LITERATURE REVIEW

MUSEUM - A museum is an institution dedicated to displaying and/or preserving culturally or scientifically significant objects. Many museums have exhibitions of these
objects on public display, and some have private collections that are used by researchers and specialist.

SPACE REQUIREMENTS

ACCESSIBILITY AND CIRCULATIONS

ANTHROPOMETRY VIEWING PARAMETER

REMARKS SHEET NO:- DATE OF SUBMITTED BY :- KUMAR PRIYANSHU

ARCHITECTURAL DESIGN – III SUBMISSION MD.ADNAN
CHAITANYA
AP-201
FIRE SAFTEY AND STANDARDS

REMARKS SHEET NO:- DATE OF SUBMITTED BY :- KUMAR PRIYANSHU

ARCHITECTURAL DESIGN – III SUBMISSION MD.ADNAN
CHAITANYA
AP-201
 REMARKS SHEET NO:- DATE OF SUBMITTED BY :- KUMAR PRIYANSHU
ARCHITECTURAL DESIGN – III SUBMISSION MD.ADNAN
CHAITANYA
AP-201
 KIRAN NADAR MUSEUM OF ART
ABOUT KNMA :- Established at the initiative of the avid collector Kiran Nadar, KNMA (TheKiran Nadar Museum of Art) opened its doors to the public in
January 2010,as the first private museum of Art exhibiting Modern and contemporaryworks from India and the subcontinent. KNMA as a non-
commercial, not-for-profit organization intends to exemplify the dynamic relationship between art and culture through its exhibitions,
publications, educational and public programs.Sponsored by the Shiv Nadar Foundation, KNMA.
ABOUT SHIV NADAR FOUNDATION-
The Shiv Nadar Foundation has been established by Shiv Nadar, Founder,HCL - a leading technology and IT enterprise, with over 90,000 employeesacross
31 countries.

LOCATION:- No. 145, DLF South Court Mall, near Select Citywalk CONCEPT BEHIND KNMA-
Mall, Saket District Centre, District Centre, Sector 6, Saket, New Delhi, Kiran nadir, a collector. Started the KNMA when the wall of her housegot crowded
Delhi 110017 and that was the time to throw the collection for publicfor open viewing.
The contemporary Asian art contained in themuseum is one the most expensive
collection.
What is the main mission of the Kiran Nadar
Museum of Art?
It is focused on bridging the gap between art and
BUILT UP AREA:- The Kiran Nadar Museum of Art (KNMA) in Saket, the public and fostering a museum-going culture in
Delhi, has a built-up area of approximately 32,000 square feet. This India. In order to activate the museum as a site for
expansive space allows for a variety of exhibitions, educational visual and intellectual dialogue, the museum aims
programs, and community events, making it a prominent venue for to develop innovative programs that seek active
contemporary art in India. collaborations from artists as well as the public.

REMARKS SHEET NO:- DATE OF SUBMITTED BY :- KUMAR PRIYANSHU

ARCHITECTURAL DESIGN – III SUBMISSION MD.ADNAN
CHAITANYA
AP-201
ASTHETIC DETAILS- LIGHTING- PLAN-
KNMA is a single floored museum at The main focus was put on the LED The big block is divided in 13
the south court mall. A largeblock is lighting, and flood lights wereused smaller rooms without doors,
separated with wooden walls rarely. LED are directional lights and and onehall type of
plastered and painted in pale white are used to highlight theimportant space. Each room contains
color, texture of the walls was grained and focused things in the whole works of different artists.
for better grip ofpaintings. There environment and to createdeep shade Asmentioned.
are two main entries that and shadow for the desirable effect. Certainly! Here’s the revised
are accessible from differentblocks of So, they were used tohighlight the overview of the visitor route
the mall. Both the entries lead to precious paintings, sculptures, and and circulation in the Kiran
reception area, which isbeautifully other decorations. Asit is inside the Nadar Museum of Art, Saket, focusing on the key features:
decorated with wooden textures and mall so it is only artifically lightten, Clear Pathways: The layout includes wide, clearly marked pathways that
other material and asmall art shop there were no window slits of guide visitors through the galleries, allowing for easy navigation.
from where u can buy some small incoming natural lights. Sequential Flow: The design promotes a natural progression from one
item such as. Books,paintings etc. exhibition space to another, encouraging visitors to explore all areas of
the museum.
Central Atrium: The atrium serves as a central hub, providing a gathering
space and visual connection to various galleries.
Interactive Spaces: Designated areas encourage interaction, such as
The Kiran Nadar Museum of Art in Saket, Delhi, showcases seating for reflection and discussion, enhancing visitor engagement with
a blend of modern architecture and thoughtful interior design. the art. SUMMARY:-
The materials used in its interiors include: FLOORING:- White cemented,
Concrete: For structural elements, providing a robust and contemporary feel. wooden, anti skit tiles
Glass: Large windows and installations create a sense of openness and allow natural CEALING:- False cealing
light to flood the spaces. NO.OF FLOORS :- Single florred
Wood: Used in flooring and furniture, adding warmth and texture. THEATER:- YES
Stone: Often used for flooring and walls, contributing to an elegant and sophisticated LIGHTING:- LED, decoration lights
aesthetic. NO.OF ROOMS :- 13
Metal: Elements like steel and aluminum may be incorporated in railings and fixtures, BACKGROUND MUSIC :- YES
giving a modern touch. HOLIDAY:- Monday closed
The overall design emphasizes minimalism and functionality, allowing the artworks to TICKETS:- free
take center stage.
REMARKS SHEET NO:- DATE OF SUBMITTED BY :- KUMAR PRIYANSHU
ARCHITECTURAL DESIGN – III SUBMISSION MD.ADNAN
CHAITANYA
AP-201
 B-ARCH

DELHI

2° 00 SUBMITTED

SUBMITTED

AP
BY
TO
YEAR
i- 201
DESIGN
TECHNICAL

30
KUMAR

5EM
8180O1623 -II
ArSMITA

CAMPU6 ARCHITECTURAL

PRIYANSHU

TRIPATH
 CAMIS TECHNICAL
82OHITECTURAL
DELH
ARGH

3SEH 2YEAR
27AUG2024BARO
5CENOi
PRIYANEHU KuMAR
REHARH
VESIGN
MINOR
X2b006HH 3000
Ko00 5000
K

00
15
MH

EXHBIToN EXHBITION
PASSMeE

20000 20000
HM
X

MOLTIPURPOSE
HAL

PLAN

KOOr
FLOOR

PLAN
PLAN
ROOF
 NOIDA GREATER DESIGN-1
TECHNICAL
CAMPUS ARCHITECTURAL
DELHI
BARCH
AP

201

2021
0C1
20

5EM
3*O
2no

YEAR
SUBJECT:
REMARKI
DESIGN
DATE:
MAJOR
PRIYANSHU KUMAR
NO:
SHEET
210M
SECTIONAA
AL

PLAN
SITE
10°c WINTER-
HUMIDTY RELATIVE
4oc
35'C SUMMER
-

-
45C
CLIMATE CONPOSITE
WITH YEAR THE THROUGHOUT -TLY
HEIGHT PERMMISSIBLE
2\M
SIGNIFI VARIES TEMPERATURE:-
WI8
REAR
CAN
IT
SIDE PROPOSED
BA

SrTE. PROJECT SECTION

AM
V|CINITY THE LIES DRAINAGE
THE
B-B'
FRONT
IN

OF
NATURAL NRTH TOWARDS SITE
M
12
ND
SACKS
THE ADJACENT DRAIN
SET
TO
1S
A-A
POS
PRD

ED
MCD AND EAST TONARDS O:73 hJITHIN
PERMI5sIBLE
KM
DRAINAGE
FAR
COMING YAMUNA RIVER
1S
COvERAGE
1-2 40/
GROUND PERMISSIBLE
EQUIVALENT
SPACES CAR
5ECTION
CAPACITY HAVE zONE
IO0o OVER
AND
SPACE PARKING
MAIDAN PRAGATI
THE
IN
:
CURRENTLY
MATOR USED BEIN
A
AS
G

LAWS
CÔNDITION SITE
BY
SITE PROPSED
IS
60m
156M

RISE
SUN
METRO
STATION
SUPREHE
COURT
WINTER
NOON
DMRC
-8

KM

SECTION-

B-
SUMMER
B'
BHAIRON
DELHI ROAD
NE
aEVENING
MAIDAN PRAG LOCATION
ATI
aUILA PURANA BEHINO
-
BHAIRCN DELHI 51TE
MARG
S5E

SE

AT
IN
16
L0CATION
ESE

S1TE
S5N

E
SW

ENE
SUN

SET

NDLS 45KM
NE

WIND

FLOLW
NEnJ
DELMI
IGI
IKH
NNE

APPROCH
N
WNW
PATH
SUN

NW
DIAGRAM

NNW

ANALY5I5
SiTE
 CANPUS TECHNI ÞELHII
DESIGN-I
CAL
2YEAR BARCH
ARCHITECTURAL
SEM
2024

3D
0CT
22
SHEET
PRIYANSHO KUHAR
DATE REMARK
MAJOR
SUBJECT:
DESIGN

NO:
AP201
ART. WITH
NHEELER ENGAGENENT
INTERACTION SPACES PUBLIC
AND
FOR
TNO
ELEHENTS NATURAL OTHE
40
AND OPEN AND GARDEN ScULPTURE OUTDOOR
GALLERIES
R
PLANT5 TOYNENT
AN

ARS
45
BUS
S
FOR PARKINb CLA3SIcAL DIGITAL OFFERING
FOR
AND
EN
ALSO IT
NHEELER SPACE AREA OUTDO0R
AND

ART

THE
FOR
OR
TWD AND CARS
Io
LEGACY TECTURAL ARCHI
COUNTRY'S
FOR5 PARKING
THE

FLECTING SPIRES
TEMPLE INDIAN
ANCIENT SEHBLING
,
RE
RE

DESIGNS OMETRIC
COMBINES MODE EXTERIOR
THE
GE
HERITA6€.
INDIAN PURITY SYMBOLIZING RN DESIGN
AND
THE

GARDEN
CANDELA
FELIX OcEANOGRAPHIC
LIKE
THE

RISE
GARD

EN
BUILDING DELHI TEMPLE LOTUS
CAFE AND LIKE
TEMPLE
SUN
AND
RESTAURANTS
MUSEUMs ICONIC FROM
INSPIRATION DRAWS
AND
IT

PEOPLE
SYNBOLI cULTURAL
ARCHITECTURE MODERND
200-3
PARKING
.
BLEND
, DELHI
AND

CONCEPT MUsEUM
OAT
OAT
SM. OF
IN

00 FOR
A
1S
|Ht

A4RKIN
GARDeN
GARDEN
SUN

SET

ZONING
51TE

1.

VE
DE
FORM

LOPMENT
CONCEPT
 DESIGN-TT
DELHI
TECHNICAL
CAMPUS
|ARCHITECTURAL
9
5UBJECT:-
MAJOR

NOV

BARCH
2024

2ND
DESIGN

YEAR

SEM
3R0
REMARK
AP20
PRIYANSHU
KUMAR
DATE!

SHEET

NO:
:
PLAN
5/TE
210000
-
D0072
-60000
156000
 14
12
CAMPUS
TECHNICAL
DELHI
B-ARCH
SEM
3RO
YEAR
2MO
NOV

2024
SHEET
1
PRIYA 5UBTECT:
KUMAR DATE:
REMARK
NO:
DESIGN
MAJOR

NSHU

PLAN
FLOOR_
Sy-mt
580
ROOM
SECURITY
PACES
-PUBLIC
NON

S
(54.
ROOM ELECTRICAL
13.
RO0M AHU 12.
TOLET
1.
CENTER
RESEARCH I0.
LIBRARY
RIUM AUDITO
98
AREA WORKSHOP
6EXHIBIT
7
GALLERY DISPLAY
SHOP
MUSEUM
5. 4.
CAFE
475SoyMt

KITCHEN
B
RECEPTION
3. 2.
LOBBY
1.

FLOOR

PLAN
450

SMt

MEZZAINE
300

Smt
450
sym
Sq
360

mt
Sa

3)mt

s50GA
LIFILI
uET
 CAMPUS NICAL
ARCHITECTURAL
TECH
DEH
YEAR BARH
3
201
RD

SEM
2ND
AP

SHEET PRIYANSHU KUNAR DATE REHARR

MAJOR
50BTECT
DESIGN

NO
ELEVATION
5|DE
EAST
4000
000
Ll000
WEST

VATION
ELE
SIDE
q000o
2l000
 CANPUS TECHNICAL DELHI
DESIGN-IIT
YEAR ARCH ARCHITECTU
SEM
3eo
2NO
202H
NOV

B.
RAL

9
MAJOR
KUMAR REMARK
SHEET PRIYANSHU
DESIGN
503JECT-AP201
PATE

NO:
BACK

ELEVATION
q0000
800022
200
FRONT

ELEVATION
90000
2594
S000
21000
 VESIGN
CAMPUS TECHNICAL
ARCHITECTURAL
DELHI
B

3RD
YEAR
2ND
ARCH

SEM
AP

201
SHEET PRIYANSHO KUMAR
5031ECT
DATE REMARK
NO
MAJOR

DESIGN

-
5ECTION

A-A'
9000

40000
B-B'
SECTION
T
HH