/75/Art-And-Culture-Of-Renaisssance-Period-2-2048.jpg)
![ The Renaissance marks the period of European history at the close of the Middle Ages and the
rise of the Modern world. It represents a cultural rebirth from the 14th through the middle of the
17th centuries. Early Renaissance, mostly in Italy, bridges the art period during the fifteenth
century, between the Middle Ages and the High Renaissance in Italy. It is generally known that
Renaissance matured in Northern Europe later, in 16th century.[47] One of the distinguishing
features of Renaissance art was its development of highly realistic linear perspective. Giotto di
Bondone (1267–1337) is credited with first treating a painting as a window into space, but it was
not until the demonstrations of architect Filippo Brunelleschi (1377–1446) and the subsequent
writings of Leon Battista Alberti (1404–1472) that perspective was formalized as an artistic
technique.[48] The development of perspective was part of a wider trend towards realism in the
arts.[49] To that end, painters also developed other techniques, studying light, shadow, and,
famously in the case ofLeonardo daVinci, human anatomy. Underlying these changes in artistic
method, was a renewed desire to depict the beauty of nature, and to unravel the axioms
of aesthetics, with the works of Leonardo, Michelangelo and Raphael representing artistic
pinnacles that were to be much imitated by other artists.[50] Other notable artists include Sandro
Botticelli, working for the Medici in Florence, Donatello another Florentine andTitian inVenice,
among others.
Concurrently, in the Netherlands, a particularly vibrant artistic culture developed, the work
of Hugo van der Goes and Jan van Eyck having particular influence on the development of
painting in Italy, both technically with the introduction of oil paint and canvas, and stylistically in
terms of naturalism in representation. (see Renaissance in the Netherlands). Later, the work
of Pieter Brueghel the Elder would inspire artists to depict themes of everyday life.[51]
](https://image.slidesharecdn.com/marky1-130702075907-phpapp01/75/Art-And-Culture-Of-Renaisssance-Period-3-2048.jpg)
Uploaded byMarcelino Christian Santos
Art And Culture Of Renaisssance Period
The Renaissance began in Florence for several reasons. The Medici family, who became the ruling house of Florence, were important patrons of the arts and encouraged great artists like Leonardo da Vinci, Botticelli, and Michelangelo. While the Renaissance was already underway before Lorenzo de' Medici came to power, he was a major catalyst for artistic patronage. Some argue great artists like these were able to rise due to prevailing cultural conditions in Tuscany at the time, rather than just by chance.
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Art And Culture Of Renaisssance Period
- 2. It haslong been a matter of debate why the Renaissance began in Florence, and not elsewhere in Italy. Scholars have noted several features unique to Florentine cultural life which may have caused such a cultural movement. Many have emphasized the role played by the Medici, a banking family and later ducal ruling house, in patronizing and stimulating the arts. Lorenzo de' Medici (1449–1492) was the catalyst for an enormous amount of arts patronage, encouraging his countrymen to commission works from Florence's leading artists, including Leonardo daVinci, Sandro Botticelli, and Michelangelo Buonarroti.[5] Works byNeri di Bicci, Sandro Botticelli, Leonardo daVinci and Filippino Lippi had been commissioned additionally by the convent di San Donato agli Scopeti of theAugustinians order in Florence.[41] The Renaissance was certainly underway before Lorenzo came to power; indeed, before the Medici family itself achieved hegemony in Florentine society. Some historians have postulated that Florence was the birthplace of the Renaissance as a result of luck, i.e. because "Great Men" were born there by chance.[42] DaVinci, Botticelli and Michelangelo were all born inTuscany. Arguing that such chance seems improbable, other historians have contended that these "Great Men" were only able to rise to prominence because of the prevailing cultural conditions at the time.[43]
- 3. The Renaissancemarks the period of European history at the close of the Middle Ages and the rise of the Modern world. It represents a cultural rebirth from the 14th through the middle of the 17th centuries. Early Renaissance, mostly in Italy, bridges the art period during the fifteenth century, between the Middle Ages and the High Renaissance in Italy. It is generally known that Renaissance matured in Northern Europe later, in 16th century.[47] One of the distinguishing features of Renaissance art was its development of highly realistic linear perspective. Giotto di Bondone (1267–1337) is credited with first treating a painting as a window into space, but it was not until the demonstrations of architect Filippo Brunelleschi (1377–1446) and the subsequent writings of Leon Battista Alberti (1404–1472) that perspective was formalized as an artistic technique.[48] The development of perspective was part of a wider trend towards realism in the arts.[49] To that end, painters also developed other techniques, studying light, shadow, and, famously in the case ofLeonardo daVinci, human anatomy. Underlying these changes in artistic method, was a renewed desire to depict the beauty of nature, and to unravel the axioms of aesthetics, with the works of Leonardo, Michelangelo and Raphael representing artistic pinnacles that were to be much imitated by other artists.[50] Other notable artists include Sandro Botticelli, working for the Medici in Florence, Donatello another Florentine andTitian inVenice, among others. Concurrently, in the Netherlands, a particularly vibrant artistic culture developed, the work of Hugo van der Goes and Jan van Eyck having particular influence on the development of painting in Italy, both technically with the introduction of oil paint and canvas, and stylistically in terms of naturalism in representation. (see Renaissance in the Netherlands). Later, the work of Pieter Brueghel the Elder would inspire artists to depict themes of everyday life.[51]