Life After
 Art School
the endless possibilities of the BFA

               jen meyer
           jennifer.meyer@wustl.edu
                  314.935.5930
                @jenloganmeyer
             careercenter.wustl.edu
What can I do with a BFA?
Here are some career paths:
Here are some career paths:
IN NOVATO R

BUSINESSM A N

EN TREPREN E U R

ACTIVIST

POLITICIAN

CREATOR

ART DIRE CTO R

PRODUCER

PUBLISHER
Here are some career paths:
IN NOVATO R        TE AC H E R

BUSINESSM A N      CH E F

EN TREPREN E U R   G A L L E RY OW N E R

ACTIVIST           A RTI S T

POLITICIAN         D ES I G N ER

CREATOR            FA S H I O N D E S I G NE R

ART DIRE CTO R     PRODUCT DESIGNER

PRODUCER           A R C H I TE C T

PUBLISHER
Here are some career paths:
IN NOVATO R        TE AC H E R                   A N I M ATOR

BUSINESSM A N      CH E F                        C U R ATOR

EN TREPREN E U R   G A L L E RY OW N E R         C R I TI C

ACTIVIST           A RTI S T                     W R I TER

POLITICIAN         D ES I G N ER                 PAINTER

CREATOR            FA S H I O N D E S I G NE R   V ID E O GR AP H ER

ART DIRE CTO R     PRODUCT DESIGNER              J E W E L ER

PRODUCER           A R C H I TE C T              A RT TH ER A P IST

PUBLISHER
Here are some career paths:
IN NOVATO R        TE AC H E R                   A N I M ATOR          A P PR A ISE R

BUSINESSM A N      CH E F                        C U R ATOR            W EB DES IGNE R

EN TREPREN E U R   G A L L E RY OW N E R         C R I TI C            MARKETING

ACTIVIST           A RTI S T                     W R I TER             SA LES

POLITICIAN         D ES I G N ER                 PAINTER               C .E.O.

CREATOR            FA S H I O N D E S I G NE R   V ID E O GR AP H ER

ART DIRE CTO R     PRODUCT DESIGNER              J E W E L ER

PRODUCER           A R C H I TE C T              A RT TH ER A P IST

PUBLISHER
Case Study 1:
   Mara MacMahon
technical art direction | communication design–illustration




  “I found a line of work that combines
     my creative side with my passion
                of science”
What can an artist bring
to the table?
To navigate the world today
        we need to be...
       INTERDISCIPLINARY
             FA S T- PA C E D
       OK WITH AMBIGUITY
                NIMBLE
PROCESS-ORIENTED THINKERS
        G LO BA L C I T I Z E N S
 C R E AT I V E P R O B L E M S O LV E R S
Case Study 2:
  Ellen Sitkin
designer | communication design–design
“As communicators in a world
which hinges on communication
[designers and artists] share a
large part of the responsibility for
the quality of public debate”

-Culture Agents
Artists and designers bring beautiful
      craft and powerful minds
inductive logic:
the logic that goes from specific to general


        deductive logic:
        the logic of what might be
abductive logic
designers and artists do this to create a fresh
           approach to a problem

abductive thinking is suggesting something may
   be and then reaching out to explore it
“In a global economy,
elegant design is
becoming a critical
competitive advantage.
Trouble is, most folks
don’t think like designers.”

-Bill Breen, Fast Company
Case Study 3:
Aaron Duffy
director | sculpture & design
Where can my major take me?
There are 6 majors offered at WashU:
There are 6 majors offered at WashU:
  Di gi t al I m agi n g &
  Photography

  Fashion Design

  Painting

  Printmaking/Drawing

  Sc ul pt ure

  Co mmu ni c a ti on D e s ig n

    Il lu s trat io n
    G r ap h i c D e s i g n
Case Study 4:
Jennifer Behr
 hair accessory designer | fashion
Case Study 5:
    Paul Dillinger
global creative director at levi strauss & co. | fashion
What else?
Beyond making, building, or
deconstructing stuff, you will walk
 away from your art education...
...having situated yourself for
abundant professional opportunities.
...having situated yourself for
abundant professional opportunities.
  Knowledge

  Di sc ip l ine

  Mentorship

  Co nn ec ti on s

  Cre d ibi l it y
“In school you do not only learn. You
become. The curriculum deconstructs the
way you think and reconstructs your mind
for the purpose of art. That is what sets a
professional apart from an amateur. An
amateur will always be "doing art". A
professional is hardwired for it.”

-Deviant Art
Case Study 5:
Jenny Murphy
 social entrepreneur | sculpture
Where do I go from here?
           t
For some, the path is obvious
Sculpture majors will become
Sculpture majors will become
         sculptors
Sculpture majors will become
         sculptors
Fashion majors will become
Sculpture majors will become
         sculptors
Fashion majors will become
     fashion designers
Sculpture majors will become
         sculptors
Fashion majors will become
     fashion designers
Painting majors will become
Sculpture majors will become
         sculptors
Fashion majors will become
     fashion designers
Painting majors will become
         painters
Sculpture majors will become
         sculptors
Fashion majors will become
     fashion designers
Painting majors will become
         painters
Design majors will become
Sculpture majors will become
         sculptors
Fashion majors will become
     fashion designers
Painting majors will become
         painters
Design majors will become
       designers
for others, less so.
Sculpture majors will become
Sculpture majors will become
      social workers
Sculpture majors will become
      social workers
Fashion majors will become
Sculpture majors will become
      social workers
Fashion majors will become
    Fulbright scholars
Sculpture majors will become
      social workers
Fashion majors will become
    Fulbright scholars
Painting majors will become
Sculpture majors will become
      social workers
Fashion majors will become
    Fulbright scholars
Painting majors will become
         publicists
Sculpture majors will become
      social workers
Fashion majors will become
    Fulbright scholars
Painting majors will become
         publicists
Design majors will become
Sculpture majors will become
      social workers
Fashion majors will become
    Fulbright scholars
Painting majors will become
         publicists
Design majors will become
        doctors
If you choose to have
an independent studio
or work in high-end
     branding
make cupcakes on a
  national show
or design for
sustainable solutions
the experiences you gather
     at art school can
      impact minds
the experiences you gather
     at art school can
     impact decisions
the experiences you gather
      at art school can
     impact outcomes
the experiences you gather
     at art school can
     impact the world
Case Study 4:
 sustainable art collective founded by three 2011 grads




SYLVA JOHNSON | SIENNA BALDI | LEAH NIXON
   photographer | printmaker | painter
Case Study 4:
MITCH Collective
 sustainable art collective founded by three 2011 grads




SYLVA JOHNSON | SIENNA BALDI | LEAH NIXON
   photographer | printmaker | painter
If the path of social responsibility
          is not for you...
or if the path of commercialism
          is not for you...
or you can’t bare to decide...
do not fear!
commercial success & social
responsibility are not incompatible.
AND DON’T FORGET
THAT WHATEVER PROFESSIONAL PATH YOU FOLLOW...
Plus, you’ll get to make cool stuff
You’ll get to
make cool
Plus, you’ll get to make cool stuff

 things
thank you!




JEN MEYER
                                                  jen meyer
005 STEINBERG HALL                      jennifer.meyer@wustl.edu
314.935.5930                                         314.935.5930
JENNIFER.MEYER@WUSTL.EDU                          @jenloganmeyer
CAREERCENTER.WUSTL.EDU
                                           careercenter.wustl.edu

What Can I Do With A BFA?

  • 1.
    Life After ArtSchool the endless possibilities of the BFA jen meyer [email protected] 314.935.5930 @jenloganmeyer careercenter.wustl.edu
  • 2.
    What can Ido with a BFA?
  • 3.
    Here are somecareer paths:
  • 4.
    Here are somecareer paths: IN NOVATO R BUSINESSM A N EN TREPREN E U R ACTIVIST POLITICIAN CREATOR ART DIRE CTO R PRODUCER PUBLISHER
  • 5.
    Here are somecareer paths: IN NOVATO R TE AC H E R BUSINESSM A N CH E F EN TREPREN E U R G A L L E RY OW N E R ACTIVIST A RTI S T POLITICIAN D ES I G N ER CREATOR FA S H I O N D E S I G NE R ART DIRE CTO R PRODUCT DESIGNER PRODUCER A R C H I TE C T PUBLISHER
  • 6.
    Here are somecareer paths: IN NOVATO R TE AC H E R A N I M ATOR BUSINESSM A N CH E F C U R ATOR EN TREPREN E U R G A L L E RY OW N E R C R I TI C ACTIVIST A RTI S T W R I TER POLITICIAN D ES I G N ER PAINTER CREATOR FA S H I O N D E S I G NE R V ID E O GR AP H ER ART DIRE CTO R PRODUCT DESIGNER J E W E L ER PRODUCER A R C H I TE C T A RT TH ER A P IST PUBLISHER
  • 7.
    Here are somecareer paths: IN NOVATO R TE AC H E R A N I M ATOR A P PR A ISE R BUSINESSM A N CH E F C U R ATOR W EB DES IGNE R EN TREPREN E U R G A L L E RY OW N E R C R I TI C MARKETING ACTIVIST A RTI S T W R I TER SA LES POLITICIAN D ES I G N ER PAINTER C .E.O. CREATOR FA S H I O N D E S I G NE R V ID E O GR AP H ER ART DIRE CTO R PRODUCT DESIGNER J E W E L ER PRODUCER A R C H I TE C T A RT TH ER A P IST PUBLISHER
  • 8.
    Case Study 1: Mara MacMahon technical art direction | communication design–illustration “I found a line of work that combines my creative side with my passion of science”
  • 9.
    What can anartist bring to the table?
  • 10.
    To navigate theworld today we need to be... INTERDISCIPLINARY FA S T- PA C E D OK WITH AMBIGUITY NIMBLE PROCESS-ORIENTED THINKERS G LO BA L C I T I Z E N S C R E AT I V E P R O B L E M S O LV E R S
  • 11.
    Case Study 2: Ellen Sitkin designer | communication design–design
  • 12.
    “As communicators ina world which hinges on communication [designers and artists] share a large part of the responsibility for the quality of public debate” -Culture Agents
  • 13.
    Artists and designersbring beautiful craft and powerful minds
  • 14.
    inductive logic: the logicthat goes from specific to general deductive logic: the logic of what might be
  • 15.
    abductive logic designers andartists do this to create a fresh approach to a problem abductive thinking is suggesting something may be and then reaching out to explore it
  • 16.
    “In a globaleconomy, elegant design is becoming a critical competitive advantage. Trouble is, most folks don’t think like designers.” -Bill Breen, Fast Company
  • 17.
    Case Study 3: AaronDuffy director | sculpture & design
  • 18.
    Where can mymajor take me?
  • 19.
    There are 6majors offered at WashU:
  • 20.
    There are 6majors offered at WashU: Di gi t al I m agi n g & Photography Fashion Design Painting Printmaking/Drawing Sc ul pt ure Co mmu ni c a ti on D e s ig n Il lu s trat io n G r ap h i c D e s i g n
  • 21.
    Case Study 4: JenniferBehr hair accessory designer | fashion
  • 23.
    Case Study 5: Paul Dillinger global creative director at levi strauss & co. | fashion
  • 24.
  • 25.
    Beyond making, building,or deconstructing stuff, you will walk away from your art education...
  • 26.
    ...having situated yourselffor abundant professional opportunities.
  • 27.
    ...having situated yourselffor abundant professional opportunities. Knowledge Di sc ip l ine Mentorship Co nn ec ti on s Cre d ibi l it y
  • 28.
    “In school youdo not only learn. You become. The curriculum deconstructs the way you think and reconstructs your mind for the purpose of art. That is what sets a professional apart from an amateur. An amateur will always be "doing art". A professional is hardwired for it.” -Deviant Art
  • 29.
    Case Study 5: JennyMurphy social entrepreneur | sculpture
  • 30.
    Where do Igo from here? t
  • 31.
    For some, thepath is obvious
  • 33.
  • 34.
    Sculpture majors willbecome sculptors
  • 35.
    Sculpture majors willbecome sculptors Fashion majors will become
  • 36.
    Sculpture majors willbecome sculptors Fashion majors will become fashion designers
  • 37.
    Sculpture majors willbecome sculptors Fashion majors will become fashion designers Painting majors will become
  • 38.
    Sculpture majors willbecome sculptors Fashion majors will become fashion designers Painting majors will become painters
  • 39.
    Sculpture majors willbecome sculptors Fashion majors will become fashion designers Painting majors will become painters Design majors will become
  • 40.
    Sculpture majors willbecome sculptors Fashion majors will become fashion designers Painting majors will become painters Design majors will become designers
  • 41.
  • 43.
  • 44.
    Sculpture majors willbecome social workers
  • 45.
    Sculpture majors willbecome social workers Fashion majors will become
  • 46.
    Sculpture majors willbecome social workers Fashion majors will become Fulbright scholars
  • 47.
    Sculpture majors willbecome social workers Fashion majors will become Fulbright scholars Painting majors will become
  • 48.
    Sculpture majors willbecome social workers Fashion majors will become Fulbright scholars Painting majors will become publicists
  • 49.
    Sculpture majors willbecome social workers Fashion majors will become Fulbright scholars Painting majors will become publicists Design majors will become
  • 50.
    Sculpture majors willbecome social workers Fashion majors will become Fulbright scholars Painting majors will become publicists Design majors will become doctors
  • 51.
    If you chooseto have an independent studio
  • 52.
    or work inhigh-end branding
  • 53.
    make cupcakes ona national show
  • 54.
  • 55.
    the experiences yougather at art school can impact minds
  • 56.
    the experiences yougather at art school can impact decisions
  • 57.
    the experiences yougather at art school can impact outcomes
  • 58.
    the experiences yougather at art school can impact the world
  • 59.
    Case Study 4: sustainable art collective founded by three 2011 grads SYLVA JOHNSON | SIENNA BALDI | LEAH NIXON photographer | printmaker | painter
  • 60.
    Case Study 4: MITCHCollective sustainable art collective founded by three 2011 grads SYLVA JOHNSON | SIENNA BALDI | LEAH NIXON photographer | printmaker | painter
  • 61.
    If the pathof social responsibility is not for you...
  • 62.
    or if thepath of commercialism is not for you...
  • 63.
    or you can’tbare to decide...
  • 64.
  • 65.
    commercial success &social responsibility are not incompatible.
  • 66.
    AND DON’T FORGET THATWHATEVER PROFESSIONAL PATH YOU FOLLOW...
  • 67.
    Plus, you’ll getto make cool stuff
  • 68.
    You’ll get to makecool Plus, you’ll get to make cool stuff things
  • 69.
    thank you! JEN MEYER jen meyer 005 STEINBERG HALL [email protected] 314.935.5930 314.935.5930 [email protected] @jenloganmeyer CAREERCENTER.WUSTL.EDU careercenter.wustl.edu