Poetry and Its Elements
Objectives: At the
end of the lesson,
we are expected to:
• Analyze the difference
between prose and poetry,
• Appreciate the importance of
poetry reflected on the given
poems; and
• Create a poem following
specific elements of story.
Activity 1: Analyze the difference.
Love your own
country.
[Mahalin mo
ang sarili mong
bansa.]
What love can be purer and
greater than love of country?
What love? No other love,
none.
[Aling pag-ibig pa ang hibigit
kaya sa pagkadalisay at
pagkakadakila. Gaya ng pag-
ibig sa tibuang lupa. Aling pag-
ibig pa? Wala na nga wala.]
PROSE
Love your own
country.
[Mahalin mo
ang sarili mong
bansa.]
What love can be purer and
greater than love of country?
What love? No other love,
none.
[Aling pag-ibig pa ang hibigit
kaya sa pagkadalisay at
pagkakadakila. Gaya ng pag-
ibig sa tibuang lupa. Aling pag-
ibig pa? Wala na nga wala.]
POETRY
Activity 2: Analyze the
difference between
Prose and Poetry.
PROSE POETRY
Activity 2: Analyze the difference
between Prose and Poetry.
PROSE
1. Literary piece
2. Natural, ordinary
language
3. Paragraphs
4. Grammar and
Syntax
POETRY
1. Literary piece
2. Artistic writing
3. Language with
art
4. Repetition and
Rhymes
PROSE VS POETRY
MECHANICS
1. Structure/ Form
2. Syntax
3. Kinds/ Types
4. Language Styles
5. Content/ Purpose
STRUCTURE
PROSE
Written in
sentences forming
paragraphs
POETRY
Written in lines
forming stanzas/
verses
SYNTAX
PROSE
Observes strict grammar,
punctuation and
capitalization
POETRY
Has loose grammar and
punctuation
Has poetic license
KINDS
PROSE
• Essays, novels, journals, articles,
news, speeches, diary, entries, etc.
POETRY
• Lyric-elegy, ode, and sonnet
• Dramatic – tragedy, comedy,
tragic-comedy, closed drama, and
masque
• Narrative- epic, ballad, tale,
metrical, and romance
LANGUAGE
PROSE
Usually straightforward, ordinary, and natural
No limit in terms of word usage
POETRY
Uses creative, concise, articulate words
Uses figurative language and rhythmical
PURPOSE
PROSE
Informational
Logical,
Practical
POETRY
Emotional
Activity: A series of
Keywords will be shown.
Identify if it relates to
PROSE or POETRY.
Emotional
Sentences
Creative
Informational
Romantic
Straightforward
Novel
Poetic
Epic
Stanzas
Elements
STANZAS
Group of lines that form
the basis metrical unit of a
poem
Couplet, tercet, quatrain
Cinquain, sestet, septet,
and octave
COUPLET
“This precious book of love, this unbound lover,
To beautify him only lacks a cover.”
Romeo and Juliet (William Shakespeare)
TERCET
“O wild West Wind, thou breath of Autumn’s being,
Thou, from whose unseen presence the leaves dead
Are driven, like ghosts from an enhancer fleeing,”
Ode to the West Wind (By Percy Bysshe
Shelley)
QUATRAIN
“Whose woods these are I think I know.
His house is in the village though;
He will not see me stopping here
To watch his woods fill up with snow.”
Stopping by Woods on a Snowy
Evening (Robert Frost)
CINQUAIN [SING-
KAYN]
“Look up . . .
From bleakening hills
Blows down the light, first breath
Of wintry wind … look up, and scent
The snow!”
Snow (Adelaide Crapsey)
SESTET
“It was many and many a year a go,
In a king by the sea,
That a maiden there lived who, you know
By the name of Annabel Lee;
And this maiden she lived no other thought”
Than to love and beloved by me.”
Annabel Lee (Edgar Allan Poe)
SEPTET
“Baa, baa, black sheep
Have you any wool?
Yes sir, yes sir, three bags full.
One for the master,
And one for the dame,
And one for the little boy
Who lives down the lane.”
Baa, baa, Black Sheep (Mother Goose)
OCTAVE
“Death be not proud, though some have called thee
Mighty and dreadfull, for, thou art not soe,
For, those, whom thou think'st, thou dost overthrow,
Die not, poore death, nor yet canst thou kill mee.
From rest and sleepe, which but thy pictures bee,
Much pleasure, then from thee, much more must
flow,
And soonest our best men with thee doe goe,
Rest Of their bones, and soules deliverie,”
Death Be Not Proud (John Donne)
TONE/ MOOD
Tone is the
attitude of the
writer about a
subject.
Mood is the
emotion
evoked by the
author.
IMAGERY
The use of vivid
words that appeal
to the senses in
order to deepen
the understanding
of the text.
IMAGERY
"You call me up again just to break me like a
promise / So casually cruel in the name of
being honest" — All TOO Well (Red)
So you were never a saint and I loved in
shades of wrong / We learn to live with the
pain, mosaic broken hearts " - State of
Grace (Red)
"Walking through a crowd, the village is
aglow/ Kaleidoscope of loud heartbeats
under coats " —Welcome to New York
(1989)
IMAGERY
To Autumn – John Keats
Until they think warm days will never cease,
For summer has o’er-brimm’d their clammy cells.
Who hath not seen thee oft amid thy store?
Sometimes whoever seeks abroad may find
Thee sitting careless on a granary floor,
Thy hair soft-lifted by the winnowing wind;
Or on a half-reap’d furrow sound asleep
IMAGERY
Rain In summer
– H.W.LongFellow
They silently inhale
the clover-scented gale,
And the vapors that arise
From the well-watered and smoking
soil
FIGURATIVE
LANGUAGE
Language that conveys deeper
and more complex that what it
literally says.
Simile, metaphor, hyperbole, etc.
RHYTHM
The pattern of
stressed and
unstressed syllables in
each line.
Each group of
stressed and stressed
syllable is called
“foot”.
RHYME The repetition of the similar
sounds at the end of each line.
RHYME
SCHEME
A pattern that is
created with
rhymes.
RHYME SCHEME
Roses are red.
Violets are blue
I’m out of my head.
I’m thinking of you.
I see the trees.
It reminds me of you.
a
b
a
b
c
b
Activity: Identify
the Rhyme Scheme
Stopping by Woods on a Snowy
Evening
BY ROBERT FROST
Whose woods these are I think I know.
His house is in the village though;
He will not see me stopping here
To watch his woods fill up with snow.
My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.
POETRY
Poetry, the highest form of literature,
influences us because it shows different shades
of human beings. It expresses different feelings
such as friendship, love, death and other
human emotions.
ELEMENTS OF
POETRY
There are many ways
to kill a cat, same with
writing a poem. There
are many elements to
be
considered, and it's up
to us how we will make
use of them.
• Petrarchan Sonnet
• The Petrarchan sonnet rhyme scheme is similar in some
aspects, but it uses repetition differently. These poems
follow a rhyme scheme of ABBAABBACDCDCD. While the
first eight lines (ABBAABBA) are always the same, the last six
can change. Other popular endings to these poems include
patterns like CDECDE and CDEEDC. It is all up to the poet
whether they choose to add in another rhyming ending or in
what order these endings come in.
• Petrarchan Sonnet Example
• ‘Whoso List to Hunt’ by Sir Thomas Wyatt is one of the best-
known examples of a Petrarchan sonnet. These lines follow
the Petrarchan or Italian sonnet form and discuss the
obsessive pursuit of a “hind,” or female deer. This deer (a
symbol for a woman) is always out of reach. The speaker
tells the listener they are welcome to give the hunt a go, but
it is really useless. No one is going to be able to catch her.
• Shakespearean Sonnet
• The first, the Shakespearean sonnet, follows the rhyme
scheme of ABABCDCDEFEFGG. These lines take a reader
through a problem (usually in the first eight or twelve lines)
and then present a solution in the final six or two lines,
depending on the poem. There are a few moments within
the 154 sonnets that Shakespeare wrote over his lifetime
where he deviated from this pattern, but they are few and
far between.
• Shakespearean Sonnet Example
• Although there are many wonderful and famous
Shakespearean poems, ‘Sonnet 18,’ also know as ‘Shall I
compare thee to a summer’s day?’ is perhaps the best-loved.
This poem conforms to the rhyme scheme that Shakespeare
is known for ABABCDCDEFEFGG and uses
iambic pentameter. In it, the speaker describes the Fair
Youth as better than even the best parts of summer. He is
“more lovely and more temperate.” His face is like an
“eternal summer” because he has been immortalized in
Shakespeare’s poetry.

Poetry and Its Elements English 9 Quarter 2

  • 1.
  • 2.
    Objectives: At the endof the lesson, we are expected to: • Analyze the difference between prose and poetry, • Appreciate the importance of poetry reflected on the given poems; and • Create a poem following specific elements of story.
  • 3.
    Activity 1: Analyzethe difference. Love your own country. [Mahalin mo ang sarili mong bansa.] What love can be purer and greater than love of country? What love? No other love, none. [Aling pag-ibig pa ang hibigit kaya sa pagkadalisay at pagkakadakila. Gaya ng pag- ibig sa tibuang lupa. Aling pag- ibig pa? Wala na nga wala.]
  • 4.
    PROSE Love your own country. [Mahalinmo ang sarili mong bansa.] What love can be purer and greater than love of country? What love? No other love, none. [Aling pag-ibig pa ang hibigit kaya sa pagkadalisay at pagkakadakila. Gaya ng pag- ibig sa tibuang lupa. Aling pag- ibig pa? Wala na nga wala.] POETRY
  • 5.
    Activity 2: Analyzethe difference between Prose and Poetry.
  • 6.
  • 7.
    Activity 2: Analyzethe difference between Prose and Poetry. PROSE 1. Literary piece 2. Natural, ordinary language 3. Paragraphs 4. Grammar and Syntax POETRY 1. Literary piece 2. Artistic writing 3. Language with art 4. Repetition and Rhymes
  • 8.
    PROSE VS POETRY MECHANICS 1.Structure/ Form 2. Syntax 3. Kinds/ Types 4. Language Styles 5. Content/ Purpose
  • 9.
  • 10.
    SYNTAX PROSE Observes strict grammar, punctuationand capitalization POETRY Has loose grammar and punctuation Has poetic license
  • 11.
    KINDS PROSE • Essays, novels,journals, articles, news, speeches, diary, entries, etc. POETRY • Lyric-elegy, ode, and sonnet • Dramatic – tragedy, comedy, tragic-comedy, closed drama, and masque • Narrative- epic, ballad, tale, metrical, and romance
  • 12.
    LANGUAGE PROSE Usually straightforward, ordinary,and natural No limit in terms of word usage POETRY Uses creative, concise, articulate words Uses figurative language and rhythmical
  • 13.
  • 14.
    Activity: A seriesof Keywords will be shown. Identify if it relates to PROSE or POETRY.
  • 15.
  • 16.
  • 17.
  • 18.
  • 19.
  • 20.
  • 21.
  • 22.
  • 23.
  • 24.
  • 25.
  • 26.
    STANZAS Group of linesthat form the basis metrical unit of a poem Couplet, tercet, quatrain Cinquain, sestet, septet, and octave
  • 27.
    COUPLET “This precious bookof love, this unbound lover, To beautify him only lacks a cover.” Romeo and Juliet (William Shakespeare)
  • 28.
    TERCET “O wild WestWind, thou breath of Autumn’s being, Thou, from whose unseen presence the leaves dead Are driven, like ghosts from an enhancer fleeing,” Ode to the West Wind (By Percy Bysshe Shelley)
  • 29.
    QUATRAIN “Whose woods theseare I think I know. His house is in the village though; He will not see me stopping here To watch his woods fill up with snow.” Stopping by Woods on a Snowy Evening (Robert Frost)
  • 30.
    CINQUAIN [SING- KAYN] “Look up. . . From bleakening hills Blows down the light, first breath Of wintry wind … look up, and scent The snow!” Snow (Adelaide Crapsey)
  • 31.
    SESTET “It was manyand many a year a go, In a king by the sea, That a maiden there lived who, you know By the name of Annabel Lee; And this maiden she lived no other thought” Than to love and beloved by me.” Annabel Lee (Edgar Allan Poe)
  • 32.
    SEPTET “Baa, baa, blacksheep Have you any wool? Yes sir, yes sir, three bags full. One for the master, And one for the dame, And one for the little boy Who lives down the lane.” Baa, baa, Black Sheep (Mother Goose)
  • 33.
    OCTAVE “Death be notproud, though some have called thee Mighty and dreadfull, for, thou art not soe, For, those, whom thou think'st, thou dost overthrow, Die not, poore death, nor yet canst thou kill mee. From rest and sleepe, which but thy pictures bee, Much pleasure, then from thee, much more must flow, And soonest our best men with thee doe goe, Rest Of their bones, and soules deliverie,” Death Be Not Proud (John Donne)
  • 34.
    TONE/ MOOD Tone isthe attitude of the writer about a subject. Mood is the emotion evoked by the author.
  • 35.
    IMAGERY The use ofvivid words that appeal to the senses in order to deepen the understanding of the text.
  • 36.
    IMAGERY "You call meup again just to break me like a promise / So casually cruel in the name of being honest" — All TOO Well (Red) So you were never a saint and I loved in shades of wrong / We learn to live with the pain, mosaic broken hearts " - State of Grace (Red) "Walking through a crowd, the village is aglow/ Kaleidoscope of loud heartbeats under coats " —Welcome to New York (1989)
  • 37.
    IMAGERY To Autumn –John Keats Until they think warm days will never cease, For summer has o’er-brimm’d their clammy cells. Who hath not seen thee oft amid thy store? Sometimes whoever seeks abroad may find Thee sitting careless on a granary floor, Thy hair soft-lifted by the winnowing wind; Or on a half-reap’d furrow sound asleep
  • 38.
    IMAGERY Rain In summer –H.W.LongFellow They silently inhale the clover-scented gale, And the vapors that arise From the well-watered and smoking soil
  • 39.
    FIGURATIVE LANGUAGE Language that conveysdeeper and more complex that what it literally says. Simile, metaphor, hyperbole, etc.
  • 40.
    RHYTHM The pattern of stressedand unstressed syllables in each line. Each group of stressed and stressed syllable is called “foot”.
  • 41.
    RHYME The repetitionof the similar sounds at the end of each line.
  • 42.
    RHYME SCHEME A pattern thatis created with rhymes.
  • 43.
    RHYME SCHEME Roses arered. Violets are blue I’m out of my head. I’m thinking of you. I see the trees. It reminds me of you. a b a b c b
  • 44.
    Activity: Identify the RhymeScheme Stopping by Woods on a Snowy Evening BY ROBERT FROST Whose woods these are I think I know. His house is in the village though; He will not see me stopping here To watch his woods fill up with snow. My little horse must think it queer To stop without a farmhouse near Between the woods and frozen lake The darkest evening of the year.
  • 45.
    POETRY Poetry, the highestform of literature, influences us because it shows different shades of human beings. It expresses different feelings such as friendship, love, death and other human emotions.
  • 46.
    ELEMENTS OF POETRY There aremany ways to kill a cat, same with writing a poem. There are many elements to be considered, and it's up to us how we will make use of them.
  • 48.
    • Petrarchan Sonnet •The Petrarchan sonnet rhyme scheme is similar in some aspects, but it uses repetition differently. These poems follow a rhyme scheme of ABBAABBACDCDCD. While the first eight lines (ABBAABBA) are always the same, the last six can change. Other popular endings to these poems include patterns like CDECDE and CDEEDC. It is all up to the poet whether they choose to add in another rhyming ending or in what order these endings come in.
  • 49.
    • Petrarchan SonnetExample • ‘Whoso List to Hunt’ by Sir Thomas Wyatt is one of the best- known examples of a Petrarchan sonnet. These lines follow the Petrarchan or Italian sonnet form and discuss the obsessive pursuit of a “hind,” or female deer. This deer (a symbol for a woman) is always out of reach. The speaker tells the listener they are welcome to give the hunt a go, but it is really useless. No one is going to be able to catch her.
  • 50.
    • Shakespearean Sonnet •The first, the Shakespearean sonnet, follows the rhyme scheme of ABABCDCDEFEFGG. These lines take a reader through a problem (usually in the first eight or twelve lines) and then present a solution in the final six or two lines, depending on the poem. There are a few moments within the 154 sonnets that Shakespeare wrote over his lifetime where he deviated from this pattern, but they are few and far between.
  • 51.
    • Shakespearean SonnetExample • Although there are many wonderful and famous Shakespearean poems, ‘Sonnet 18,’ also know as ‘Shall I compare thee to a summer’s day?’ is perhaps the best-loved. This poem conforms to the rhyme scheme that Shakespeare is known for ABABCDCDEFEFGG and uses iambic pentameter. In it, the speaker describes the Fair Youth as better than even the best parts of summer. He is “more lovely and more temperate.” His face is like an “eternal summer” because he has been immortalized in Shakespeare’s poetry.

Editor's Notes

  • #25 Since you have a clearer understanding between prose and poetry
  • #36 To Autumn is rich in imagery, evoking the perception of sight, hearing, smell, taste, and touch. The above lines are primarily visual imagery. The tactile imagery (touch) is seen in the warmth of the day, the clammy cells, the soft lifted hair.
  • #37 To Autumn is rich in imagery, evoking the perception of sight, hearing, smell, taste, and touch. The above lines are primarily visual imagery. The tactile imagery (touch) is seen in the warmth of the day, the clammy cells, the soft lifted hair.
  • #38 In the above lines, the poet has used olfactory imagery (sense of smell). The phrases ‘clover- scented’ breeze and ‘well-watered and smoking soil’ paint a clear picture in the reader’s mind about the smells after rainfall. For a moment reader finds himself between the prevailing scents of post-rain time.