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Shri ram center of performing arts,delhi
Shri Ram Centre for Performing Arts is located in Mandi House, New Delhi on a 0.25 hectare site. It was founded in 1975 and houses facilities for dance, drama, music, exhibitions, workshops and seminars. The building was designed by architect Shivnath Prasad and can be considered an example of Le Corbusier's second phase of influence. It has good accessibility being near the Mandi House metro station. The complex includes an auditorium with 375 seats, art gallery and other performance and gathering spaces. Climate responsive design principles are followed like building orientation, natural ventilation, solar shading and use of local materials and techniques to reduce energy consumption.
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Shri ram center of performing arts,delhi
- 1. Shri ram centreof performing arts Mandi house, Delhi
- 2. introduction • ADDRESS- 4,Safdar Hashmi Marg, Todermal Road Area, Mandi House, New Delhi, Delhi 11000 • SITE AREA- 0.25ha site 2500 square meter • Ground coverage- 33% (825 square meter) Building height-18m 21m in diameter cylinder,30x30m size rectangular box • Architect- Shivnath Prasad
- 3. Concept, History andactivities • HISTORY- founded in 1975 by Mrs. Panna Bharat Ram, It can be regarded as an example of work resulting from the second phase of Le Corbusier’s influence. • ACTIVITY- dance, drama and music ,exhibitions , workshop, seminar etc.
- 4. SITE PLAN OFART CENTRE KEY PLAN OF ART CENTRE 15m wide road entry Sangeet bharti Triveni kala kendre
- 5. ACCESSIBILITY AND APPROACH -16KM,DELHI INTERNATIONAL AIRPORT. -6.4KM, NEW DELHI RAILWAY STATION. -220M, MANDI HOUSE METRO STATION. -600M, MANDI HOUSE BUS STOP . N
- 6. INDRA GANDHI INTERNATIONAL AIRPORT IGI AIRPORT METROSTATION TERMINAL (T3) MANDI HOUSE METRO STATION SHRI RAM CENTER FOR PERFOMING ARTS 2 MIN WALK (400M) 1 MIN WALK (220M) VIA NEW DELHI METRO ATATION (20 MIN) NEW DELHI RAILWAY STATION NEW DELHI RAILWAY STATION BUS STOP MANDI HOUSE BUS STOP SHRI RAM CENTER FOR PERFOMING ARTS 1 MIN WALK (220M) 2 MIN WALK (300M) 10 MIN TRAVEL (3KM) FROM AIRPORT FROM RILWAY STATION N
- 7. - VEHICULAR CIRCULATION -PADESTRIAN CIRCULATION VEHICULAR AND PADESTRIAN CIRCULATION N
- 8. • THE SITEIS LOCATED IN HIGHLY DENSE COLONY WHERE THE MOVEMENT OF TRAFFIC IS MAJOR. • THE COMPLEX FORM OF THE BUILDING ITSELF DIVIDED INTO LEVELS IN TERMS OF HEIGHT AND ALSO DOESN’T MATCH ANOTHER FABRIC OF BUILDING STRUCTURE. • PARKING SPACE PROVIDED FOR THE AUDITORIUM ARE NOT ACCORDING TO THE NORMS PROVIDED. • PARKING CONDITIONS ARE NOT SUITABLE FOR THE PERSON HAVING PHYSICAL DISABILITY. • N N N
- 9. • IN ARCHITECTURE,CIRCULATION MEANS THE PATHWAYS THROUGH A FLOOR PLAN. THESE PATHWAYS ARE HOW WE EXPERIENCE ARCHITECTURE; THE DESIGN OF THESE PATHWAYS HAS AN ENORMOUS EFFECT ON THE SUCCESS OR FAILURE OF A PLAN. • OBVIOUS PATHWAYS INCLUDE HALLWAYS (HORIZONTAL CIRCULATION) AND STAIRS/ELEVATORS (VERTICAL CIRCULATION). • CIRCULATION ROUTES ARE THE PATHWAYS PEOPLE TAKE THROUGH AND AROUND BUILDINGS OR URBAN PLACES. CIRCULATION IS OFTEN THOUGHT OF AS THE 'SPACE BETWEEN THE SPACES', HAVING A CONNECTIVE FUNCTION, BUT IT CAN BE MUCH MORE THAN THAT. • IT IS THE CONCEPT THAT CAPTURES THE EXPERIENCE OF MOVING OUR BODIES AROUND A BUILDING, THREEDIMENSIONALLY AND THROUGH TIME. Circulation in architecture
- 10. COMPONENTS OF CIRCULATION •EVERY SPACE A PERSON COULD ACCESS OR OCCUPY FORMS PART OF THE CIRCULATION SYSTEM OF A BUILDING. • ARCHITECTS TYPICALLY DIVIDE THEIR THINKING ACCORDING TO DIFFERENT TYPES OF CIRCULATION, WHICH OVERLAY WITH ONE ANOTHER AND THE OVERALL PLANNING. THE TYPE AND EXTENT OF THESE DIVISIONS WILL BE PROJECT DEPENDENT, BUT MIGHT INCLUDE: • DIRECTION OF MOVEMENT: HORIZONTAL OR VERTICAL • TYPE OF USE: PUBLIC OR PRIVATE, FRONT OF HOUSE OR BACK OF HOUSE • FREQUENCY OF USE: COMMON OR EMERGENCY • TIME OF USE: MORNING, DAY, EVENING, CONTINUOUS.
- 11. HORIZONTAL CIRCULATION • HORIZONTALCIRCULATION MIGHT INCLUDE HALLWAYS, ATRIA, PATHS, ENTRIES AND EXITS. IT IS ALSO AFFECTED BY THE FURNITURE LAYOUT, OR OTHER OBJECTS IN THE SPACE SUCH AS COLUMNS, TREES, OR TOPOGRAPHIC CHANGES. THIS IS WHY ARCHITECTS USUALLY FURNITURE AS PART OF A CONCEPT DESIGN, BECAUSE IT IS CRITICALLY LINKED TO THE FLOW, FUNCTION AND FEELING OF THE SPACE.
- 12. VERTICAL CIRCULATION • VERTICAL CIRCULATIONIS HOW PEOPLE MOVE UP AND DOWN WITHIN THE BUILDING, SO INCLUDES THINGS LIKE STAIRS, LIFTS, RAMPS, LADDERS AND ESCALATORS WHICH ALLOW US TO MOVE FROM ONE LEVEL TO ANOTHER.
- 13. PLAN & ZONNING GROUNDFLOOR PLAN
- 14. FIRST FLOOR PLAN AUDITORIUM CAPACITY-375seats COOLING SYSTEM-AC system ACTIVITY-acting ,dance ,drama, singing etc.
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- 16. AUDITORIUM 1. Solid woodendoor for reducing sound. 2. Rubber is used on edge of the door for absorbing /reduce sound. 3. R.C.C floor , mortar floor , carpet , wooden ramps used 4. Mainly walls are made up R.C.C. . Finishing is done with wood board which is a sound absorbing panel. 5. Glass wool is fill in between R.C.C. and wood panels. 6. Green rooms are placed in separate block on the back side of the main building and connected through staircase
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- 20. NATURAL VENTILATION • WINDOWS AREPLACED IN ORDER TO WIND DIRECTION I.E ON NORTH AND SOUTH FAÇADE. • WINDOWS ARE GIVEN ON EITHER SIDE OF THE BUILDING FOR CROSS VENTILATION. • TREES ARE PLANTED IN FRONT OF THE OPENINGS TO GET FRESH AND COOL AIR.
- 21. BUILDING ORIENTAION • THE BUILDINGIS EAST FACING. • WEST SIDE IS COMPRISES OF FOOD CORNER I.E CANTEEN AREA. • SOUTH IS COVERED WITH LANDSCAPING AND GARDEN. • NORTH SIDE IS USED AS OFFICIAL AREA.
- 22. OPENING SIZE AND DIRECTION •MAIN ENTRANCE IS TOWARDS THE 9MTR WIDE ROAD. • PEDESTRIAN ENTRANCE IS ELEVATED THROUGH STEPS WHICH IS 1.5MTR WIDE. • MAIN ENTRANCE IS 1 MTR WIDE ONLY. • ENTRANCE TO THE AUDITORIUM IS 2.5MTR WIDE. • 2 ENTRANCE AS WELL AS 2 EXITS WERE GIVEN IN AUDITORIUM.
- 23. TECHNIQUE Solar shading louversystems are one of the most effective ways to reduce air conditioning loads, while offering designers the opportunity for distinctive architectural impact.
- 24. NET ZERO ENERGY BUILDING •A zero-energy building, also known as a zero net energy (ZNE) building, net-zero energy building (NZEB), net zero building or zero-carbon building is a building with zero net energy consumption, meaning the total amount of energy used by the building on an annual basis is roughly equal to the amount of renewable energy created on the site • BY USING LOUVERS ENERGY CONSUMPTION IS LESS FOR LIGHTNING AS WELL AS AIR. • STAIRCASE IS USED IN PLACE OF LIFT SERVICE.
- 25. SUMMER SHADOW ANALYSIS SHADOWAT 7:00 O’CLOCK SHADOW AT 10:00 O’CLOCK SHADOW AT 1:00 O’CLOCK SHADOW AT 4:00 O’CLOCK SHADOW AT 5:00 O’CLOCK
- 26. WINTER SHADOW ANALYSIS SHADOWAT 9:00 O’CLOCK SHADOW AT 12:00 O’CLOCK SHADOW AT 2:00 O’CLOCK SHADOW AT 4:00 O’CLOCK SHADOW AT 6:00 O’CLOCK
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- 29. LANDSCAPING PLANNING • SMALL HOLLOWBLOCKS MADE UP OF EXPOSED BRICKS ARE MADE TO PLANT SHRUBS. • TREES ARE PLANTED ON FRONT FAÇADE OF THE BUILDING ATTAINING SOUTH SIDE IN ORDER TO GET COOL WIND. • TREES ARE PLANTED IN SUCH A MANNER TO GET BOTH SHADE AND SHADOW.
- 30. FLORA Fish money plant Morpankhi Grass(dhob) Gulmohar Nagar champa Ashok
- 31. Madhumati Botanical name:- Combretum indicum Attractsto:- Hawkmoths, flying bees and birds.
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- 33. KEVIN LYNCH’S FIVEELEMENTS PATH – Routes along which people moves throughout the canteen area and in inside of the building. EDGES – Boundaries and breaks in continuity of cultural centre in every element. DISTRICT – Areas characterised by common characteristics (canteen, auditorium, rehearsal rooms). NODES – Strategic focus points of orientation like squares and junction. LANDMARK- external point of orientation usually a easily identified physical object in urban landscaping. (canteen area with beautiful landscape.)
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- 39. Materials which were used inthe constructio n of SHRI RAM CENTRE FOR PERFORMING ARTS are as follows:- CONCRETE EXPOSED BRICKS BRICK WOOD BOARD GLASS PANEL MARBLE AND TILE
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- 41. Reason behind concrete structure •Concrete is a very dense material. When concrete gets heated, it retains the heat for a very long time. This heat is radiated into the rooms at night when the surroundings are getting cool. Due to the stillness of air below the roof, the air in the room also becomes hot. The ceiling fan revolving below the roof pushes the warm air down. Needless to describe the discomfort. • Avoid the roof getting heated • Insulate the roof from above • Insulate the roof from below • Avoid the heat transfer from the roof to the room • Cool the roof with some means • Extract the hot air collected below the roof • Extract the heat from the roof before it gets transferred
- 42. VERNACULAR TECHNIQUE • Mainly wallsare made up R.C.C. • Finishing is done with wood board which is a sound absorbing pannel. • Glass wool is fill in between R.C.C. and wood pannels. • R.C.C. COFFERED CEILING WHICH DISTRIBUTE THE LOAD.
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- 44. BYELAWS FOR SOCIO-CULTURAL FACILITIES IN DELHI s.no. category Maximum Gr. FAR ht. Cov Other Controls 1. a. Multipurpose Community Hall. b. Banquet hall 30% 120 26m 30% 120 26m 1. Parking standard @3.0ECS/100sq m of floor area. 2. Other controls related to basements etc. are given at end of this chapter 2. a. Community Recreational Club. b. Recreational Club 30% 120 26m 35% Parking standard @2ECS/100sq.m of floor area. 3. Socio- cultural activities such as auditorium, music, dance & drama centre/mediation & spiritual centre etc. 35% 120 26m 1. Parking standard @2ECS/100sq.m of floor area. 2. A proper scheme for visitors parking and parking adequacy statement shall be prepared taking into consideration large number of visitors. 4. Exhibition cum Fair Ground 20% 20 26m Subject to statutory clearances 5. Science centre, 30% 120 NR Parking Standard @2ECS 6. **International Convention Centre 30% 120 appr ove AAI, Fire department Parking Standard @2ECS Bye Laws for socio-cultural facilities in Delhi
- 45. Notes: i. In caseof community recreational clubs, 50 FAR shall be admissible on the area beyond 2000 sqm. And below 5000 sqm. *The Recreational Clubs located in LBZ Area, Civil Lines Bungalow Area, Recreational Use Zones and existing on Heritage Structures will be dealt on case to case basis and Technical Committee of DDA will approve the Development Controls norms based on the existing status. ii. In case of recreational club, 50 FAR shall be admissible on the area beyond 5000 sqm. And up to 10,000sqm. iii. In the open area apart from outdoor games/sport facilities, swimming pool would be permissible up to a area of 300sqm. Free from ground coverage. iv. In case of banquet hall, a) Basement within the ground envelope shall be allowed for parking, stilt floor for parking is permissible. b) 30% of basement area for services, storage shall not be counted in FAR. v. **In case of International Convention Centre, maximum 10% ground coverage shall be allowed for providing atrium. In case, the permissible additional ground coverage for atrium is utilized, 25% of the utilized ground coverage shall be counted towards FAR.
- 46. SERVICES • FIRE SAFETY •ELECTRICITY • RAIN WATER HARVESTING • HVAC • PASSIVE DESIGN
- 47. STAIR CASE:- • Everyhigh rise building Have minimum 2 number of Staircases. • Width of staircases varies from 1 m. to 2 m. • Out of 2 staircases, 1 can be used as a fire escape staircase. • Width of fire escape should be minimum 0.75 meter. • Number of staircases shall be given as per the travel distances Section :- As per section 12.18 of part III, 8.5.1 (Table 24), .6.2,8.9,8.10,8.13, 9.3.5(a),10.4.1,11.3.2 of part IV & appendix D1.3,D1.4 of part of NBC.
- 48. • Shri ramart and culture centre has 2 staircase. • Distance between the staircase is 25m. • 1 Staircase is used for fire escape. • Width of stair is 1.5 m. Distance between the stairs are 25m. Used as fire escape staircase
- 49. ENTRANCE WIDTH &HEIGHT CLEARANCE:- Section:- As per section 4.6 (c) of part C & 7.4.1(d) of part IV of N.B.C. Every High rise building should have at least 2 means of access, one remote to the other, of minimum width 4.5m. with height clearance of 5m. This minimum width is essential to facilitate free movement of fire units. What Shree Ram Art and Culture Centre has:- Shree ram Art and Culture Centre has 3 mean of access. Main entrance is 5m and second entrance is 6m which is essential to movement for fire tender. ENTRANCE OF SHRI RAM CULTURE CENTER
- 50. LIFT :- Section:- asper section 18 of part III & 6.18 & appendix A.15 of part IV of NBC. a) Minimum 1 lift capable of carrying minimum 8 persons weighing 545 kgs. Shall be provided for every high rise building. b) Landing doors of lifts shall open to ventilated lobby & shall have a fire resistance of 1 hour. c)1 lift shall be designed as a “Fire Lift” d)“Fireman Switch” shall be provided for each lift. e)Lifts shall not be used as means of evacuation. f)Collapsible gates shall not be provided for the lift. g)If more than 1 lifts are installed the partition wall should be of minimum 2 hours fire resistance
- 51. LIFTS IN SHRIRAM ART AND CULTURE CENTRE:- • Shri ram and art culture centre has two lift • The lift are design for carrying 9 people weighing capacity 650 kg. • The door of lift are not open in ventilated area . • Both the lifts are designed as a “fire lift” FIRE ESCAPE STAIRCASE IN SHRI RAM ART AND CULTURE CENTRE
- 52. FIRE SAFETY :- •In the level of fire detection services Shriram center installed the smoke detectors on the false ceiling of back seating. • The accessories of the fire detection is installed main lobby, auditorium, green room, service areas etc. • The building is also installed fire escape doors to avoid the discrepancy in the fire accidents • Emergency fire alarm also installed there. SMOKE DETECTOR FIRE ALARM SPRINKLES
- 53. Types of firesafety equipment required in building whose height is 15 m and less than 30m FIRE SAFETY :-
- 54. Type of installationAs per N.B.C SHRI RAM ART AND CULTURE CENTER Fire extinguisher REQUIRED PERSENT First aid hose REQUIRED PRESENT Wet riser REQUIRED PRESENT Down corner NOT REQUIRED NOT PRESENT Yard hydrant NOT REQUIRED NOT PRESENT Automatic sprinkler REQUIRED PRESENT Manually operated electronic fire Alarm system. REQUIRED PRESENT
- 55. FIRE SAFTEY SYSTEM Co2FIRE SUPPRESSION SYSTEM HOSE BOX OR HOSE SYSTEM UNDERGROUND WATER TANK HOSE PIPE
- 56. HOSE PIPE FITTINGFIRE EXTINGUISHERS HOSE PIPE
- 57. ELECTRICITY :- OPEN WIRINGELECTRICITY BOARD
- 58. RAIN WATER HARVESTING:- • Rain water harvesting was there. • Capacity of underground tank is around 50,000 liters. • Capacity of fire safety tank is 1,50,000 liters. • They use rain water in fire safety or landscaping. RAIN WATER HARVESTING TANK
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- 60. SIGNAGES • SIGNAGE ISTHE DESIGN OR USE OF SIGNS AND SYMBOLS TO COMMUNICATE A MESSAGE TO THE PUBLIC. SIGNS ARE ANY KIND OF VISUAL GRAPHICS CREATED TO DISPLAY INFORMATION TO A PARTICULAR AUDIENCE. • THE MAIN PURPOSE OF SIGNS IS TO COMMUNICATE, TO CONVEY INFORMATION DESIGNED TO ASSIST THE RECEIVER WITH DECISION-MAKING BASED ON THE INFORMATION PROVIDED. ALTERNATIVELY, PROMOTIONAL SIGNAGE MAY BE DESIGNED TO PERSUADE RECEIVERS OF THE MERITS OF A GIVEN PRODUCT OR SERVICE. SIGNAGE IS DISTINCT FROM LABELING, WHICH CONVEYS INFORMATION ABOUT A PARTICULAR PRODUCT OR SERVICE.
- 61. ROLE AND FUNCTIONOF SIGNAGE • INFORMATION-PROVISION: SIGNS CONVEYING INFORMATION ABOUT SERVICES AND FACILITIES, SUCH AS MAPS, DIRECTORIES, INSTRUCTIONAL SIGNS OR INTERPRETIVE SIGNAGE USED IN MUSEUMS, GALLERIES, GARDENS, EXHIBITIONS, TOURIST AND CULTURAL ATTRACTIONS THAT ENHANCE THE CUSTOMER'S EXPERIENCE.
- 62. • PERSUASION: PROMOTIONALSIGNAGE DESIGNED TO PERSUADE USERS OF THE RELATIVE MERITS OF A COMPANY, PRODUCT OR BRAND.
- 63. • DIRECTION/ NAVIGATION:SIGNS SHOWING THE LOCATION OF SERVICES, FACILITIES, FUNCTIONAL SPACES AND KEY AREAS, SUCH AS SIGN POSTS OR DIRECTIONAL ARROWS.
- 64. • SAFETY ANDREGULATORY:- • SIGNS GIVING WARNING OR SAFETY INSTRUCTIONS, SUCH AS WARNING SIGNS, TRAFFIC SIGNS, EXIT SIGNS, SIGNS INDICATING WHAT TO DO IN AN EMERGENCY OR NATURAL DISASTER OR SIGNS CONVEYING RULES AND REGULATIONS.
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