ART SLOART SLO
Study GuideStudy Guide
20152015
This is an edited version of an original SLO ppt study guide fromThis is an edited version of an original SLO ppt study guide from
http://http://www.uek12.org/MrRodriguesSite.aspxwww.uek12.org/MrRodriguesSite.aspx
-The Elements ofThe Elements of
DesignDesign ––
The basic ingredients used by the artist when
producing works of art. Those elements are
shape, form, value, line, color,
texture, and space.
The “real” definition of ….
* Successful 7th
Grade Students are to identify and understand how artists use all 7 of the Elements of
Design.
Line
Shape
Value
Form
Texture
Color
The Ingredients
(The Elements of Design)
The Burger
(The Composition)
Space
The Burger
(The Composition)
The Ingredients
(The Elements of Design)
A mark made by a moving point
that has length and direction.
Often is defines a space, and
may create an outline or
contour.
Words that DESCRIBE Line include; vertical, horizontal, diagonal,
straight or ruled, curved, bent, points, angular, thin, thick, or
wide, interrupted (dotted, dashed, broken) blurred or fuzzy…
Understanding how artists use LINE by KQED 3.25 minutes
GESTURE DRAWINGGESTURE DRAWING
 A work of art defined by a rapid drawingA work of art defined by a rapid drawing
style. Usually looks hurried and “messy.”style. Usually looks hurried and “messy.”
RHYTHM and
Understanding Rhythm in a work of art
RhythmRhythm is the repetition or alternation of elements, often with defined intervals
between them. Rhythm can create a sense of movement, and can establish
pattern and texture. There are many different kinds of rhythm, often defined by
the feeling something evokes when viewed. - regular, flowing, progressive
(sequence)
MM OO VV EE MM EE NN TT
Movement is the art principle that
uses some of the elements of art to
produce the look of action or to
cause the viewer’s eye to sweep
over the art work in a certain
manner.
In Starry Night, famed artist Vincent Van Gogh creates movement in his sky.
How does he show us this?
 Symmetrical balance: where the art elements in a
composition are evenly balanced. The balance can be a mirror image or equal
 Asymmetrical balance: refers to a design that has
dissimilar elements but still appears balanced, dividing a picture in half won't
have the exact same elements however the elements they do have are varied
and seem to balance one another out.
B a l a n c eBalance refers tothe arrangementof the parts of theartwork equally ornear equally interms of“visual weight" oneach side.
Variety
Variety is a principle of design that refers to a way of combining visual
elements. It is a technique used by artists who wish to increase the visual
interest of their work.
Artwork that makes use of many different hues, values, lines, size, textures, and
shapes reflects variety. Keeping the same size while changing the color can also
VARIETY THROUGH REPETITIONVARIETY THROUGH REPETITION
 When an artist uses repeating shapes orWhen an artist uses repeating shapes or
designs AND varies each design in some waydesigns AND varies each design in some way
to create further interest.to create further interest.
S
H
A
P
E
S h a p e
.
Geometric
Shapes that are created through use of
mathematics. These shapes include
Circle, Oval, Triangle, Square,
Rectangle, Hexagon, Octagon
and Pentagon.
Organic
An irregular shape, or one that
might be found in nature, rather
than a regular mechanical shape.
An enclosed space
This painting by Frank Stella
contains interlocking geometric
shapes.
This painting by James Roper
shows an explosion of organic
and cloudlike shapes.
Understanding how artists us SHAPE by KQED 3.21 min
form
An element of art that is three
dimensional, or 3-D, which
means the object has (1)
height, (2) width, and (3)
depth.
FormForm
Examples of FORM include Cubes, Spheres,
Pyramids, Cones, and Cylinders or any 3D art
including sculpture, architecture, pottery, jewelry,
etc.
*
Vs.
How are these the same ? How are these different?
Which is a form? Which is a shape? How do you know?
Understanding Form (good description of form on a 2D surface) by KQED Arts 2.57 minutes
S P A C ES P A C EAn element of art that refers to the distance or area
between, around, above, below, or within things.
Understanding how artists use SPACE by KQED 4.53 minutes
S P A C E as an Element of Design refers
to distances or areas around, between or
within things in a work of art.
•SPACE includes the background,
foreground and middle ground,
•SPACE are two kinds of space: negative
space and positive space.
background- is perceived furthest from the viewer.
middle ground -located between foreground and
background.
foreground -appears closest to the viewer
within a composition is divided into three parts….the
foreground, middleground, and background. You must be able
to identify these parts.
SPACE
Background
Middle Ground
foreground
V A L U EV A L U E *
An element of art that refers to the lightness or darkness of a color
Applying VALUE in a drawing also describes 3-D objects
Techniques used to achieve various degrees of Value
are Hatching and Crosshatching.
Understanding how artists use VALUE by KQED 3.36
Shading/Blending Crosshatching Hatching
In which drawing did the artist apply VALUE by crosshatching?
How do you know?
Color is produced when light strikes an
object and reflects back to the eyes.
COLOR*
Complementary Colors* Analogous Primary/Secondary
Colors opposite on the color wheel Colors next to each other
Color Schemes
HUEHUE
 A colorA color
Pure Color
Tint (color + white)
Shade (color + black
Tone (color + grey)
To create a TINT of a color – Add White
To create a SHADE of a color – Add Black
To create a TONE of a color – Add Grey
Monochromatic *
A work of art showing different VALUES of one color
Understanding Color Theory Basics by KQED Arts
Contrast
Emphasizes the difference between
two or more Elements of Design
Colors – warm vs. cool,
complementary, intense vs. dull
Textures – smooth vs. rough
Line Direction – horizontal vs.
vertical/diagonal/curved
Some of the most common ways of creating Contrast are by creating
differences in:
Sizes – large vs. small
Shapes – geometric vs. organic/free
Form- real vs. abstract
Values – light vs. dark
and
Contrast 1.52 minutes
COMPLEMENTARY COLORSCOMPLEMENTARY COLORS
 Colors that are opposite one another on theColors that are opposite one another on the
color wheel. Complementary colors oftencolor wheel. Complementary colors often
“vibrate” when put next to one another“vibrate” when put next to one another
COMPLEMENTARY COLOR SCHEMECOMPLEMENTARY COLOR SCHEME
COLOR INTENSITYCOLOR INTENSITY
 Examines how bright or dull a color isExamines how bright or dull a color is
(how intense a color is). The highest(how intense a color is). The highest
intensity would be the pure color (orintensity would be the pure color (or
hue) from the color wheel. The dullest orhue) from the color wheel. The dullest or
lowest intensity color would be wherelowest intensity color would be where
you can’t even discern the color b/c of soyou can’t even discern the color b/c of so
much gray. Mixing two complementarymuch gray. Mixing two complementary
colors makes a dark brown/gray color;colors makes a dark brown/gray color;
this is a low intensity color.this is a low intensity color.
Which are high intensity?Which are high intensity?
Which are low intensity?Which are low intensity?
*
An element of art, texture is the
surface quality or "feel" of an object,,
its smoothness, roughness, softness,
etc. Textures may be Actual or
Implied
While simulated textures are suggested by* an
artist in the painting of different areas of a picture
— often in representing* drapery, metals, rocks,
hair, etc.
Actual textures can be
felt* with the fingers
Understanding Texture by KQED Arts
Emphasis creates a disruption to the eye’s movement in an artwork and
develops a center of interest, or focal point.
EMPHASIS *
Steps in the Creative ProcessSteps in the Creative Process
1.1. DEFINEDEFINE the problemthe problem
2.2. BRAINSTORMBRAINSTORM solutionssolutions
3.3. EVALUATEEVALUATE possible solutions choose 1possible solutions choose 1
directiondirection
4.4. WORKWORK
5.5. REFINE/REVISEREFINE/REVISE the workthe work
AESTHETICSAESTHETICS
 When you study aesthetics in Art class,When you study aesthetics in Art class,
you are examining why we like anyou are examining why we like an
artwork (your personal aesthetic) andartwork (your personal aesthetic) and
why an artist used certain colors, ideas,why an artist used certain colors, ideas,
shapes, and themes (the aesthetic of theshapes, and themes (the aesthetic of the
artist).artist).
ART CRITICISMART CRITICISM
 Is responding to, interpreting meaning, andIs responding to, interpreting meaning, and
making critical judgments about works of art.making critical judgments about works of art.
Whenever you look at an artwork (of any kindWhenever you look at an artwork (of any kind
and state your opinion, you are participatingand state your opinion, you are participating
inin art criticismart criticism
Art AnalysisArt Analysis
 Identifying and examining specific partsIdentifying and examining specific parts
of artworks to see how they workof artworks to see how they work
individually and as part of a largerindividually and as part of a larger
artworkartwork
MUSEUMSMUSEUMS
 The purpose of modern museums is to collect,The purpose of modern museums is to collect,
preserve, interpret, and display items ofpreserve, interpret, and display items of
cultural, historical, and/or scientificcultural, historical, and/or scientific
significance for the education of the public.significance for the education of the public.
Value of Ancient ArtworkValue of Ancient Artwork
 We study ancient and old artwork b/c byWe study ancient and old artwork b/c by
doing so we learn about our own creativedoing so we learn about our own creative
expression, and those of the past. Also, manyexpression, and those of the past. Also, many
ancient artworks inform other cultures andancient artworks inform other cultures and
artists.artists.
ILLUSTRATIONILLUSTRATION
 A picture illustrating a book, newspaper etc.A picture illustrating a book, newspaper etc.
An artwork that tells a story through visualAn artwork that tells a story through visual
means.means.
IllustratorsIllustrators provide a visual representationprovide a visual representation
(illustration) that corresponds to the content of(illustration) that corresponds to the content of
the associated text, like a story book or comic.the associated text, like a story book or comic.
An illustration is artwork that accompanies text
Graphic DesignersGraphic Designers assemble together images,assemble together images,
typography, or graphics to create a piece of design. Atypography, or graphics to create a piece of design. A
graphic designer creates the graphics primarily forgraphic designer creates the graphics primarily for
published, printed or electronic media, such aspublished, printed or electronic media, such as
brochures, websites and advertising.brochures, websites and advertising.

Slo study guide 2015

  • 1.
    ART SLOART SLO StudyGuideStudy Guide 20152015 This is an edited version of an original SLO ppt study guide fromThis is an edited version of an original SLO ppt study guide from http://http://www.uek12.org/MrRodriguesSite.aspxwww.uek12.org/MrRodriguesSite.aspx
  • 2.
    -The Elements ofTheElements of DesignDesign –– The basic ingredients used by the artist when producing works of art. Those elements are shape, form, value, line, color, texture, and space. The “real” definition of …. * Successful 7th Grade Students are to identify and understand how artists use all 7 of the Elements of Design.
  • 3.
    Line Shape Value Form Texture Color The Ingredients (The Elementsof Design) The Burger (The Composition) Space
  • 4.
    The Burger (The Composition) TheIngredients (The Elements of Design)
  • 5.
    A mark madeby a moving point that has length and direction. Often is defines a space, and may create an outline or contour.
  • 6.
    Words that DESCRIBELine include; vertical, horizontal, diagonal, straight or ruled, curved, bent, points, angular, thin, thick, or wide, interrupted (dotted, dashed, broken) blurred or fuzzy… Understanding how artists use LINE by KQED 3.25 minutes
  • 7.
    GESTURE DRAWINGGESTURE DRAWING A work of art defined by a rapid drawingA work of art defined by a rapid drawing style. Usually looks hurried and “messy.”style. Usually looks hurried and “messy.”
  • 8.
    RHYTHM and Understanding Rhythmin a work of art RhythmRhythm is the repetition or alternation of elements, often with defined intervals between them. Rhythm can create a sense of movement, and can establish pattern and texture. There are many different kinds of rhythm, often defined by the feeling something evokes when viewed. - regular, flowing, progressive (sequence)
  • 10.
    MM OO VVEE MM EE NN TT Movement is the art principle that uses some of the elements of art to produce the look of action or to cause the viewer’s eye to sweep over the art work in a certain manner.
  • 11.
    In Starry Night,famed artist Vincent Van Gogh creates movement in his sky. How does he show us this?
  • 12.
     Symmetrical balance:where the art elements in a composition are evenly balanced. The balance can be a mirror image or equal  Asymmetrical balance: refers to a design that has dissimilar elements but still appears balanced, dividing a picture in half won't have the exact same elements however the elements they do have are varied and seem to balance one another out. B a l a n c eBalance refers tothe arrangementof the parts of theartwork equally ornear equally interms of“visual weight" oneach side.
  • 15.
    Variety Variety is aprinciple of design that refers to a way of combining visual elements. It is a technique used by artists who wish to increase the visual interest of their work. Artwork that makes use of many different hues, values, lines, size, textures, and shapes reflects variety. Keeping the same size while changing the color can also
  • 16.
    VARIETY THROUGH REPETITIONVARIETYTHROUGH REPETITION  When an artist uses repeating shapes orWhen an artist uses repeating shapes or designs AND varies each design in some waydesigns AND varies each design in some way to create further interest.to create further interest.
  • 17.
  • 18.
    S h ap e . Geometric Shapes that are created through use of mathematics. These shapes include Circle, Oval, Triangle, Square, Rectangle, Hexagon, Octagon and Pentagon. Organic An irregular shape, or one that might be found in nature, rather than a regular mechanical shape. An enclosed space
  • 19.
    This painting byFrank Stella contains interlocking geometric shapes. This painting by James Roper shows an explosion of organic and cloudlike shapes. Understanding how artists us SHAPE by KQED 3.21 min
  • 20.
    form An element ofart that is three dimensional, or 3-D, which means the object has (1) height, (2) width, and (3) depth.
  • 21.
    FormForm Examples of FORMinclude Cubes, Spheres, Pyramids, Cones, and Cylinders or any 3D art including sculpture, architecture, pottery, jewelry, etc. *
  • 22.
    Vs. How are thesethe same ? How are these different? Which is a form? Which is a shape? How do you know? Understanding Form (good description of form on a 2D surface) by KQED Arts 2.57 minutes
  • 23.
    S P AC ES P A C EAn element of art that refers to the distance or area between, around, above, below, or within things.
  • 24.
    Understanding how artistsuse SPACE by KQED 4.53 minutes S P A C E as an Element of Design refers to distances or areas around, between or within things in a work of art. •SPACE includes the background, foreground and middle ground, •SPACE are two kinds of space: negative space and positive space.
  • 25.
    background- is perceivedfurthest from the viewer. middle ground -located between foreground and background. foreground -appears closest to the viewer within a composition is divided into three parts….the foreground, middleground, and background. You must be able to identify these parts. SPACE
  • 26.
  • 28.
    V A LU EV A L U E * An element of art that refers to the lightness or darkness of a color Applying VALUE in a drawing also describes 3-D objects
  • 29.
    Techniques used toachieve various degrees of Value are Hatching and Crosshatching. Understanding how artists use VALUE by KQED 3.36 Shading/Blending Crosshatching Hatching
  • 30.
    In which drawingdid the artist apply VALUE by crosshatching? How do you know?
  • 31.
    Color is producedwhen light strikes an object and reflects back to the eyes. COLOR*
  • 32.
    Complementary Colors* AnalogousPrimary/Secondary Colors opposite on the color wheel Colors next to each other Color Schemes
  • 33.
  • 34.
    Pure Color Tint (color+ white) Shade (color + black Tone (color + grey) To create a TINT of a color – Add White To create a SHADE of a color – Add Black To create a TONE of a color – Add Grey
  • 35.
    Monochromatic * A workof art showing different VALUES of one color Understanding Color Theory Basics by KQED Arts
  • 36.
    Contrast Emphasizes the differencebetween two or more Elements of Design
  • 37.
    Colors – warmvs. cool, complementary, intense vs. dull Textures – smooth vs. rough Line Direction – horizontal vs. vertical/diagonal/curved Some of the most common ways of creating Contrast are by creating differences in: Sizes – large vs. small Shapes – geometric vs. organic/free Form- real vs. abstract Values – light vs. dark and Contrast 1.52 minutes
  • 38.
    COMPLEMENTARY COLORSCOMPLEMENTARY COLORS Colors that are opposite one another on theColors that are opposite one another on the color wheel. Complementary colors oftencolor wheel. Complementary colors often “vibrate” when put next to one another“vibrate” when put next to one another
  • 39.
  • 40.
    COLOR INTENSITYCOLOR INTENSITY Examines how bright or dull a color isExamines how bright or dull a color is (how intense a color is). The highest(how intense a color is). The highest intensity would be the pure color (orintensity would be the pure color (or hue) from the color wheel. The dullest orhue) from the color wheel. The dullest or lowest intensity color would be wherelowest intensity color would be where you can’t even discern the color b/c of soyou can’t even discern the color b/c of so much gray. Mixing two complementarymuch gray. Mixing two complementary colors makes a dark brown/gray color;colors makes a dark brown/gray color; this is a low intensity color.this is a low intensity color.
  • 41.
    Which are highintensity?Which are high intensity? Which are low intensity?Which are low intensity?
  • 42.
    * An element ofart, texture is the surface quality or "feel" of an object,, its smoothness, roughness, softness, etc. Textures may be Actual or Implied
  • 43.
    While simulated texturesare suggested by* an artist in the painting of different areas of a picture — often in representing* drapery, metals, rocks, hair, etc. Actual textures can be felt* with the fingers Understanding Texture by KQED Arts
  • 44.
    Emphasis creates adisruption to the eye’s movement in an artwork and develops a center of interest, or focal point. EMPHASIS *
  • 45.
    Steps in theCreative ProcessSteps in the Creative Process 1.1. DEFINEDEFINE the problemthe problem 2.2. BRAINSTORMBRAINSTORM solutionssolutions 3.3. EVALUATEEVALUATE possible solutions choose 1possible solutions choose 1 directiondirection 4.4. WORKWORK 5.5. REFINE/REVISEREFINE/REVISE the workthe work
  • 46.
    AESTHETICSAESTHETICS  When youstudy aesthetics in Art class,When you study aesthetics in Art class, you are examining why we like anyou are examining why we like an artwork (your personal aesthetic) andartwork (your personal aesthetic) and why an artist used certain colors, ideas,why an artist used certain colors, ideas, shapes, and themes (the aesthetic of theshapes, and themes (the aesthetic of the artist).artist).
  • 47.
    ART CRITICISMART CRITICISM Is responding to, interpreting meaning, andIs responding to, interpreting meaning, and making critical judgments about works of art.making critical judgments about works of art. Whenever you look at an artwork (of any kindWhenever you look at an artwork (of any kind and state your opinion, you are participatingand state your opinion, you are participating inin art criticismart criticism
  • 48.
    Art AnalysisArt Analysis Identifying and examining specific partsIdentifying and examining specific parts of artworks to see how they workof artworks to see how they work individually and as part of a largerindividually and as part of a larger artworkartwork
  • 49.
    MUSEUMSMUSEUMS  The purposeof modern museums is to collect,The purpose of modern museums is to collect, preserve, interpret, and display items ofpreserve, interpret, and display items of cultural, historical, and/or scientificcultural, historical, and/or scientific significance for the education of the public.significance for the education of the public.
  • 50.
    Value of AncientArtworkValue of Ancient Artwork  We study ancient and old artwork b/c byWe study ancient and old artwork b/c by doing so we learn about our own creativedoing so we learn about our own creative expression, and those of the past. Also, manyexpression, and those of the past. Also, many ancient artworks inform other cultures andancient artworks inform other cultures and artists.artists.
  • 51.
    ILLUSTRATIONILLUSTRATION  A pictureillustrating a book, newspaper etc.A picture illustrating a book, newspaper etc. An artwork that tells a story through visualAn artwork that tells a story through visual means.means.
  • 52.
    IllustratorsIllustrators provide avisual representationprovide a visual representation (illustration) that corresponds to the content of(illustration) that corresponds to the content of the associated text, like a story book or comic.the associated text, like a story book or comic. An illustration is artwork that accompanies text
  • 53.
    Graphic DesignersGraphic Designersassemble together images,assemble together images, typography, or graphics to create a piece of design. Atypography, or graphics to create a piece of design. A graphic designer creates the graphics primarily forgraphic designer creates the graphics primarily for published, printed or electronic media, such aspublished, printed or electronic media, such as brochures, websites and advertising.brochures, websites and advertising.