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Reading Comprehension 1 (Well Read) Chapter 2
King Kong was a pioneering film that utilized groundbreaking special effects for its time, such as an 18-inch model of Kong that appeared 50 feet tall on screen. The film inspired many modern effects through techniques like stop-motion animation. Legendary special effects artist Ray Harryhausen is renowned for his use of stop-motion to bring fantastical creatures and scenes to life in films like Jason and the Argonauts.
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Presentation by Laurette and LeRoy Simmons, introducing visual aids in film.
King Kong (1933) showcased groundbreaking special effects, influencing modern cinema.
Ray Harryhausen pioneered stop-motion techniques and contributed to iconic films.
The transcript discusses stop-motion techniques and popular films associated with them.
Cost analysis of famous movies with special effects, including earnings and production costs.
Special effects secrets: transformations, disappearing effects, and creating realistic creatures.
Summary of methods used in special effects, such as transformations, disappearances, and realistic models.
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Reading Comprehension 1 (Well Read) Chapter 2
- 1. Visual Aids byLaurette P. Simmons Ph.D. and LeRoy F. Simmons Ph.D.
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- 6. King Kong: AMovie Classic1 1 You can see almost anything in movies today: People fly in the air. Monsters appear from nowhere. Animals talk. Movies can make the impossible seem possible. How? Special effects. Many movies are famous in film history because of their special effects. King Kong (1933) is one of these. King Kong wa one of the first movies with special effects. King Kong led to many of the special effects (FX) technique modern movies such as Jurassic Park and Alien. 2 Most critics agree: the dialog3 and acting in King Kong weren’t very good. However, there is some kind of special effect in almost every scene. For 1933, this was very unusual. It looked like an expensive movie, but it cost only $600,000 to make. (To compare, the 2005 King Kong by Peter Jackson cost over $200 million to make.) The filmmakers made many of the FX scenes in the original King Kong in two days. Today, similar scenes in modern films might take two weeks to create. 3 In King Kong, a man finds a gigantic gorilla, King Kong, in Africa. He takes the gorilla to New York City. King Kong escapes and terrorizes4 the city. FX scenes show Kong fight with dinosaurs, a giant snake, and a flying reptile. Later in the movie, the giant gorilla climbs to the top of the Empire State Building and holds a tiny woman. In many scenes, King Kong was only an 18-inch model, but he looked 50 feet tall. The movie actually frightened many audience members. 4 King Kong isn’t a perfect movie. But the story and FX scenes still affect5 audiences. This is why it will always be a great movie classic. 1 a movie classic: a movie that is popular for a long time 2 techniques: ways of doing things 3 dialog: the speaking parts in a movie 4 terrorizes: frightens 5 affect: influence; have an effect on
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- 10. Ray Harryhausen, SpecialEffects Genius Just about everyone in the field of special effects respects Ray Harryhausen. Ray Harryhausen is a famous for his stop- motion FX technique---turning the camera off, changing a scene, and turning the camera on again. Growing Up Ray was born in Los Angeles in 1920. He saw The Lost World in 1925 and the special effects impressed him. In 1933, Ray saw King Kong. In the lobby, there was a collection of stills, pictures from the film. The pictures inspired Ray. He asked the theatre manager if he could borrow them. The theatre manager said no because he didn’t own the stills, but he gave Ray the name of the person who did ---Forest Ackerman. Ackerman loaned Ray the pictures. Ackerman introduced Ray to science fiction and the two became friends for life. In his teens, Ray learned a lot about special effects by himself. He did experiments with special effects in his background. He made models and studied photography. At the age of 19, he had an idea for a film about a creature from Jupiter. He never made the film, but he made all the sketches, or drawing, for the film and created a model of the creature. The First Big Project His first big project was called Evolution. He planned to make a history of the beginning of the world. His favorite part was making models of dinosaurs, ancient extinct reptiles. He also made a wooly mammoth ----an extinct type of elephant-----covered with fur. Ray used fur from one of his mother’s coats to make the model. He never completed his project, but he used the models for it. Later, he went to get jobs, and he took the models with him to show his work. Careers Success In the 1950s, movie audiences loved science fiction. In 1953, Ray made a movie called Beast from 20,000 Fathoms. In the movie, a giant octopus destroys the Golden Gate Bridge. To save money, he made the octopus with only six tentacles, or arms. Moviegoers didn’t notice. Ray went on to make many important movies. He made The Voyage of Sinbad, Jason and the Argonauts, and, his last movie, Clash of the Titans. These are all movies about great legends. In the world of special effects, Ray is a legend, too.
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- 13. the stop-motion technique KingKong Evolution, a history of the beginning of the world. He didn’t finish it. He made an octopus with only six tentacles. The Voyage of Sinbad, Jason and the Argonauts, Clash of the Titans SB page 24
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- 15. turning the cameraoff, changing a scene, and turning the camera on again drawings an extinct type of elephant arms SB page 25
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- 19. The Cost ofSpecial special, effectsEffects; important words: cost, Title, Year Released, Cost of Making the Movie, Total Amount Earned movie titles: Jurassic Park, Titanic, The Matrix, Mission to Mars, The Mummy Returns SB page 26
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- 21. King Kong; $459m Titanic; $200 m The Lord of the Rings: Return of the King$94 m The Mummy Returns & AI: Artificial Intelligence; The Mummy Returns Mission to Mars & AI: Artificial Intelligence SB page 28
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- 24. How They DidIt: Secrets from FX Experts The theater goes dark, the movie begins, and the audience is waiting expectantly. Anything can happen, especially when a movie has great special effects. Some moviegoers just relax and enjoy the scenes. Others wonder: “How did they do that?” How does a person become an animal? How do people disappear in movies? Where do they get those real-looking dinosaurs? Here are some FX secrets. 2 Changing How do FX specialists turn a person into an animal? For example, in The Wolf Man (1941), the main character, played by Lon Chaney Jr., goes outside at night. There’s a full moon. Suddenly, his face begins to change. He grows hair and sharp teeth. Now he’s a werewolf, a creature that is half-man, half-wolf. How did they do it? To create this effect, makeup artists applied fake hair and teeth to the actor’s face. They did this in stages. Here’s how: First, with the camera off, the makeup artists applied a little hair and put on slightly longer teeth. Then the camera filmed the ctor. The camera turned off again, and the artists put on a little more hair and even longer teeth. They repeated this until the actor’s transition to “werewolf” was complete. Disappearing In many films, characters and objects suddenly disappear. For example, in The Wizard o f Oz (1939), Dorothy throws water on the Wicked Witch of the West. The witch melts and vanishes in a cloud of steam. Here’s how the FX specialists made this happen: Margaret
- 25. 4 Fantastic Creatures Dinosaurs,monsters, and imaginary creatures look real and move realistically in many special effect scenes. A good example is in Jurassic Park (1993). In one scene, a dinosaur —a Tyrannosaurus rex—attacks a man. To make realistic dinosaurs for Jurassic Park, FX specialists studied the work of paleontologists, people who study ancient animals. They learned how dinosaurs really looked and moved. They built models of dinosaurs. They made the models move with hydraulic systems—systems that use the force of water to make machines move. They also used a remote control system called telemetry. These two systems were programmed into a computer. The computers ran5 the models. This made the dinosaurs’ movements seem realistic because they looked the same every time the creatures moved. Some moviegoers are curious about FX secrets; others are not. Either way, good special effects help filmmakers tell stories with imagination, and they enable audiences to experience fantasy. Hamilton, the witch, was actually standing on a small elevator in this scene. It was built into the floor of the set. Her clothes were nailed to the floor. They stayed in place as Hamilton went below the floor on the elevator. Her clothes contained pieces of dry ice (CO2). Water mixed with CO2 makes steam, so the witch looked like she was disappearing in a cloud.
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- 30. how FX specialistsmake things and people change how FX specialists make things and people disappear how FX specialists make fantastic creatures a man becomes a werewolf in The Wolf Man a witch “melts” in The Wizard of Oz making the dinosaurs for Jurassic Park SB page 32
- 31. half-man, half-wolf She’s standingon an elevator with her clothes nailed to the floor. They stay in place as she goes down the elevator. dry ice mixed with water they learned by studying the work of paleontologists The computers made the dinosaurs move. SB page 32