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The document discusses how the film Scream (1996) subverts horror genre conventions by killing off the protagonist early. It says many horror films have similar narratives but also differences. The production this refers to is opening with a death, like Scream, which challenges expectations and prevents things from becoming boring or unappealing to audiences. Having death at the beginning is meant to make the audience uneasy, while subsequent dating scenes are intended to bring pleasure by getting the niche audience excited for the protagonist.




