UNIT I:
SOUTHEAST
ASIAN ARTS
Lesson 1:
Fabric/Fabric
Design
THAILAND, CAMBODIA, &
LAOS
 THAI SILK is produced from the
cocoons of Thai silkworms.
 Mainly produced in KHORAT –
the center of the silk industry in
Thailand.
THAI SILK
 Silk weaving in Cambodia
dates to as early as the first
century since textiles were
used for trading.
THAILAND, CAMBODIA, &
LAOS
There are two main types of Cambodian
weaving:
1. IKAT TECHNIQUE – to create patterns,
weavers tie and dye portions of weft yarn
before weaving begins. Patterns are diverse
and vary by region; common motifs include
lattice, stars, and spots.
THAILAND, CAMBODIA, &
LAOS
IKAT TECHNIQUE
2. UNEVEN TWILL – it yields single or two-
color fabrics, which are produced by
weaving three threads so that the color
of one thread dominates on one side of
the fabric, while the two others
determine the color on the reverse sides.
THAILAND, CAMBODIA, &
LAOS
UNEVEN TWILL
Cambodian modern silk-weaving centers are:
- Takeo
- Battambang
- Beanteay Meanchey
- Siem Reap
- Kampot
THAILAND, CAMBODIA, &
LAOS
KRAMA
- The traditional check scarves
worn almost universally by
Cambodians, are made of cotton.
THAILAND, CAMBODIA, &
LAOS
KRAMA
 According to Lao tradition, stories of their
history were not passed orally nor written, they
were woven.
 Lao stories were weaved in the intricate dense
patterns and motifs of textiles.
 Unfortunately, some are elaborately fantastic
and the motifs so cryptic, that in many cases only
the weaver can accurately interpret the story.
THAILAND, CAMBODIA, &
LAOS
SIHN
– the Lao women’s ankle-long skirt
whose form is undeniable but
whose patterns are unique to each
skirt.
THAILAND, CAMBODIA, &
LAOS
SIHN
VIETNAM
GOLDEN THREAD SILK were born in
Vietnam.
HA DONG – the center of weaving and
sericulture (silk worm production in
Vietnam.
Weaving patterns containing centuries-old
symbols and characters.
GOLDEN THREAD SILK
Some popular Vietnamese fabric ranges are:
1.Shantung taffeta
2.Bengaline weave
3.Ebony satin – an all-natural lustrous silk
hand-woven in southern Vietnam and
naturally dyed using ebony fruit pods.
VIETNAM
SHANTUNG TAFFETA
BENGALINE WEAVE
EBONY SATIN
INDONESIA, MALAYSIA &
SINGAPORE
 The fabric most common to both
countries is the BATIK.
 The term batik is an Indonesian-
Malay word, believed to be related
to the Malay word titik, which
means “point”, “dot”, or “drop”.
 The “drop” action refers to the
process of dyeing the fabric by making
use of a resist technique: covering
areas of cloth with a dye-resistant
substances (usually hot wax to
prevent them from absorbing colors.
INDONESIA, MALAYSIA &
SINGAPORE
BATIK
There are two categories of batik
designs;
1.Geometric motifs
2.Free form designs
Modern batik designs depends on
the creativity of their designers.
INDONESIA, MALAYSIA &
SINGAPORE
GEOMETRIC MOTIFS BATIK
FREE FORM DESIGN BATIK
In Malaysia, the states of
Kelantan and Terengganu are
considered the cradle where batik
first flourished, reaching even
Singapore’s shores.
INDONESIA, MALAYSIA &
SINGAPORE
There are two main types of batik that are produced
there:
1. Hand painted – the artist use the canting, a small
copper containers with one or more different-sized
pipes.
2. Block printed – is done by welding together strips of
metal to form a metal block. The metal block is then
dipped into molten wax and pressed against the fabric
in order to make a pattern.
INDONESIA, MALAYSIA &
SINGAPORE
HAND PAINTED BATIK
BLOCK PRINTED BATIK
 Malaysian batik is famous for its geometrical
designs or spirals.
 The method of Malaysian batik-making is also
different form those of Indonesian Javanese batik.
 Their patterns are larger and simpler. More brush
painting is applied to be able to put lighter and
more vibrant colors than deep-colored Javanese
batik.
INDONESIA, MALAYSIA &
SINGAPORE
 Nowadays, batik is featured in as
the uniform of flight attendants
form the official flag carrier
airlines of Singapore, Indonesia
and Malaysia.
INDONESIA, MALAYSIA &
SINGAPORE
FLIGHT ATTENDANTS WEARING
BATIK
BRUNEI
 Brunei’s traditional textile is also called
batik but it is uniquely different from
Indonesia, Malaysia, and Singapore.
 It’s designs have their national flower
SIMPUR, SUMBOI-SUMBOI, and Brunei’s
traditional design of air muleh.
Batik can be done in four different ways:
1.Hand-drawn
2.Using metal blocks
3.Screen printing
4.Digital printing
BRUNEI
Lesson 2: Arts
and Crafts
THAILAND
 Sky Lantern Festival
 Flying lanterns are made out of rice
paper with a bamboo frame, which
contain a fuel cell or small candle.
 In Thailand, flying lanterns are used
during the year of festivals, the most
popular being the LOY KRATHONG
 Sky lanterns or wish lanterns as
they are also commonly known
have become popular on the main
tourist beaches of Phuket.
THAILAND
CAMBODIA & LAOS
 Handicrafts are part of their
traditional culture and their
livelihood as they produce textiles,
baskets, jars, pottery, and other
tools for their daily use.
 They make paper by hand in the wider region
for over 700 years using the bark of the local SA
or mulberry tree. The bark is crushed and
soaked in water until it dissolves into a paste.
The liquid is then scooped out, poured through
a bamboo sieve, and finally placed in a thin
layer in a bamboo bed and dried in the sun.
CAMBODIA & LAOS
VIETNAM
 Vietnamese silk painting is one of the
most popular forms of art in Vietnam.
 Vietnamese silk paintings typically
showcase the countryside,
landscapes, pagodas, historical
events, or scenes of daily life.
INDONESIA
Shadow puppetry is famous in Indonesia.
 WAYANG, in modern Indonesian language
means “show” or “perform”. KULIT means
“skin”, a reference to the leather material that
the figures are carved out of.
 Others say that wayang is also attributed to the
Indonesia word bayang which means “shadow”.
 Wayang Kulit is a type of puppet shadow
play performed around the Indo-Malayan
archipelago, tracing its origin to India.
 It is derived from a Javanese Hindu-
Buddhist tradition, where hand-crafted
leather puppets depict epic stories of the
gods in shadow play.
INDONESIA
 A traditional gamelan orchestra
would accompany the story
telling.
INDONESIA
Performance of Wayang Kulit
- The puppets are moved behind a cotton or linen
screen by a DALANG, or “puppet master” in shadow
puppet plays.
- The dalang tells the story, interprets, and voices each
character, producing sound effects with speech and
movement and manipulates all the figures between
the lamp and the screen to bring the shadows to life.
INDONESIA
MALAYSIA
 WAU KITE in Malay is uniquely
designed Malaysian kite.
 Malaysia has been celebrating kite
festivals annually like the Pasir
Gudang International Kite Festival.
BRUNEI
SONGKOK – also called peci or kopiah, is a cap
widely worn in Indonesia, Brunei, Malaysia,
Singapore, the southern Philippines, and
southern Thailand, mostly among Muslim
males in formal gatherings such as wedding
feasts, funerals, or festive occasions as the
Muslim Eidul-Fitr and Eid al-Adha.
In Brunei Darussalam, men’s headgears are
categorized into three:
1. Dastar – which is a piece of cloth tied around the
head.
2. Songkok or kopiah – a type of cap made from
velvet.
3. Tangkolok or serban – which resembles a turban
and is typical headdress in the Middle East.
BRUNEI
 After a period of time the wearing of
songkok become a tradition and
synonymous with being a Malay.
Gradually, it replaced the dastar as part
of the Malay’s national dress on most
formal occasions.
BRUNEI
Lesson 3:
Sculpture
CAMBODIA
 The art of stone carving has
flourished in Cambodia.
From small statues to the
breathtaking carvings found at
Angkor Wat
THAILAND
World-famous for its sculpture
that dates back 4,000 years.
The most commonly used
materials are wood, stone, ivory,
clay, and various metals.
 This famous sculpture in Wat Pho
in Bangkok is 46 meters long and
15 meters high.
 It is made of plaster on a brick
core and finished in gold leaf. The
feet are inlaid with mother of pearl.
THAILAND
 Lao artisans use a variety of media
in their sculptural creations.
 Typically, the precious metals such
as bronze, silver and gold are used.
LAOS
 The most famous statue made of gold
is the Phra Say of the sixteenth century,
which the Siamese carried home as
loot in the late eighteenth century.
 Another famous sculpture in Laos is
the Phra Bang which also cast in gold.
LAOS
 Vietnamese sculpture has been heavily
influenced by the three traditional religions:
Taoism, Confucianism, and Buddhism which
come from neighboring countries, China and
India.
 Among the famous sculptures is the 10,000-
year-old carvings which can be seem on the
Dong Noi Cave.
VIETNAM
 The Dong Son culture is famous for
its kettledrums, small carvings, and
home utensils which have handles
sculpted in the shape of men,
elephants, toads, and tortoises.
VIETNAM
 Known for its stone, bronze, and iron-age
arts.
 The most amazing sculptures are the Asmat
wooden sculpture of Papua, the Dayak
wooden mask and sculpture, the ancestral
wooden statue of Toraja, and also the totem-
like sculpture of Batak and Nias tribes.
INDONESIA
ANCESTRAL WOODEN STATUE
OF TORAJA
 From the classical Hindu-Buddhist
era of Indonesia, the most
prominent sculptures are the
hundreds of meters of relief and
hundreds of stone Buddhas at the
temple of Borobudur in Central Java.
INDONESIA
 Balinese handicrafts such as sculptures,
masks, and other carving artworks are
popular souvenir items for tourists.
 The Jepara wood carvings are famous for
their elaborately carved wooden furniture,
folding screens, and pelaminangebyok
(wedding throne with carved background).
INDONESIA
JEPARA WOOD CARVING
 Relief sculpture is practiced
today by artists and architects,
done with stone, marble, bronze,
and many other substances.
MALAYSIA
There are three main types of relief
sculptures:
1. Alto form – is almost completely carved
from its surface, highly shaped, with very little
of the structure touching the base or plane.
These sculptures could possibly stand alone if
the base or plane were removed.
MALAYSIA
2. Bas form- is a relief that barely
extends past the base. These are
common as wall decorations on Greek
or Roman buildings and are the type
mostly seen on the Colosseum.
MALAYSIA
3. Sunken relief
sculpture- an image that is
carved into the surface rather
than out of it.
MALAYSIA
 The best Malay woodcarving is from
Terengganu and Kelantan. Passed
down form one generation to another,
the craft is divided into ukiran halus
(fine carving) and ukiran kasar
(literally meaning “rough carving”)
MALAYSIA
 Ukiran halus involves the carving of
relief patterns, hilts of keris (short Malay
dagger), bed heads, and cupboard tops.
 Ukiran kasar refers to the carvings on
larger objects like furniture, pillars,
windows, room portions and eaves of
roofs.
MALAYSIA
UKIRAN HALUS
UKIRAN KASAR
 Cengal is the preferred wood for
building houses and boats. Being
expensive, other woods such as balau
or perah (which is slightly softer than
cengal) might be used for the rafters or
flatboards of a house or for the pro of a
boat.
MALAYSIA
 The Sri Mariammam Hindu temple with
sculptures of different images is almost
as old as Singapore itself.
 Its most interesting feature is its
impressive gopuram (tower) over the
main entrance, which is decorated with
numerous Hindu deities.
SINGAPORE
 The Merlion is also partly inspired by
the story of how Singapore got its
name or “The Singapura Story”.
 The Sentosa Merlion is the biggest
replica, standing 37 meters and made
from glass-reinforced concrete.
SINGAPORE
Q1-ARTS_045748 (1).pptx South Asian Arts

Q1-ARTS_045748 (1).pptx South Asian Arts

  • 1.
  • 2.
  • 3.
    THAILAND, CAMBODIA, & LAOS THAI SILK is produced from the cocoons of Thai silkworms.  Mainly produced in KHORAT – the center of the silk industry in Thailand.
  • 4.
  • 5.
     Silk weavingin Cambodia dates to as early as the first century since textiles were used for trading. THAILAND, CAMBODIA, & LAOS
  • 6.
    There are twomain types of Cambodian weaving: 1. IKAT TECHNIQUE – to create patterns, weavers tie and dye portions of weft yarn before weaving begins. Patterns are diverse and vary by region; common motifs include lattice, stars, and spots. THAILAND, CAMBODIA, & LAOS
  • 7.
  • 8.
    2. UNEVEN TWILL– it yields single or two- color fabrics, which are produced by weaving three threads so that the color of one thread dominates on one side of the fabric, while the two others determine the color on the reverse sides. THAILAND, CAMBODIA, & LAOS
  • 9.
  • 10.
    Cambodian modern silk-weavingcenters are: - Takeo - Battambang - Beanteay Meanchey - Siem Reap - Kampot THAILAND, CAMBODIA, & LAOS
  • 11.
    KRAMA - The traditionalcheck scarves worn almost universally by Cambodians, are made of cotton. THAILAND, CAMBODIA, & LAOS
  • 12.
  • 13.
     According toLao tradition, stories of their history were not passed orally nor written, they were woven.  Lao stories were weaved in the intricate dense patterns and motifs of textiles.  Unfortunately, some are elaborately fantastic and the motifs so cryptic, that in many cases only the weaver can accurately interpret the story. THAILAND, CAMBODIA, & LAOS
  • 15.
    SIHN – the Laowomen’s ankle-long skirt whose form is undeniable but whose patterns are unique to each skirt. THAILAND, CAMBODIA, & LAOS
  • 16.
  • 17.
    VIETNAM GOLDEN THREAD SILKwere born in Vietnam. HA DONG – the center of weaving and sericulture (silk worm production in Vietnam. Weaving patterns containing centuries-old symbols and characters.
  • 18.
  • 19.
    Some popular Vietnamesefabric ranges are: 1.Shantung taffeta 2.Bengaline weave 3.Ebony satin – an all-natural lustrous silk hand-woven in southern Vietnam and naturally dyed using ebony fruit pods. VIETNAM
  • 20.
  • 21.
  • 22.
  • 23.
    INDONESIA, MALAYSIA & SINGAPORE The fabric most common to both countries is the BATIK.  The term batik is an Indonesian- Malay word, believed to be related to the Malay word titik, which means “point”, “dot”, or “drop”.
  • 24.
     The “drop”action refers to the process of dyeing the fabric by making use of a resist technique: covering areas of cloth with a dye-resistant substances (usually hot wax to prevent them from absorbing colors. INDONESIA, MALAYSIA & SINGAPORE
  • 25.
  • 26.
    There are twocategories of batik designs; 1.Geometric motifs 2.Free form designs Modern batik designs depends on the creativity of their designers. INDONESIA, MALAYSIA & SINGAPORE
  • 27.
  • 28.
  • 29.
    In Malaysia, thestates of Kelantan and Terengganu are considered the cradle where batik first flourished, reaching even Singapore’s shores. INDONESIA, MALAYSIA & SINGAPORE
  • 30.
    There are twomain types of batik that are produced there: 1. Hand painted – the artist use the canting, a small copper containers with one or more different-sized pipes. 2. Block printed – is done by welding together strips of metal to form a metal block. The metal block is then dipped into molten wax and pressed against the fabric in order to make a pattern. INDONESIA, MALAYSIA & SINGAPORE
  • 31.
  • 32.
  • 33.
     Malaysian batikis famous for its geometrical designs or spirals.  The method of Malaysian batik-making is also different form those of Indonesian Javanese batik.  Their patterns are larger and simpler. More brush painting is applied to be able to put lighter and more vibrant colors than deep-colored Javanese batik. INDONESIA, MALAYSIA & SINGAPORE
  • 34.
     Nowadays, batikis featured in as the uniform of flight attendants form the official flag carrier airlines of Singapore, Indonesia and Malaysia. INDONESIA, MALAYSIA & SINGAPORE
  • 35.
  • 36.
    BRUNEI  Brunei’s traditionaltextile is also called batik but it is uniquely different from Indonesia, Malaysia, and Singapore.  It’s designs have their national flower SIMPUR, SUMBOI-SUMBOI, and Brunei’s traditional design of air muleh.
  • 37.
    Batik can bedone in four different ways: 1.Hand-drawn 2.Using metal blocks 3.Screen printing 4.Digital printing BRUNEI
  • 38.
  • 39.
    THAILAND  Sky LanternFestival  Flying lanterns are made out of rice paper with a bamboo frame, which contain a fuel cell or small candle.  In Thailand, flying lanterns are used during the year of festivals, the most popular being the LOY KRATHONG
  • 41.
     Sky lanternsor wish lanterns as they are also commonly known have become popular on the main tourist beaches of Phuket. THAILAND
  • 42.
    CAMBODIA & LAOS Handicrafts are part of their traditional culture and their livelihood as they produce textiles, baskets, jars, pottery, and other tools for their daily use.
  • 44.
     They makepaper by hand in the wider region for over 700 years using the bark of the local SA or mulberry tree. The bark is crushed and soaked in water until it dissolves into a paste. The liquid is then scooped out, poured through a bamboo sieve, and finally placed in a thin layer in a bamboo bed and dried in the sun. CAMBODIA & LAOS
  • 45.
    VIETNAM  Vietnamese silkpainting is one of the most popular forms of art in Vietnam.  Vietnamese silk paintings typically showcase the countryside, landscapes, pagodas, historical events, or scenes of daily life.
  • 47.
    INDONESIA Shadow puppetry isfamous in Indonesia.  WAYANG, in modern Indonesian language means “show” or “perform”. KULIT means “skin”, a reference to the leather material that the figures are carved out of.  Others say that wayang is also attributed to the Indonesia word bayang which means “shadow”.
  • 49.
     Wayang Kulitis a type of puppet shadow play performed around the Indo-Malayan archipelago, tracing its origin to India.  It is derived from a Javanese Hindu- Buddhist tradition, where hand-crafted leather puppets depict epic stories of the gods in shadow play. INDONESIA
  • 50.
     A traditionalgamelan orchestra would accompany the story telling. INDONESIA
  • 51.
    Performance of WayangKulit - The puppets are moved behind a cotton or linen screen by a DALANG, or “puppet master” in shadow puppet plays. - The dalang tells the story, interprets, and voices each character, producing sound effects with speech and movement and manipulates all the figures between the lamp and the screen to bring the shadows to life. INDONESIA
  • 53.
    MALAYSIA  WAU KITEin Malay is uniquely designed Malaysian kite.  Malaysia has been celebrating kite festivals annually like the Pasir Gudang International Kite Festival.
  • 55.
    BRUNEI SONGKOK – alsocalled peci or kopiah, is a cap widely worn in Indonesia, Brunei, Malaysia, Singapore, the southern Philippines, and southern Thailand, mostly among Muslim males in formal gatherings such as wedding feasts, funerals, or festive occasions as the Muslim Eidul-Fitr and Eid al-Adha.
  • 57.
    In Brunei Darussalam,men’s headgears are categorized into three: 1. Dastar – which is a piece of cloth tied around the head. 2. Songkok or kopiah – a type of cap made from velvet. 3. Tangkolok or serban – which resembles a turban and is typical headdress in the Middle East. BRUNEI
  • 59.
     After aperiod of time the wearing of songkok become a tradition and synonymous with being a Malay. Gradually, it replaced the dastar as part of the Malay’s national dress on most formal occasions. BRUNEI
  • 60.
  • 61.
    CAMBODIA  The artof stone carving has flourished in Cambodia. From small statues to the breathtaking carvings found at Angkor Wat
  • 63.
    THAILAND World-famous for itssculpture that dates back 4,000 years. The most commonly used materials are wood, stone, ivory, clay, and various metals.
  • 64.
     This famoussculpture in Wat Pho in Bangkok is 46 meters long and 15 meters high.  It is made of plaster on a brick core and finished in gold leaf. The feet are inlaid with mother of pearl. THAILAND
  • 65.
     Lao artisansuse a variety of media in their sculptural creations.  Typically, the precious metals such as bronze, silver and gold are used. LAOS
  • 66.
     The mostfamous statue made of gold is the Phra Say of the sixteenth century, which the Siamese carried home as loot in the late eighteenth century.  Another famous sculpture in Laos is the Phra Bang which also cast in gold. LAOS
  • 68.
     Vietnamese sculpturehas been heavily influenced by the three traditional religions: Taoism, Confucianism, and Buddhism which come from neighboring countries, China and India.  Among the famous sculptures is the 10,000- year-old carvings which can be seem on the Dong Noi Cave. VIETNAM
  • 69.
     The DongSon culture is famous for its kettledrums, small carvings, and home utensils which have handles sculpted in the shape of men, elephants, toads, and tortoises. VIETNAM
  • 71.
     Known forits stone, bronze, and iron-age arts.  The most amazing sculptures are the Asmat wooden sculpture of Papua, the Dayak wooden mask and sculpture, the ancestral wooden statue of Toraja, and also the totem- like sculpture of Batak and Nias tribes. INDONESIA
  • 72.
  • 73.
     From theclassical Hindu-Buddhist era of Indonesia, the most prominent sculptures are the hundreds of meters of relief and hundreds of stone Buddhas at the temple of Borobudur in Central Java. INDONESIA
  • 74.
     Balinese handicraftssuch as sculptures, masks, and other carving artworks are popular souvenir items for tourists.  The Jepara wood carvings are famous for their elaborately carved wooden furniture, folding screens, and pelaminangebyok (wedding throne with carved background). INDONESIA
  • 75.
  • 76.
     Relief sculptureis practiced today by artists and architects, done with stone, marble, bronze, and many other substances. MALAYSIA
  • 77.
    There are threemain types of relief sculptures: 1. Alto form – is almost completely carved from its surface, highly shaped, with very little of the structure touching the base or plane. These sculptures could possibly stand alone if the base or plane were removed. MALAYSIA
  • 79.
    2. Bas form-is a relief that barely extends past the base. These are common as wall decorations on Greek or Roman buildings and are the type mostly seen on the Colosseum. MALAYSIA
  • 81.
    3. Sunken relief sculpture-an image that is carved into the surface rather than out of it. MALAYSIA
  • 83.
     The bestMalay woodcarving is from Terengganu and Kelantan. Passed down form one generation to another, the craft is divided into ukiran halus (fine carving) and ukiran kasar (literally meaning “rough carving”) MALAYSIA
  • 84.
     Ukiran halusinvolves the carving of relief patterns, hilts of keris (short Malay dagger), bed heads, and cupboard tops.  Ukiran kasar refers to the carvings on larger objects like furniture, pillars, windows, room portions and eaves of roofs. MALAYSIA
  • 85.
  • 86.
  • 87.
     Cengal isthe preferred wood for building houses and boats. Being expensive, other woods such as balau or perah (which is slightly softer than cengal) might be used for the rafters or flatboards of a house or for the pro of a boat. MALAYSIA
  • 88.
     The SriMariammam Hindu temple with sculptures of different images is almost as old as Singapore itself.  Its most interesting feature is its impressive gopuram (tower) over the main entrance, which is decorated with numerous Hindu deities. SINGAPORE
  • 89.
     The Merlionis also partly inspired by the story of how Singapore got its name or “The Singapura Story”.  The Sentosa Merlion is the biggest replica, standing 37 meters and made from glass-reinforced concrete. SINGAPORE