This document analyzes the opening sequence of the film "The Girl with the Dragon Tattoo" through its use of sound and visual shots. It discusses how the soundtrack connotes negative winter aspects and mystery. Shots of an isolated house connote the setting and pace of events. A medium shot of a man on the phone intensifies the importance of the call and secrets he hides. A close-up of another man listening intently connotes his role as an investigator. A tilt to an image brings back bad memories for the main character, subverting the positive connotations of flowers. Overall, the analysis examines how the sequence uses visual and audio techniques to set up intrigue and disequilibrium central to the thriller genre.